Philosophy

The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)

Aesthetics, Teleology, and the Antinomies of ReasonBy Immanuel Kant

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The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior. Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.

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GenrePhilosophy

Length14 hrs 53 mins

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Publish dateOct 1, 2015

LanguageEnglish

1The Critique of Judgment

2Editor’s Introduction

3Preface

4Introduction

5I. Of the division of Philosophy

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6II. Of the realm of Philosophy in general

7III. Of the Critique of Judgement as a means of combining the two parts of Philosophy into a whole

8IV. Of judgement as a faculty legislating a priori

9V. The principle of the formal purposiveness of nature is a transcendental principle of judgement

10VI. Of the combination of the feeling of pleasure with the concept of the purposiveness of nature

11VII. Of the aesthetical representation of the purposiveness of nature

12VIII. Of the logical representation of the purposiveness of nature

13IX. Of the connexion of the legislation of Understanding with that of Reason by means of the Judgement

14Part I: Critique of the Aesthetical Judgement

15First Division: Analytic of the Aesthetical Judgement

16First Book: Analytic of the Beautiful

17First Moment of the judgement of taste according to quality

18Second Moment of the judgement of taste, viz. according to quantity

19Third Moment of judgements of taste, according to the relation of the purposes which are brought into consideration therein

20Fourth Moment of the judgement of taste, according to the modality of the satisfaction in the object

21General remark on the first section of the Analytic

22Second Book Analytic of the Sublime

23A.—Of the Mathematically Sublime

24B.—Of the Dynamically Sublime in Nature

25General remark upon the exposition of the aesthetical reflective Judgement

26Deduction of [pure] aesthetical judgements

27Second Division: Dialectic of the Aesthetical Judgement

28Part II: Critique of the Teleological Judgement

29First Division: Analytic of the Teleological Judgement

30Second Division: Dialectic of the Teleological Judgement

31Methodology of the Teleological Judgement

32General remark on Teleology

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