The Man Who Was Goethe: Memoirs, Letters & Essays (Annotated)

Enriched Edition. Memoirs, Letters, and Essays on Weimar Classicism, Romantic Europe, and the Cultivation of SelfBy Johann Wolfgang von Goethe

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The Man Who Was Goethe: Memoirs, Letters & Essays gathers the self-revealing prose through which Johann Wolfgang von Goethe becomes not merely a monument of German letters but an active, searching mind. Through recollection, correspondence, criticism, and reflection, the volume traces his intellectual range: art, science, friendship, politics, love, and the discipline of literary creation. Its style moves between classical poise and intimate immediacy, situating Goethe within Weimar Classicism while also illuminating the Romantic age he helped provoke and resist. Goethe's long life made him uniquely fitted to such a book. Born in 1749, he became famous with The Sorrows of Young Werther, later reshaped European drama with Faust, served as statesman in Weimar, and pursued studies in botany, optics, and morphology. His memoirs and letters reflect a writer for whom experience, observation, and Bildung—the cultivation of the self—were inseparable principles. This collection is recommended to readers seeking the living Goethe behind the canonical works. It offers students, scholars, and general readers a refined entry into his personality, method, and age, revealing why his thought remains central to modern European culture. This enriched edition has been carefully crafted to add value to your reading experience. - A comprehensive Introduction outlines these selected works' unifying features, themes, or stylistic evolutions. - The Author Biography highlights personal milestones and literary influences that shape the entire body of writing. - A Historical Context section situates the works in their broader era—social currents, cultural trends, and key events that underpin their creation. - A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists. - A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different work's strengths. - Reflection questions inspire deeper contemplation of the author's overarching message, inviting readers to draw connections among different texts and relate them to modern contexts. - Lastly, our hand‐picked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collection's central themes.

Audiobook details

GenreBiography and Memoir

Length79 hrs 57 mins

Narrated byListen with 1,000+ voices

FormateBook with Audio

Publish dateApr 18, 2019

LanguageEnglish

1Introduction

106XXIII. Conditions of the Increase of Colour

2Introduction

107XXIV. Explanation of the Foregoing Phenomena

3Author Biography

108XXV. Decrease of the Appearance of Colour

4Historical Context

109XXVI. Grey Objects

5Synopsis (Selection)

110XXVII. Coloured Objects

Show all chapters

6The Man Who Was Goethe: Memoirs, Letters &amp; Essays

111XXVIII. Achromatism and Hyperchromatism

7Biography

112XXIX. Combination of Subjective and Objective Experiments

8Life of Johann Wolfgang Goethe

113XXX. Transition

9Chapter I.

114XXXI. Catoptrical Colours

10Chapter II.

115XXXII. Paroptical Colours

11Chapter III.

116XXXIII. Epoptical Colours

12Chapter IV.

117PART III. CHEMICAL COLOURS

13Chapter V.

118XXXIV. Chemical Contrast

14Chapter VI.

119XXXV. White

15Chapter VII.

120XXXVI. Black

16Chapter VIII.

121XXXVII. First Excitation of Colour

17Chapter IX.

122XXXVIII. Augmentation of Colour44

18Chapter X.

123XXXIX. Culmination45

19Chronological List of Works

124XL. Fluctuation

20Autobiography and Memoirs

125XLI. Passage through the Whole Scale

21Truth and Poetry: From My Own Life

126XLII. Inversion

22Author&#x27;s Preface

127XLIII. Fixation

23PART THE FIRST

128XLIV. Intermixture, Real

24First Book. Childhood—the City of Frankfort

129XLV. Intermixture, Apparent

25Second Book. The New Paris—Frankfort Citizen

130XLVI. Communication, Actual

26Third Book. Occupation of Frankfort by the French

131XLVII. Communication, Apparent

27Fourth Book. Studies—The Bible—Frankfort Characters

132XLVIII. Extraction

28Fifth Book. Gretchen—Coronation Ceremonies

133XLIX. Nomenclature

29PART THE SECOND.

134L. Minerals

30Sixth Book. Illness and Recovery—Leipzig

135LI. Plants

31Seventh Book. Leipzig (continued)—German Literature

136LII. Worms, Insects, Fishes

32Eighth Book. Art—Dresden—Return from Leipzig

137LIII. Birds

33Ninth Book. Strasbourg

138LIV. Mammalia and Human Beings

34Tenth Book. Strasbourg (continued)—Herder—Tour in Alsace and Lorraine—Frederika

139LV. Physical and Chemical Effects of the Transmission of Light through Coloured Mediums

35PART THE THIRD.

140LVI. Chemical Effect in Dioptrical Achromatism

36Eleventh Book. Frederica (continued)—Return from Strasbourg

141PART IV. GENERAL CHARACTERISTICS

37Twelfth Book. Merck—Wetzlar; the Imperial Chamber—Charlotte

142The Facility with which Colour Appears

38Thirteenth Book. Goetz von Berlichingen and Werther

143The Force of Colour

39Fourteenth Book. Lenz—Lavater and Basedow—Cologne

144The Definite Nature of Colour

40Fifteenth Book. Moravians—&quot;The Wandering Jew&quot;—Zimmerman—&quot;Clavigo&quot;

145Combination of the Two Principles

41PART THE FOURTH.

146Augmentation to Red

42Sixteenth Book. Spinoza—Jung (Stilling)

147Junction of the Two Augmented Extremes

43Seventeenth Book. Lili—Betrothal—Ulrich von Hutten

148Completeness the Result of Variety

44Eighteenth Book. Hans Sachs—The Stolbergs—Switzerland

149Completeness the Result of Variety in Colour

45Nineteenth Book. Lavater—&quot;Egmont&quot;

150Harmony of the Complete State

46Twentieth Book. Kraus—Daemonic Influence—Heidelberg—Departure for Weimar

151Facility with which Colour may be made to tend either to the Plus or Minus Side

47Maxims and Reflections

152Evanescence of Colour

48Translator&#x27;s Preface

153Permanence of Colour

49II

154PART V. RELATION TO OTHER PURSUITS—RELATION TO PHILOSOPHY

50III

155Relation to Mathematics

51Life and Character

156Relation to the Technical Operations of the Dyer

52II

157Relation to Physiology and Pathology

53III

158Relation to Natural History

54IV

159Relation to General Physics

55V

160Relation to the Theory of Music

56VI

161Concluding Observations on Terminology

57VII

162PART VI. EFFECT OF COLOUR WITH REFERENCE TO MORAL ASSOCIATIONS

58Literature and Art

163Yellow

59Science

164Red-Yellow

60Nature: Aphorisms

165Yellow-Red

61From Carlsbad to the Brenner

166Blue

62From the Brenner to Verona

167Red-Blue

63From Verona to Venice

168Red

64Venice

169Green

65From Ferrara to Rome

170Completeness and Harmony

66Rome

171Yellow and Blue

67Naples

172Yellow and Red

68Sicily

173Blue and Red

69Palermo (pt. 1)

174Yellow-Red and Blue-Red

70Palermo (pt. 2)

175Combinations Non-Characteristic

71Letters from Switzerland (pt. 1)

176Relation of the Combinations to Light and Dark

72Letters from Switzerland (pt. 2)

177Considerations Derived from the Evidence of Experience and History

73Correspondence with K. F. Zelter

178Æsthetic Influence

74Eckermann’s Conversations with Goethe (pt. 1)

179Chiaro-Scuro

75Eckermann’s Conversations with Goethe (pt. 2)

180Tendency to Colour

76Theory of Colours

181Keeping

77Translator&#x27;s Preface

182Colour in General Nature

78Preface to the First Edition of 1810

183Characteristic Colouring

79Introduction

184Harmonious Colouring

80PART I. PHYSIOLOGICAL COLOURS.

185Genuine Tone

81I. Effects of Light and Darkness on the Eye

186False Tone

82II. Effects of Black and White Objects on the Eye

187Weak Colouring

83III. Grey Surfaces and Objects

188The Motley

84IV. Dazzling Colourless Objects

189Dread of Theory

85V. Coloured Objects

190Ultimate Aim

86VI. Coloured Shadows

191Grounds

87VII. Faint Lights

192Pigments

88VIII. Subjective Halos

193Allegorical, Symbolical, Mystical Application of Colour

89Pathological Colours. Appendix

194Concluding Observations (pt. 1)

90PART II. PHYSICAL COLOURS.

195Concluding Observations (pt. 2)

91IX. Dioptrical Colours

196Criticism on Goethe &amp; His Works

92X. Dioptrical Colours of the First Class

197Winckelmann and His Age

93XI. Dioptrical Colours of the Second Class.—Refraction

198Introduction to the Propyläen

94XII. Refraction without the Appearance of Colour

199Goethe: The Writer (Ralph Waldo Emerson)

95XIII. Conditions of the Appearance of Colour

200Byron and Goethe (Giuseppe Mazzini)

96XIV. Conditions under which the Appearance of Colour Increases

201The Faust-Legend and Goethe&#x27;s &#x27;Faust&#x27; (H. B. Cotterill)

97XV. Explanation of the Foregoing Phenomena

202Preface

98XVI. Decrease of the Appearance of Colour

203I. The Old Faust-Legend

99XVII. Grey Objects Displaced by Refraction

204II. Goethe&#x27;s &#x27;Faust&#x27;. Part I

100XVIII. Coloured Objects Displaced by Refraction

205III. Goethe&#x27;s &#x27;Faust&#x27;. Part II

101XIX. Achromatism and Hyperchromatism

206Goethe&#x27;s Farbenlehre: Theory of Colors (I&amp;II) (John Tyndall)

102XX. Advantages of Subjective Experiments.—Transition to the Objective

207Analysis

103Objective Experiments

208Reflection

104XXI. Refraction without the Appearance of Colour

209Memorable Quotes

105XXII. Conditions of the Appearance of Colour

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