
The Recent Revolution in Organ Building
Being an Account of Modern DevelopmentsBy George Laing MillerLength4h 26m
About this audiobook
In "The Recent Revolution in Organ Building," George Laing Miller presents an insightful examination of the transformative advancements in organ construction during the late 19th and early 20th centuries. Navigating through the interplay of technological innovation and aesthetic refinement, Miller eloquently analyzes the shift from traditional practices to modern techniques, incorporating a detailed exploration of new materials and design methodologies. Written with precision and verve, the text is grounded in the broader context of musical and architectural evolution, placing organ building at the intersection of artistry and engineering. George Laing Miller, a noted figure in the realm of organ building and restoration, draws upon his extensive background in both music and craftsmanship to deliver this compelling narrative. His experiences as an organ builder and restorer, combined with a deep appreciation for historical instruments, inform his critical perspective, enabling him to articulate the underlying philosophies guiding the revolution in organ construction. Miller's expertise is further enriched by his interactions with contemporary craftsmen and musicians, providing a multifaceted view of the subject. I highly recommend "The Recent Revolution in Organ Building" to anyone with an interest in musicology, craftsmanship, or the historical evolution of musical instruments. Miller's work not only serves as an essential resource for scholars but also appeals to enthusiasts eager to understand the intricate balance between tradition and innovation in organ building.
Audiobook details
GenreOther
Length4 hrs 26 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateNov 26, 2019
LanguageEnglish
Table of contents
1Fig. 5. Tubular Pneumatic Action
2THE CRYING NEED FOR ELECTRIC ACTION.
3The First Electric Organ Ever Built. In the Collegiate Church at Salon, Near Marseilles, France (1866).
4DESCRIPTION OF THE ELECTRIC ACTION.
5Fig. 6. The Electro-Pneumatic Lever
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6Fig. 7. Valve and Valve Seat, Hope-Jones Electric Action
7DIVISION OF ORGANS.
8OCTAVE COUPLERS.
9DR. ALBERT PESCHARD. Inventor of Electro-Pneumatic Action.
10CHAPTER V.
11STOP-KEYS.
12Fig. 8. Console, Showing the Inclined Keyboards First Introduced Into This Country by Robert Hope-Jones
13Fig. 9. Console on the Bennett System, Showing Indicator Discs
14Fig. 10. Console of Organ in Trinity Church, Boston, Mass. Built by Hutchings Organ Co.
15Fig. 11. Console of Organ in College of City of New York. Built by The E. M. Skinner Co.
16CONTROL OF THE STOPS.
17CHAPTER VI.
18RADIATING AND CONCAVE PEDAL BOARDS.
19PEDAL STOP CONTROL.
20CHAPTER VII.
21MEANS OF OBTAINING EXPRESSION.
22CRESCENDO PEDAL.
23SFORZANDO PEDAL—DOUBLE TOUCH.
24BALANCED SWELL PEDAL
25SWELL BOXES.
26Fig. 12. The Principle of the Sound Trap
27Fig. 13. Sound Trap Joint
28Figs. 14-15. The Vacuum Shutter
29CHAPTER VIII.
30A REVOLUTION IN WIND SUPPLY.
31BELLOWS SPRINGS VERSUS WEIGHTS.
32INDIVIDUAL PALLETS.
33HEAVY WIND PRESSURES.
34MECHANICAL BLOWERS.
35CHAPTER IX.
36TRANSFERENCE OF STOPS.
37CHAPTER X.
38THE PRODUCTION OF ORGAN TONE.
39Series of harmonics
40Fig. 16. Estey's Open Bass Pipes—Wood and Metal
41DIAPASONS.
42Fig. 17. Diapason Pipe with Leathered Lip
43THE DECLINE OF MIXTURES.
44FLUTES.
45STRINGS.
46REEDS.
47Fig. 18. Haskell's Clarinet Without Reed
48Fig. 19. Diagram of Reed Pipe
49Fig. 20. Vox Humana with Vowel Cavity Attached. Fig. 21. Orchestral Oboe with Vowel Cavity Attached Fig. 22. Kinura with Vowel Cavity Attached
50UNDULATING STOPS—CELESTES.