The Critique of Judgment: Theory of the Aesthetic Judgment and Theory of the Teleological Judgment
Aesthetics, Teleology, and the Antinomies of Human ReasonBy Immanuel Kant
Length14h 53m
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The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior.
Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.
Audiobook details
GenrePhilosophy
Length14 hrs 53 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateOct 1, 2015
LanguageEnglish
Table of contents
1The Critique of Judgment: Theory of the Aesthetic Judgment and Theory of the Teleological Judgment
17First Moment of the judgement of taste according to quality
2Editor’s Introduction
18Second Moment of the judgement of taste, viz. according to quantity
3Preface
19Third Moment of judgements of taste, according to the relation of the purposes which are brought into consideration therein
4Introduction
20Fourth Moment of the judgement of taste, according to the modality of the satisfaction in the object
5I. Of the division of Philosophy
21General remark on the first section of the Analytic
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6II. Of the realm of Philosophy in general
22Second Book Analytic of the Sublime
7III. Of the Critique of Judgement as a means of combining the two parts of Philosophy into a whole
23A.—Of the Mathematically Sublime
8IV. Of judgement as a faculty legislating a priori
24B.—Of the Dynamically Sublime in Nature
9V. The principle of the formal purposiveness of nature is a transcendental principle of judgement
25General remark upon the exposition of the aesthetical reflective Judgement
10VI. Of the combination of the feeling of pleasure with the concept of the purposiveness of nature
26Deduction of [pure] aesthetical judgements
11VII. Of the aesthetical representation of the purposiveness of nature
27Second Division: Dialectic of the Aesthetical Judgement
12VIII. Of the logical representation of the purposiveness of nature
28Part II: Critique of the Teleological Judgement
13IX. Of the connexion of the legislation of Understanding with that of Reason by means of the Judgement
29First Division: Analytic of the Teleological Judgement
14Part I: Critique of the Aesthetical Judgement
30Second Division: Dialectic of the Teleological Judgement
15First Division: Analytic of the Aesthetical Judgement
31Methodology of the Teleological Judgement
16First Book: Analytic of the Beautiful
32General remark on Teleology
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