The Complete Portrait Manual

The Complete Portrait Manual

By Jideon Francisco Marques
Michael Caine
Listen with Sir Michael Caine™ and 1,000+ voices
Length2h 44m

About this audiobook

MEET YOUR DSLR There are tons of camera types on the market today—from cheap point-and-shoots to mirrorless interchangeable-lens (ILC) models, from tiny action cams to the camera on your smartphone. But for many dedicated shooters, the obvious first choice in equipment is still a digital single-lens reflex (DSLR) camera. Why? First, DSLRs allow a shooter to frame pictures with precision fairly easily. Second, the sheer number of lens types available lets one camera perform many functions. Like any new piece of equipment, function and controls can take some getting used to. Here's an overview of the main controls, as well as a quick peak at what's going on inside the camera itself. MANUAL FOCUS RING Don't want your camera to decide where to focus? Turn this ring. Want to make fine manual focus adjustments while using autofocus? Again, turn this ring. ZOOM RING When your DSLR is fitted with a zoom lens, use this ring to adjust for desired focal length—and determine how close or far away a subject in your shot appears. IMAGE STABILIZATION SWITCH Located on your lens or the body of your camera, this switch kicks image stabilization on and off. This function allows you to get sharper images of static objects without a tripod or in lower light than might be possible without it. HOTSHOE While it sounds like a dated dance move, it's actually where you attach a flash or other accessory to your camera. A lot of times, DSLRs come with covers to shield the hotshoe when it's not in use. MODE DIAL Use this dial to pick a shooting mode. Cede control of exposure settings to the camera in fully automatic mode, be a control freak in fully manual, or try one of the many preset program modes. ISO BUTTON This button controls the light sensitivity of your camera's image sensor. If you're shooting in ultrabright light, use a low ISO (50–200), and increase ISO in lower light. FYI, the higher the ISO in use, the more noise—visual distortion, often in the form of grainy or blotchy appearance—your image may have. AUTOFOCUS BUTTON Press this button to tell your DSLR to pick which elements in your shot should appear the sharpest. VIEWFINDER Peek through the viewfinder to make choices about how to compose and frame your shot. Through it, you'll see a corrected (read: right side up) version of the image that reflects off your camera's reflex mirror. SHUTTER Essentially a mechanical curtain, the shutter serves as a movable barrier between a camera's image sensor and its lens. Open the shutter, and your camera's reflex mirror pivots up, allowing an image to hit the image sensor. PENTAPRISM Not unlike the brain's visual cortex—the part of your brain that converts images your eyes see as upside down—this pentagon-shape prism flips an image out of reverse before sending it the viewfinder's way. IMAGE SENSOR A device covered with pixels (light-sensitive cells), an image sensor measures the intensity and color of an image that has passed through the shutter. Last, the image sensor converts these measurements into digital form—ultimately capturing your shot. REFLEX MIRROR When an image enters a lens, it's upside down. The reflex mirror reflects that image through a focusing screen, in the direction of the pentaprism. LENS Detachable lenses change your camera's capabilities by narrowing or widening a circular opening—the size of which is called the aperture—to control the amount of light that enters. Light passes through the lens on its way to the reflex mirror.

Audiobook details

GenreOther
Length2 hrs 44 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateDec 3, 2022
LanguageEnglish

Table of contents

1114 BLUR PLANES WITH A TILT-SHIFT LENS
2115 GO LONG WITH A PANORAMA
3116 PICK A PRIME OR A ZOOM
4117 WARP A SELFIE WITH A WIDE-ANGLE LENS
5118 GEAR UP FOR SELF-PORTRAITS
Show all chapters
6119 SET UP A MIRROR FOR SELF-PORTRAITS
7120 BLUR WITH BOKEH
8121 GO FOR TOTAL DEFOCUS
9122 DEVELOP A FLAIR FOR FLARE
10123 CREATE CATCHLIGHTS IN THE EYES
11124 LET THE EYES SAY IT ALL
12125 HARNESS SUNLIGHT WITH FOUND MODIFIERS
13126 BACKLIGHT FOR A GOLD GLOW
14127 TRACK THE SUN WITH AN APP
15128 GO WITH THE SUNNY 16 RULE
16129 BOOST EYES WITH A REFLECTOR
17130 DEAL WITH DAPPLED LIGHT
18131 WHITE OUT WITH AVEDON LIGHTING
19132 KNOW YOUR LIGHTING RATIOS
20133 MIMIC DUTCH MASTERS WITH WINDOW LIGHT
21134 CAPTURE NIGHTLIFE WITH MIXED LIGHT
22135 GO WITH BROAD OR SHORT LIGHTING
23136 SHOOT IN RAVE LIGHT
24137 WORK IMAGE STABILIZATION
25138 ROCK A CONCERT
26139 MAXIMIZE AN ACCESSORY FLASH
27140 UNDERSTAND FLASH FALLOFF
28141 WRAP AROUND WITH A RING LIGHT
29142 MAKE YOUR OWN ADJUSTABLE SNOOT
30143 USE A BLACK MARBLE TO FIND CATCHLIGHTS
31144 RIG A FLASH GRID WITH CARDBOARD
32145 ASSEMBLE A DIY REFLECTOR
33146 DECODE REFLECTOR COLORS
34147 SHOOT THROUGH A TRANSLUCENT UMBRELLA
35148 TRY A REFLECTIVE UMBRELLA
36149 MAKE IT AN EVEN SPLIT
37150 SUPERLOOP YOUR SUBJECT
38151 BLOW HAIR AROUND
39152 FLATTER SKIN
40153 CRAFT A BROODING LOW-KEY PORTRAIT
41154 GO BRIGHT WITH HIGH KEY
42155 DIFFUSE WITH A SOFTBOX
43156 ILLUMINATE WITH A BEAUTY DISH
44157 LINE UP YOUR BEAUTY DISH
45158 HACK TOGETHER A RING LIGHT
46159 MAKE A SALAD-BOWL BEAUTY DISH
47160 POWER LIGHTS WITH A CAR BATTERY
48161 TAKE REMBRANDT LIGHTING INTO THE FIELD
49162 COMPLIMENT WITH A CLAMSHELL
50163 GO HOLLYWOOD WITH PARAMOUNT LIGHTING
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