Length1h 23m
About this audiobook
Michelangelo, like Leonardo, was a man of many talents; sculptor, architect, painter and poet, he made the apotheosis of muscular movement, which to him was the physical manifestation of passion. He moulded his draughtsmanship, bent it, twisted it, and stretched it to the extreme limits of possibility. There are not any landscapes in Michelangelo's painting. All the emotions, all the passions, all the thoughts of humanity were personified in his eyes in the naked bodies of men and women. He rarely conceived his human forms in attitudes of immobility or repose. Michelangelo became a painter so that he could express in a more malleable material what his titanesque soul felt, what his sculptor's imagination saw, but what sculpture refused him. Thus this admirable sculptor became the creator, at the Vatican, of the most lyrical and epic decoration ever seen: the Sistine Chapel. The profusion of his invention is spread over this vast area of over 900 square metres. There are 343 principal figures of prodigious variety of expression, many of colossal size, and in addition a great number of subsidiary ones introduced for decorative effect. The creator of this vast scheme was only thirty-four when he began his work. Michelangelo compels us to enlarge our conception of what is beautiful. To the Greeks it was physical perfection; but Michelangelo cared little for physical beauty, except in a few instances, such as his painting of Adam on the Sistine ceiling, and his sculptures of the Pietà. Though a master of anatomy and of the laws of composition, he dared to disregard both if it were necessary to express his concept: to exaggerate the muscles of his figures, and even put them in positions the human body could not naturally assume. In his later painting, The Last Judgment on the end wall of the Sistine, he poured out his soul like a torrent. Michelangelo was the first to make the human form express a variety of emotions. In his hands emotion became an instrument upon which he played, extracting themes and harmonies of infinite variety. His figures carry our imagination far beyond the personal meaning of the names attached to them.
Audiobook details
Rating★★★★ 4.0 (79)
Includes Goodreads, Amazon, LibraryThing
GenreOther
Length1 hr 23 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateJul 1, 2011
LanguageEnglish
Table of contents
1Michelangelo
2Foreword
3Biography
4contemporary works of sculpture.
5First drawings for the Medici Chapel.
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6the Last Judgment.
7Quill, 36.5 x 25 cm Musée du Louvre, Paris
8Madonna of the Stairs
9The powerful creativity, expressiveness
10Childhood
111495 Marble, h: 51.5 cm Church of San Domenico, Bologna
12Lorenzo de Medici, François I and other
131495 Marble, h: 58.5 cm (with base) Church of San Domenico, Bologna
14family back to their homestead in Settignano
15The Virgin and Child with St John and Angels (The Manchester Madonna)
16six at
171498-1499 Marble, h: 174 cm St Peter’s Basilica, Vatican
18our Arezzo countryside, and, from my wet
191501 Musée du Louvre, Paris
20Francesco d’Urbino, a top grammarian
21who
22“manual
23In any
24event, Michelangelo
25The Medici Factor
26The Holy Family (Tondo Doni)
27study Giotto, Masaccio and Santo Spirito.
28c. 1504 Quill, 40.8 x 28.4 cm Casa Buonarroti, Florence
29the sole reason for his success.
301504-1505 Marble, diameter: 106.8 cm Royal Academy of Arts, London
31literature
32The most promising young artists
33Renaissance, with innovative output that
34The outstanding quality of his output quickly
35Homecoming and Travel
361508-1512 Fresco after restoration Sistine Chapel, sixth panel of the vault Vatican
37Study for The Nude above the Persian Sibyl
381508-1512 Teyler Museum, Haarlem
39several statuettes for the reliquary of San
40As city councillor and old friend of
41Thanks to the pro-republican Lorenzo di
421511 Fresco after restoration Sistine Chapel, seventh panel of the vault Vatican
43The Punishment of Haman
44Cardinal Jean de la Grolaye de Villiers (Jean
45Inner Tension
46Thus, the social role of creative thinkers
47the most ambitious and unbounded of
481511 Red chalk, 19.3 x 25.9 cm British Museum, London
49Yet the Pietà Dolorosa of San Marco
50vulnerably human, and Michelangelo wastes
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