Icons

Icons

Sacred images of the Orthodox traditionBy Nikodim Pavlovich Kondakov
Michael Caine
Listen with Sir Michael Caine™ and 1,000+ voices
Length9h 7m

About this audiobook

Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.

Audiobook details

GenreOther
Length9 hrs 7 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateMay 8, 2012
LanguageEnglish

Table of contents

1Icons
2List of Illustrations
3Introduction
4a handicraft or kustár' product.1
5Blessing, 4th century.
Show all chapters
6Ostia.
7Archaeological Society in 1846.6
8of Russian Icon-painting.7
9Russian Schools of Icon-painting down to the end of the 17th century.9
10delicate half-tones.
11comparison and historical classification.
12Musée du Louvre, Paris.
13140 x 92 cm. The State
14century to the artistic influence of Italy.
15Origins: the Orient and Greece
16sacred significance of the honoured icon.17
17Saints in Medallions, 10th to 11th century.
18Mount Sinai, Egypt.
19not artistic, portraits.
20Collection, Paris.
21Istanbul.
22(molénnaya from molit’ sya to pray), that voiceless
23him by way of farewell to the dead brother in the
24appearance in the church, initially in the martyria, the
25Mount Sinai, Egypt.
26The Archangel Gabriel, 18th to 19th century.
27Clement), Macedonia.
28and his enamel icon on the Pala d’Oro in S. Mark’s, Venice.
29type, peculiar to icon-painting, distinguishes it from the work in manuscripts.
30Use and Place of Icons in Russia
31Bacchus, 7th century. Museum
32Oriental Art, Kiev.
3367 x 42 cm. The State
34St. Petersburg.
35Moscow.
36S. Panteleimon; from sudden death, S. Christopher.
37The Technique
38century.
39Teutonic Cemetery, Vatican.
40icons, much more so in icons with only one figure43.
41National Museum of History
42Recklinghausen, Germany.
43From the Church of the
44Moscow.
45Colouring and Pigments in Russian Icon-painting
46St. Petersburg.
47The unusual phenomenon of two-coloured reflexes in Greco-Italian and Nóvgorod icon-
48National Museum, Lviv, Ukraine.
49103 x 75 cm. Pinacoteca
50middle of the 14th century.

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