6CHAPTER IV. HOW CANDIDE FOUND HIS OLD MASTER PANGLOSS AGAIN AND WHAT HAPPENED TO HIM.
821DRAMATIS PERSONÆ.
7CHAPTER V. A TEMPEST, A SHIPWRECK, AN EARTHQUAKE; AND WHAT ELSE BEFELL DR. PANGLOSS, CANDIDE, AND JAMES THE ANABAPTIST.
822ACT I.
8CHAPTER VI. HOW THE PORTUGUESE MADE A SUPERB AUTO-DA-FÉ TO PREVENT ANY FUTURE EARTHQUAKES, AND HOW CANDIDE UNDERWENT PUBLIC FLAGELLATION.
823SCENE I.
9CHAPTER VII. HOW THE OLD WOMAN TOOK CARE OF CANDIDE, AND HOW HE FOUND THE OBJECT OF HIS LOVE.
824SCENE II.
10CHAPTER VIII. CUNEGUND’S STORY.
825SCENE III.
11CHAPTER IX. WHAT HAPPENED TO CUNEGUND, CANDIDE, THE GRAND INQUISITOR, AND THE JEW.
826SCENE IV.
12CHAPTER X. IN WHAT DISTRESS CANDIDE, CUNEGUND, AND THE OLD WOMAN ARRIVE AT CADIZ; AND OF THEIR EMBARKATION.
827SCENE V.
13CHAPTER XI. THE HISTORY OF THE OLD WOMAN.
828ACT II.
14CHAPTER XII. THE ADVENTURES OF THE OLD WOMAN CONTINUED.
829SCENE I.
15CHAPTER XIII. HOW CANDIDE WAS OBLIGED TO LEAVE THE FAIR CUNEGUND AND THE OLD WOMAN.
830SCENE II.
16CHAPTER XIV. THE RECEPTION CANDIDE AND CACAMBO MET WITH AMONG THE JESUITS IN PARAGUAY.
831SCENE III.
17CHAPTER XV. HOW CANDIDE KILLED THE BROTHER OF HIS DEAR CUNEGUND.
832SCENE IV.
18CHAPTER XVI. WHAT HAPPENED TO OUR TWO TRAVELLERS WITH TWO GIRLS, TWO MONKEYS, AND THE SAVAGES, CALLED OREILLONS.
833SCENE V.
19CHAPTER XVII. CANDIDE AND HIS VALET ARRIVE IN THE COUNTRY OF EL DORADO — WHAT THEY SAW THERE.
834SCENE VI.
20CHAPTER XVIII. WHAT THEY SAW IN THE COUNTRY OF EL DORADO.
835SCENE VII.
21CHAPTER XIX. WHAT HAPPENED TO THEM AT SURINAM, AND HOW CANDIDE BECAME ACQUAINTED WITH MARTIN.
836SCENE VIII.
22CHAPTER XX. WHAT BEFELL CANDIDE AND MARTIN ON THEIR PASSAGE.
837SCENE IX.
23CHAPTER XXI. CANDIDE AND MARTIN, WHILE THUS REASONING WITH EACH OTHER, DRAW NEAR TO THE COAST OF FRANCE.
838ACT III.
24CHAPTER XXII. WHAT HAPPENED TO CANDIDE AND MARTIN IN FRANCE.
839SCENE I.
25CHAPTER XXIII. CANDIDE AND MARTIN TOUCH UPON THE ENGLISH COAST — WHAT THEY SEE THERE.
840SCENE II.
26CHAPTER XXIV. OF PACQUETTE AND FRIAR GIROFLÉE.
841SCENE III.
27CHAPTER XXV. CANDIDE AND MARTIN PAY A VISIT TO SEIGNOR POCOCURANTÉ, A NOBLE VENETIAN.
842SCENE IV.
28CHAPTER XXVI. CANDIDE AND MARTIN SUP WITH SIX SHARPERS — WHO THEY WERE.
843SCENE V.
29CHAPTER XXVII. CANDIDE’S VOYAGE TO CONSTANTINOPLE.
844SCENE VI.
30CHAPTER XXVIII. WHAT BEFELL CANDIDE, CUNEGUND, PANGLOSS, MARTIN, ETC.
845SCENE VII.
31CHAPTER XXIX. IN WHAT MANNER CANDIDE FOUND MISS CUNEGUND AND THE OLD WOMAN AGAIN.
846SCENE VIII.
32CHAPTER XXX. CONCLUSION.
847SCENE IX.
33PART II.
848SCENE X.
34CHAPTER I. HOW CANDIDE QUITTED HIS COMPANIONS, AND WHAT HAPPENED TO HIM.
849ACT IV.
35CHAPTER II. WHAT BEFELL CANDIDE IN THIS HOUSE — HOW HE GOT OUT OF IT.
850SCENE I.
36CHAPTER III. CANDIDE’S RECEPTION AT COURT AND WHAT FOLLOWED.
851SCENE II.
37CHAPTER IV. FRESH FAVORS CONFERRED ON CANDIDE; HIS GREAT ADVANCEMENT.
852SCENE III.
38CHAPTER V. HOW CANDIDE BECAME A VERY GREAT MAN, AND YET WAS NOT CONTENTED.
853SCENE IV.
39CHAPTER VI. THE PLEASURES OF CANDIDE.
854SCENE V.
40CHAPTER VII. THE HISTORY OF ZIRZA.
855SCENE VI.
41CHAPTER VIII. CANDIDE’S DISGUSTS — AN UNEXPECTED MEETING.
856SCENE VII.
42CHAPTER IX. CANDIDE’S DISGRACES, TRAVELS, AND ADVENTURES.
857SCENE VIII.
43CHAPTER X. CANDIDE AND PANGLOSS ARRIVE AT THE PROPONTIS — WHAT THEY SAW THERE — WHAT BECAME OF THEM.
858SCENE IX.
44CHAPTER XI. CANDIDE CONTINUES HIS TRAVELS.
859ACT V.
45CHAPTER XII. CANDIDE STILL CONTINUES HIS TRAVELS — NEW ADVENTURES.
860SCENE I.
46CHAPTER XIII. THE HISTORY OF ZENOIDA — HOW CANDIDE FELL IN LOVE WITH HER.
861SCENE II.
47CHAPTER XIV. CONTINUATION OF THE LOVES OF CANDIDE.
862SCENE III.
48CHAPTER XV. THE ARRIVAL OF WOLHALL — A JOURNEY TO COPENHAGEN.
863SCENE IV.
49CHAPTER XVI. HOW CANDIDE FOUND HIS WIFE AGAIN AND LOST HIS MISTRESS.
864SCENE V.
50CHAPTER XVII. HOW CANDIDE HAD A MIND TO KILL HIMSELF, AND DID NOT DO IT — WHAT HAPPENED TO HIM AT AN INN.
865SCENE VI.
51CHAPTER XVIII. CANDIDE AND CACAMBO GO INTO A HOSPITAL — WHOM THEY MEET THERE.
866SCENE VII.
52CHAPTER XIX. NEW DISCOVERIES.
867SCENE VIII.
53CHAPTER XX. CONSEQUENCE OF CANDIDE’S MISFORTUNE — HOW HE FOUND HIS MISTRESS AGAIN — THE FORTUNE THAT HAPPENED TO HIM.
868DRAMATIS PERSONÆ.
54ZADIG: The Book of Faith
869ACT I.
55I. THE BLIND OF ONE EYE.
870SCENE I.
56II. THE NOSE.
871SCENE II.
57III. THE DOG AND THE HORSE.
872SCENE III.
58IV. THE ENVIOUS MAN.
873SCENE IV.
59V. THE GENEROUS.
874SCENE V.
60VI. THE MINISTER.
875SCENE VI.
61VII. THE DISPUTES AND THE AUDIENCES.
876SCENE VII.
62VIII. JEALOUSY.
877SCENE VIII.
63IX. THE WOMAN BEATER.
878SCENE IX.
64X. SLAVERY.
879SCENE X.
65XI. THE FUNERAL PILE.
880SCENE XI.
66XII. THE SUPPER.
881SCENE XII.
67XIII. THE RENDEZVOUS.
882SCENE XIII.
68XIII.(1) THE DANCE.
883SCENE XIV.
69XIII.(2) BLUE EYES.
884SCENE XV.
70XIV. THE ROBBER.
885SCENE XVI.
71XV. THE FISHERMAN.
886SCENE XVII.
72XVI. THE BASILISK.
887SCENE XVIII.
73XVII. THE COMBATS.
888SCENE XIX.
74XVIII. THE HERMIT.
889SCENE XX.
75XIX. THE ENIGMAS.
890SCENE XXI.
76I. A VOYAGE TO THE PLANET SATURN, BY A NATIVE OF SIRIUS.
891HENRIADE (CANTO IX)
77II. THE CONVERSATION BETWEEN MICROMEGAS AND THE INHABITANT OF SATURN.
892AUTHOR’S PREFACE TO THE LISBON EARTHQUAKE.
78III. THE VOYAGE OF THESE INHABITANTS OF OTHER WORLDS.
893THE LISBON EARTHQUAKE.21
79IV. WHAT BEFELL THEM UPON THIS OUR GLOBE.
894PREFACE TO THE POEM ON THE LAW OF NATURE.
80V. THE TRAVELERS CAPTURE A VESSEL.
895THE LAW OF NATURE.
81VI. WHAT HAPPENED IN THEIR INTERCOURSE WITH MEN.
896PART THE FIRST.
82I. THE HURON ARRIVES IN FRANCE.
897PART THE SECOND.
83II. THE HURON, CALLED THE INGENU, ACKNOWLEDGED BY HIS RELATIONS.
898PART THE THIRD.
84III. THE HURON CONVERTED.
899PART THE FOURTH.
85IV. THE HURON BAPTIZED.
900THE TEMPLE OF TASTE.29
86V. THE HURON IN LOVE.
901THE TEMPLE OF FRIENDSHIP.
87VI. THE HURON FLIES TO HIS MISTRESS, AND BECOMES QUITE FURIOUS.
902THOUGHTS ON THE NEWTONIAN PHILOSOPHY, ADDRESSED TO THE MARCHIONESS DU CHÂTELET.
88VII. THE HURON REPULSES THE ENGLISH.
903ON THE DEATH OF ADRIENNE LECOUVREUR, A CELEBRATED ACTRESS.
89VIII. THE HURON GOES TO COURT. SUPS UPON THE ROAD WITH SOME HUGUENOTS.
904TO THE KING OF PRUSSIA ON HIS ACCESSION TO THE THRONE.
90IX. THE ARRIVAL OF THE HURON AT VERSAILLES. HIS RECEPTION AT COURT.
905FROM LOVE TO FRIENDSHIP.
91X. THE HURON IS SHUT UP IN THE BASTILE WITH A JANSENIST.
906THE WORLDLING.37
92XI. HOW THE HURON DISCLOSES HIS GENIUS.
907ON CALUMNY.
93XII. THE HURON'S SENTIMENTS UPON THEATRICAL PIECES.
908THE KING OF PRUSSIA TO M. VOLTAIRE.
94XIII. THE BEAUTIFUL MISS ST. YVES GOES TO VERSAILLES.
909THE ANSWER.
95XIV. RAPID PROGRESS OF THE HURON'S INTELLECT.
910ON THE ENGLISH GENIUS.
96XV. THE BEAUTIFUL MISS ST. YVES VISITS M. DE ST. POUANGE.
911WHAT PLEASES THE LADIES.
97XVI. MISS ST. YVES CONSULTS A JESUIT.
912THE EDUCATION OF A PRINCE.
98XVII. THE JESUIT TRIUMPHS.
913THE EDUCATION OF A DAUGHTER.
99XVIII. MISS ST. YVES DELIVERS HER LOVER AND A JANSENIST.
914THE THREE MANNERS.
100XIX. THE HURON, THE BEAUTIFUL MISS ST. YVES, AND THEIR RELATIONS, ARE CONVENED.
915THELEMA AND MACAREUS.
101XX. THE DEATH OF THE BEAUTIFUL MISS ST. YVES, AND ITS CONSEQUENCES.
916AZOLAN.
102CHAPTER I. HOW THE PRINCESS AMASIDIA MEETS A BULL.
917THE ORIGIN OF TRADES.
103CHAPTER II. HOW THE WISE MAMBRES, FORMERLY MAGICIAN OF PHAROAH, KNEW AGAIN THE OLD WOMAN, AND WAS KNOWN BY HER.
918THE BATTLE OF FONTENOY.
104CHAPTER III. HOW THE BEAUTIFUL AMASIDIA HAD A SECRET CONVERSATION WITH A BEAUTIFUL SERPENT.
919THE MAN OF THE WORLD.63
105CHAPTER IV. HOW THEY WANTED TO SACRIFICE THE BULL, AND EXORCISE THE PRINCESS.
920THE PADLOCK.65
106CHAPTER V. HOW THE WISE MAMBRES CONDUCTED HIMSELF WISELY.
921IN CAMP BEFORE PHILIPPSBURG, JULY 3, 1734.
107CHAPTER VI. HOW MAMBRES MET THREE PROPHETS, AND GAVE THEM A GOOD DINNER.
922ANSWER TO A LADY, OR A PERSON WHO WROTE TO VOLTAIRE AS SUCH.66
108CHAPTER VII. HOW KING AMASIS WANTED TO GIVE THE WHITE BULL TO BE DEVOURED BY THE FISH OF JONAH, AND DID NOT DO IT.
923ENVY.
109CHAPTER VIII. HOW THE SERPENT TOLD STORIES TO THE PRINCESS TO COMFORT HER.
924THE NATURE OF VIRTUE.
110CHAPTER IX. HOW THE SERPENT DID NOT COMFORT THE PRINCESS.
925TO THE KING OF PRUSSIA.
111CHAPTER X. HOW THEY WANTED TO BEHEAD THE PRINCESS, AND DID NOT DO IT.
926TO M. DE FONTENELLE.
112CHAPTER XI. APOTHEOSIS OF THE WHITE BULL. TRIUMPH OF THE WISE MAMBRES. THE SEVEN YEARS PROCLAIMED BY DANIEL ARE ACCOMPLISHED. NEBUCHADNEZZAR RESUMES THE HUMAN FORM, MARRIES THE BEAUTIFUL AMASIDIA, AND ASCENDS THE THRONE OF BABYLON.
927TO COUNT ALGAROTTI AT THE COURT OF SAXONY.
113I. NATIONAL POVERTY.
928TO CARDINAL QUIRINI.
114II. DISASTER OF THE MAN OF FORTY CROWNS.
929TO HER ROYAL HIGHNESS, THE PRINCESS OF ***.
115III. CONVERSATION WITH A GEOMETRICIAN.
930TO M. DE CIDEVILLE.
116IV. AN ADVENTURE WITH A CARMELITE.
931TO ****.
117V. AUDIENCE OF THE COMPTROLLER GENERAL.
932EPISTLE XIII.70
118VI. THE MAN OF FORTY CROWNS MARRIES, BECOMES A FATHER, AND DESCANTS UPON THE MONKS.
933TO THE DUKE OF RICHELIEU, MARSHAL OF FRANCE, IN WHOSE HONOR THE SENATE OF GENOA HAD JUST BEFORE CAUSED A STATUE TO BE ERECTED.71
119VII. ON TAXES PAID TO A FOREIGN POWER.
934TO MADAM DE ***, ON THE MANNER OF LIVING AT PARIS AND VERSAILLES.
120VIII. ON PROPORTIONS.
935TO THE PRINCE OF VENDÔME.
121IX. A GREAT QUARREL.
936TO MADAM DE GONDOIN, AFTERWARD COUNTESS OF TOULOUSE, ON THE DANGER SHE HAD BEEN EXPOSED TO IN PASSING THE LOIRE IN 1719.
122X. A RASCAL REPULSED.
937TO THE DUKE DELAFEUILLADE.
123XI. THE GOOD SENSE OF MR. ANDREW.
938TO MARSHAL VILLARS.72
124XII. The GOOD SUPPER AT MR. ANDREW'S.
939TO MONSIEUR GENONVILLE.
125I. ROYAL CONTEST FOR THE HAND OF FORMOSANTA.
940TO THE COUNTESS OF FONTAINE-MARTEL.73
126II. THE KING OF BABYLON CONVENES HIS COUNCIL, AND CONSULTS THE ORACLE.
941WRITTEN FROM PLOMBIÉRES TO M. PALLU, INTENDANT OF LYONS.
127III. ROYAL FESTIVAL GIVEN IN HONOR OF THE KINGLY VISITORS. THE BIRD CONVERSES ELOQUENTLY WITH FORMOSANTA.
942THE NATURE OF PLEASURE.
128IV. THE BEAUTIFUL BIRD IS KILLED BY THE KING OF EGYPT. FORMOSANTA BEGINS A JOURNEY. ALDEA ELOPES WITH THE KING OF SCYTHIA.
943THE UTILITY OF SCIENCES TO PRINCES. TO THE PRINCE ROYAL OF PRUSSIA, SINCE KING OF PRUSSIA.
129V. FORMOSANTA VISITS CHINA AND SCYTHIA IN SEARCH OF AMAZAN.
944EPISTLE IN ANSWER TO A LETTER, WITH WHICH, UPON HIS ACCESSION TO THE THRONE, THE KING OF PRUSSIA HONORED THE AUTHOR.
130VI. THE PRINCESS CONTINUES HER JOURNEY.
945EPISTLE TO THE KING, PRESENTED TO HIS MAJESTY AT THE CAMP BEFORE FREIBURG.
131VII. AMAZAN VISITS ALBION.
946ON THE DEATH OF THE EMPEROR CHARLES.
132VIII. AMAZAN LEAVES ALBION TO VISIT THE LAND OF SATURN.
947TO THE QUEEN OF HUNGARY.
133IX. AMAZAN VISITS ROME.
948INSCRIBED TO THE GENTLEMEN OF THE ACADEMY OF SCIENCES, WHO SAILED TO THE POLAR CIRCLE AND THE EQUATOR, IN ORDER TO ASCERTAIN THE FIGURE OF THE EARTH.
134X. AN UNFORTUNATE ADVENTURE IN GAUL.
949TO M. DE GERVASI, THE PHYSICIAN.74
135XI. AMAZAN AND FORMOSANTA BECOME RECONCILED.
950THE REQUISITES TO HAPPINESS.
136INTRODUCTION.
951TO A LADY, VERY WELL KNOWN TO THE WHOLE TOWN.
137CHAPTER I. ADVENTURES OF JOHNNY, A YOUNG ENGLISHMAN. WRITTEN BY DONNA LAS NALGAS.
952FANATICISM.75
138CHAPTER II. CONTINUATION OF THE ADVENTURES OF JOHN, THE YOUNG ENGLISHMAN; ALSO THOSE OF HIS WORTHY FATHER, D.D., M.P., AND F.R.S.
953ON PEACE CONCLUDED IN 1736.
139CHAPTER III. SUMMARY OF THE CONTROVERSY OF THE "BUTS," BETWEEN MR. FREIND AND DON INIGO-Y-MEDROSO, Y-COMODIOS, Y-PAPALAMIENDOS, BACHELOR OF SALAMANCA.
954TO ABBÉ CHAULIEU.78
140CHAPTER IV. JOHN RETURNS TO LONDON, AND IS LED INTO BAD COMPANY.
955ANSWER TO THE FOREGOING.
141CHAPTER V. THEY WANT TO GET JOHN MARRIED.
956TO PRESIDENT HÉNAULT, AUTHOR OF AN EXCELLENT WORK UPON THE HISTORY OF FRANCE.
142CHAPTER VI. A TERRIBLE ADVENTURE.
957CANTO OF AN EPIC POEM.80
143CHAPTER VII. WHAT HAPPENED IN AMERICA.
958EPISTLE ON THE NEWTONIAN PHILOSOPHY.91 TO THE MARCHIONESS OF CHÂTELET.
144CHAPTER VIII. DIALOGUE BETWEEN FREIND AND BIRTON ON ATHEISM.
959Philosophical Works
145CHAPTER IX. ON ATHEISM.
960VOLUME I
146CHAPTER X. ON ATHEISM.
961A.
147CHAPTER XI. RETURN TO ENGLAND—JOHN'S MARRIAGE.
962A, B, C, OR ALPHABET.
148Stories
963ABBÉ.
149MEMNON THE PHILOSOPHER
964ABBEY—ABBOT.
150THE BLACK AND THE WHITE
965ABLE—ABILITY.
151THE WORLD AS IT GOES
966ABRAHAM.
152ANDRÉ DES TOUCHES AT SIAM
967ABUSE.
153BABABEC
968ABUSE OF WORDS.
154JEANNOT AND COLIN
969ACADEMY.
155THE TRAVELS OF SCARMENTADO1
970ADAM.
156A CONVERSATION WITH A CHINESE
971ADORATION.
157PLATO'S DREAM
972ADULTERY.
158PLEASURE IN HAVING NO PLEASURE
973AFFIRMATION OR OATH.
159AN ADVENTURE IN INDIA
974AGAR, OR HAGAR.
160THE GOOD BRAHMIN
975ALCHEMY.
161THE TWO COMFORTERS
976ALKORAN; OR, MORE PROPERLY, THE KORAN.
162ANCIENT FAITH AND FABLE
977ALEXANDER.
163THE STUDY OF NATURE
978ALEXANDRIA.
164I. INTRODUCTION.
979ALGIERS.
165II. THE STUDY OF NATURE.
980ALLEGORIES.
166III. GOOD ADVICE.
981ALMANAC.
167IV. DIALOGUE UPON THE SOUL AND OTHER TOPICS.
982ALTARS, TEMPLES, RITES, SACRIFICES, ETC.
168A DIALOGUE BETWEEN MARCUS AURELIUS AND A RECOLLET FRIAR
983AMAZONS.
169DIALOGUE BETWEEN A BRAHMIN AND A JESUIT
984AMBIGUITY—EQUIVOCATION.
170DIALOGUES BETWEEN LUCRETIUS AND POSIDONIUS
985AMERICA.
171DIALOGUE BETWEEN A CLIENT AND HIS LAWYER
986AMPLIFICATION.
172DIALOGUE BETWEEN MADAME DE MAINTENON AND MADEMOISELLE DE L’ENCLOS1
987ANCIENTS AND MODERNS.
173DIALOGUE BETWEEN A SAVAGE AND A BACHELOR OF ARTS
988ANECDOTES.
174DRAMATIS PERSONÆ.
989ANGELS.
175ACT I.
990ANNALS.
176SCENE I.
991ANNATS.
177SCENE II.
992ANTHROPOMORPHITES.
178SCENE III.
993ANTI-LUCRETIUS.
179SCENE IV.
994ANTIQUITY.
180ACT II.
995APIS.
181SCENE I.
996APOCALYPSE.
182SCENE II.
997ANTI-TRINITARIANS.
183SCENE III.
998APOCRYPHA—APOCRYPHAL.
184SCENE IV.
999APOSTATE.
185SCENE V.
1000APOSTLES.
186SCENE VI
1001APPARITION.
187ACT III.
1002APPEARANCE.
188SCENE I.
1003APROPOS.
189SCENE II.
1004ARABS;
190SCENE III.
1005ARARAT.
191SCENE IV.
1006ARIANISM.
192SCENE V.
1007ARISTEAS.
193SCENE VI.
1008ARISTOTLE.
194SCENE VII.
1009ARMS—ARMIES.
195SCENE VIII.
1010AROT AND MAROT.
196SCENE IX.
1011ART OF POETRY.
197SCENE X.
1012ARTS—FINE ARTS.
198SCENE XI.
1013ASMODEUS.
199ACT IV.
1014ASPHALTUS.
200SCENE I
1015ASS.
201SCENE II
1016ASSASSIN—ASSASSINATION.
202SCENE III
1017ASTROLOGY.
203SCENE IV
1018ASTRONOMY,
204SCENE V
1019ATHEISM.
205SCENE VI
1020ATHEIST.
206ACT V.
1021ATOMS.
207SCENE I
1022AVARICE.
208SCENE II
1023AUGURY.
209SCENE III
1024AUGUSTINE.
210SCENE IV
1025AUGUSTUS (OCTAVIUS).
211DRAMATIS PERSONÆ.
1026AVIGNON.
212A Letter to the Marquis Scipio Maffei, Author of the Italian Mérope, and many other celebrated performances.
1027AUSTERITIES.
213A Letter from M. de la Lindelle to M. de Voltaire.
1028AUTHORS.
214The Answer of M. de Voltaire to M. de la Lindelle.
1029AUTHORITY.
215ACT I.
1030AXIS.
216SCENE I.
1031BABEL.
217SCENE II.
1032BACCHUS.
218SCENE III.
1033BACON (ROGER).
219SCENE IV.
1034BANISHMENT.
220ACT II.
1035BAPTISM.
221SCENE I.
1036BARUCH, OR BARAK, AND DEBORAH;
222SCENE II.
1037BATTALION.
223SCENE III.
1038BAYLE.
224SCENE IV.
1039BDELLIUM.
225SCENE V.
1040BEARD.
226SCENE VI.
1041BEASTS.
227SCENE VII.
1042BEAUTIFUL (THE).
228ACT III.
1043BEES.
229SCENE I.
1044BEGGAR—MENDICANT
230SCENE II.
1045BEKKER,
231SCENE III.
1046BELIEF.
232SCENE IV.
1047BETHSHEMESH.
233SCENE V.
1048BILHAH—BASTARDS
234SCENE VI.
1049BISHOP.
235ACT IV.
1050BLASPHEMY.
236SCENE I.
1051BODY.
237SCENE II.
1052BOOKS.
238SCENE III.
1053BOURGES.
239SCENE IV.
1054BRACHMANS—BRAHMINS.
240SCENE V.
1055BREAD-TREE.
241ACT V.
1056BUFFOONERY—BURLESQUE—LOW COMEDY.
242SCENE I.
1057BULGARIANS.
243SCENE II.
1058BULL.
244SCENE III.
1059BULL (PAPAL).
245SCENE IV.
1060CÆSAR.
246SCENE V.
1061CALENDS.
247SCENE VI.
1062CANNIBALS.
248SCENE VII.
1063CASTING (IN METAL).
249SCENE VIII.
1064CATO.
250ACT I.
1065CELTS.
251SCENE I.
1066CEREMONIES—TITLES—PRECEDENCE.
252SCENE II.
1067CERTAIN—CERTAINTY.
253SCENE III.
1068CHAIN OF CREATED BEINGS.
254SCENE IV.
1069CHAIN OR GENERATION OF EVENTS.
255SCENE V.
1070CHANGES THAT HAVE OCCURRED IN THE GLOBE.
256ACT II.
1071CHARACTER.
257SCENE I.
1072CHARITY.
258SCENE II.
1073CHARLES IX.
259SCENE III.
1074CHINA.
260SCENE IV.
1075CHRISTIANITY.
261SCENE V.
1076CHRISTMAS.
262SCENE VI.
1077CHRONOLOGY.
263ACT III.
1078CHURCH.
264SCENE I.
1079CHURCH OF ENGLAND.
265SCENE II.
1080CHURCH PROPERTY.
266SCENE III.
1081CICERO.
267SCENE IV.
1082CIRCUMCISION.
268SCENE V.
1083CLERK—CLERGY.
269SCENE VI.
1084CLIMATE.
270ACT IV.
1085COHERENCE—COHESION—ADHESION.
271SCENE I.
1086COMMERCE.
272SCENE II.
1087COMMON SENSE.
273SCENE III.
1088CONFESSION.
274SCENE IV.
1089CONFISCATION.
275SCENE V.
1090CONSCIENCE.
276SCENE VI.
1091CONSEQUENCE.
277SCENE VII.
1092CONSTANTINE.
278SCENE VIII.
1093CONTRADICTIONS.
279ACT V.
1094CONTRAST.
280SCENE I.
1095CONVULSIONARIES.
281SCENE II.
1096CORN.
282SCENE III.
1097COUNCILS.
283SCENE IV.
1098COUNTRY.
284SCENE V.
1099CRIMES OR OFFENCES.
285SCENE VI.
1100CRIMINAL.
286SCENE the Last.
1101CROMWELL.
287DRAMATIS PERSONÆ.
1102CUISSAGE.
288To the most noble Duke of Richelieu, Marshal and Peer of France, First Gentleman of the Chamber to his Majesty, Governor of Languedoc, and Member of the Academy of Sciences.
1103CURATE (OF THE COUNTRY).
289ACT I.
1104CURIOSITY.
290SCENE I.
1105CUSTOMS—USAGES.
291SCENE II.
1106CYRUS.
292SCENE III.
1107DANTE.
293SCENE IV.
1108DAVID.
294SCENE V.
1109DECRETALS.
295SCENE VI.
1110DELUGE (UNIVERSAL).
296SCENE VII.
1111DEMOCRACY.
297ACT II.
1112DEMONIACS.
298SCENE I.
1113DESTINY.
299SCENE II.
1114DEVOTEE.
300SCENE III.
1115DIAL.
301SCENE IV.
1116DICTIONARY.
302SCENE V.
1117DIOCLETIAN.
303SCENE VI.
1118DIONYSIUS, ST. (THE AREOPAGITE),
304SCENE VII.
1119DIODORUS OF SICILY, AND HERODOTUS.
305ACT III.
1120DIRECTOR.
306SCENE I.
1121DISPUTES.
307SCENE II.
1122DISTANCE.
308SCENE III.
1123DIVINITY OF JESUS.
309SCENE IV.
1124DIVORCE.
310SCENE V.
1125DOG.
311SCENE VI.
1126DOGMAS.
312ACT IV.
1127DONATIONS.
313SCENE I.
1128DRINKING HEALTHS.
314SCENE II.
1129THE DRUIDS.
315SCENE III.
1130EASE.
316SCENE IV.
1131ECLIPSE.
317SCENE V.
1132ECONOMY (RURAL).
318SCENE VI.
1133ECONOMY OF SPEECH—
319ACT V.
1134ELEGANCE.
320SCENE I.
1135ELIAS OR ELIJAH, AND ENOCH.
321SCENE II.
1136ELOQUENCE.
322SCENE III.
1137EMBLEMS.
323SCENE IV.
1138ENCHANTMENT.
324SCENE V.
1139END OF THE WORLD.
325SCENE VI.
1140ENTHUSIASM.
326DRAMATIS PERSONÆ.
1141ENVY.
327ACT I.
1142EPIC POETRY.
328SCENE I.
1143EPIPHANY.
329SCENE II.
1144EQUALITY.
330SCENE III.
1145ESSENIANS.
331SCENE IV.
1146ETERNITY.
332ACT II.
1147EUCHARIST.
333SCENE I.
1148EXECUTION.
334SCENE II.
1149EXECUTIONER.
335SCENE III.
1150EXPIATION.
336SCENE IV.
1151EXTREME.
337SCENE V.
1152EZEKIEL.
338ACT III.
1153FABLE.
339SCENE I.
1154FACTION.
340SCENE II.
1155FACULTY.
341SCENE III.
1156FAITH.
342SCENE IV.
1157FALSITY.
343SCENE V.
1158FALSITY OF HUMAN VIRTUES.
344SCENE VI.
1159FANATICISM.
345SCENE VII.
1160FANCY.
346SCENE VIII.
1161FASTI.
347ACT IV.
1162FATHERS—MOTHERS—CHILDREN.
348SCENE I.
1163FAVOR.
349SCENE II.
1164FAVORITE.
350SCENE III.
1165FEASTS.
351SCENE IV.
1166FERRARA.
352SCENE V.
1167FEVER.
353SCENE VI.
1168FICTION.
354SCENE VII.
1169FIERTÉ.
355SCENE VIII.
1170FIGURE.
356ACT V.
1171FIGURED—FIGURATIVE.
357SCENE I.
1172FIGURE IN THEOLOGY.
358SCENE II.
1173FINAL CAUSES.
359SCENE III.
1174FINESSE, FINENESS, ETC.
360SCENE IV.
1175FIRE.
361SCENE V.
1176FIRMNESS.
362SCENE VI.
1177FLATTERY.
363SCENE VII.
1178FORCE (PHYSICAL).
364SCENE VIII.
1179FORCE—STRENGTH.
365SCENE the LAST.
1180FRANCHISE.
366DRAMATIS PERSONÆ.
1181FRANCIS XAVIER.
367ACT I.
1182FRANKS—FRANCE—FRENCH
368SCENE I.
1183FRAUD.
369SCENE II.
1184FREE-WILL.
370SCENE III.
1185FRENCH LANGUAGE.
371SCENE IV.
1186FRIENDSHIP.
372ACT II.
1187FRIVOLITY.
373SCENE I.
1188GALLANT.
374SCENE II.
1189GARGANTUA.
375SCENE III.
1190GAZETTE.
376SCENE IV.
1191GENEALOGY.
377SCENE V.
1192GENESIS.
378ACT III.
1193GENII.
379SCENE I.
1194GENIUS.
380SCENE II.
1195GEOGRAPHY.
381SCENE III.
1196GLORY—GLORIOUS.
382SCENE IV.
1197GOAT—SORCERY.
383SCENE V.
1198GOD—GODS.
384SCENE VI.
1199GOOD—THE SOVEREIGN GOOD, A CHIMERA.
385SCENE VII.
1200GOOD.
386ACT IV.
1201GOSPEL.
387SCENE I.
1202GOVERNMENT.
388SCENE II.
1203GOURD OR CALABASH.
389SCENE III.
1204GRACE.
390SCENE IV.
1205GRACE (OF).
391SCENE V.
1206GRAVE—GRAVITY.
392ACT V.
1207GREAT—GREATNESS.
393SCENE I.
1208GREEK.
394SCENE II.
1209GUARANTEE.
395SCENE III.
1210GREGORY VII.
396SCENE IV.
1211HAPPY—HAPPILY.
397DRAMATIS PERSONÆ.
1212HEAVEN (CIEL MATÉRIEL).
398ACT I.
1213HEAVEN OF THE ANCIENTS.
399SCENE I.
1214HELL.
400SCENE II.
1215HELL (DESCENT INTO).
401SCENE III.
1216HERESY.
402ACT II.
1217HERMES.
403SCENE I.
1218HISTORIOGRAPHER.
404SCENE II.
1219HISTORY.
405SCENE III.
1220HONOR.
406SCENE IV.
1221HUMILITY.
407SCENE V.
1222HYPATIA.
408ACT III.
1223IDEA.
409SCENE I.
1224IDENTITY.
410SCENE II.
1225IDOL—IDOLATER—IDOLATRY.
411SCENE III.
1226IGNATIUS LOYOLA.
412SCENE IV.
1227IGNORANCE.
413SCENE V.
1228IMAGINATION.
414ACT IV.
1229IMPIOUS.
415SCENE I.
1230IMPOST.
416SCENE II.
1231IMPOTENCE.
417SCENE III.
1232INALIENATION—INALIENABLE.
418SCENE IV.
1233INCEST.
419ACT V.
1234INCUBUS.
420SCENE I.
1235INFINITY.
421SCENE II.
1236INFLUENCE.
422SCENE III.
1237INITIATION.
423SCENE IV.
1238INNOCENTS.
424SCENE V.
1239INQUISITION.
425SCENE VI.
1240INSTINCT.
426DRAMATIS PERSONÆ.
1241INTEREST.
427ACT I.
1242INTOLERANCE.
428SCENE I.
1243INUNDATION.
429SCENE II.
1244JEHOVAH.
430SCENE III.
1245JEPHTHAH.
431ACT II.
1246JESUITS; OR PRIDE.
432SCENE I.
1247JEWS.
433SCENE II.
1248JOB.
434SCENE III.
1249JOSEPH.
435SCENE IV.
1250JUDÆA.
436SCENE V.
1251JULIAN.
437SCENE VI.
1252JUST AND UNJUST.
438ACT III.
1253JUSTICE.
439SCENE I.
1254KING.
440SCENE II.
1255KISS.
441SCENE III.
1256LAUGHTER.
442SCENE IV.
1257LAW (NATURAL).
443SCENE V.
1258LAW (SALIC).
444SCENE VI.
1259LAW (CIVIL AND ECCLESIASTICAL).
445SCENE VII.
1260LAWS.
446ACT IV.
1261LAWS (SPIRIT OF).
447SCENE I.
1262LENT.
448SCENE II.
1263LEPROSY, ETC.
449SCENE III.
1264LETTERS (MEN OF).
450SCENE IV.
1265LIBEL.
451SCENE V.
1266LIBERTY.
452SCENE VI.
1267LIBERTY OF OPINION.
453ACT V.
1268LIBERTY OF THE PRESS.
454SCENE I.
1269LIFE.
455SCENE II.
1270LOVE.
456SCENE III.
1271LOVE OF GOD.
457SCENE IV.
1272LOVE (SOCRATIC LOVE).
458SCENE V.
1273LUXURY.
459SCENE VI.
1274MADNESS.
460SCENE the last.
1275MAGIC.
461DRAMATIS PERSONÆ.
1276MALADY—MEDICINE.
462ACT I.
1277MAN.
463SCENE I.
1278MARRIAGE.
464SCENE II.
1279MARY MAGDALEN.
465SCENE III.
1280MARTYRS.
466SCENE IV.
1281MASS.
467SCENE V.
1282MASSACRES.
468SCENE VI.
1283MASTER.
469SCENE VII.
1284MATTER.
470ACT II.
1285MEETINGS (PUBLIC).
471SCENE I.
1286MESSIAH.
472SCENE II.
1287METAMORPHOSIS.
473SCENE III.
1288METAPHYSICS.
474SCENE IV.
1289MIND (LIMITS OF THE HUMAN).
475SCENE V.
1290MIRACLES.
476SCENE VI.
1291MISSION.
477SCENE VII.
1292MONEY.
478SCENE VIII.
1293MONSTERS.
479SCENE IX.
1294MORALITY.
480SCENE X.
1295MOSES.
481SCENE XI.
1296MOTION.
482ACT III.
1297MOUNTAIN.
483SCENE I.
1298NAIL.
484SCENE II.
1299NATURE.
485SCENE III.
1300NECESSARY—NECESSITY.
486SCENE the last.
1301NEW—NOVELTIES.
487DRAMATIS PERSONÆ.
1302NUDITY.
488An Epistle Dedicatory to Mr. Falkener, an English Merchant, Since Ambassador at Constantinople, with the Tragedy of Zaïre.
1303NUMBER.
489A Second Letter to Mr. Falkener, Then Ambassador to Constantinople.
1304NUMBERING.
490ACT I.
1305OCCULT QUALITIES.
491SCENE I.
1306OFFENCES (LOCAL).
492SCENE II.
1307ONAN.
493SCENE III.
1308OPINION.
494SCENE IV.
1309OPTIMISM.
495SCENE V.
1310ORACLES.
496ACT II.
1311ORDEAL.
497SCENE I.
1312ORDINATION.
498SCENE II.
1313ORIGINAL SIN.
499SCENE III.
1314OVID.
500SCENE IV.
1315PARADISE.
501ACT III.
1316PASSIONS.
502SCENE I.
1317PAUL.
503SCENE II.
1318PERSECUTION.
504SCENE III.
1319PETER (SAINT).
505SCENE IV.
1320PETER THE GREAT AND J.J. ROUSSEAU.
506SCENE V.
1321PHILOSOPHER.
507SCENE VI.
1322PHILOSOPHY.
508SCENE VII.
1323PHYSICIANS.
509ACT IV.
1324PIRATES OR BUCCANEERS.
510SCENE I.
1325PLAGIARISM.
511SCENE II.
1326PLATO.
512SCENE III.
1327POETS.
513SCENE IV.
1328POISONINGS.
514SCENE V.
1329POLICY.
515SCENE VI.
1330POLYPUS.
516SCENE VII.
1331POLYTHEISM.
517ACT V.
1332POPERY.
518SCENE I.
1333POPULATION.
519SCENE II.
1334POSSESSED.
520SCENE III.
1335POST.
521SCENE IV.
1336POWER—OMNIPOTENCE.
522SCENE V.
1337POWER.
523SCENE VI.
1338PRAYER (PUBLIC), THANKSGIVING, ETC.
524SCENE VII.
1339PREJUDICE.
525SCENE VIII.
1340PRESBYTERIAN.
526SCENE IX.
1341PRETENSIONS.
527SCENE the last.
1342PRIDE.
528DRAMATIS PERSONÆ.
1343PRIESTS.
529ACT I.
1344PRIESTS OF THE PAGANS.
530SCENE I.
1345PRIOR, BUTLER, AND SWIFT.
531SCENE II.
1346PRIVILEGE—PRIVILEGED CASES.
532SCENE III.
1347PROPERTY.
533SCENE IV.
1348PROPHECIES.
534ACT II.
1349PROPHETS.
535SCENE I.
1350PROVIDENCE.
536SCENE II.
1351PURGATORY.
537SCENE III.
1352QUACK (OR CHARLATAN).
538SCENE IV.
1353RAVAILLAC.
539SCENE V.
1354REASONABLE, OR RIGHT.
540ACT III.
1355RELICS.
541SCENE I.
1356RELIGION.
542SCENE II.
1357RHYME.
543SCENE III.
1358RESURRECTION.
544SCENE IV.
1359RIGHTS.
545SCENE V.
1360RIVERS.
546SCENE VI.
1361ROADS.
547SCENE VII.
1362ROD.
548SCENE VIII.
1363ROME (COURT OF).
549DRAMATIS PERSONÆ.
1364SAMOTHRACE.
550ACT I.
1365SAMSON.
551SCENE I.
1366SATURN'S RING.
552SCENE II.
1367SCANDAL.
553SCENE III.
1368SCHISM.
554SCENE IV.
1369SCROFULA.
555SCENE V.
1370SECT.
556ACT II.
1371SELF-LOVE.
557SCENE I.
1372SENSATION.
558SCENE II.
1373SENTENCES (REMARKABLE).
559SCENE III.
1374SENTENCES OF DEATH.
560SCENE IV.
1375SERPENTS.
561SCENE V.
1376SHEKEL.
562SCENE VI.
1377SIBYL.
563ACT III.
1378SINGING.
564SCENE I.
1379SLAVES.
565SCENE II.
1380SLEEPERS (THE SEVEN).
566SCENE III.
1381SLOW BELLIES (VENTRES PARESSEUX).
567SCENE IV.
1382SOCIETY (ROYAL) OF LONDON, AND ACADEMIES.
568SCENE V.
1383SOCRATES.
569SCENE VI.
1384SOLOMON.
570ACT IV.
1385SOMNAMBULISTS AND DREAMERS.
571SCENE I.
1386SOPHIST.
572SCENE II.
1387SOUL.
573SCENE III.
1388SPACE.
574SCENE IV.
1389STAGE (POLICE OF THE).
575SCENE V.
1390STATES—GOVERNMENTS.
576SCENE VI.
1391STATES-GENERAL.
577SCENE VII.
1392STYLE.
578ACT V.
1393SUPERSTITION.
579SCENE I.
1394SYMBOL, OR CREDO.
580SCENE II.
1395SYSTEM.
581SCENE III.
1396TABOR, OR THABOR.
582SCENE IV.
1397TALISMAN.
583SCENE V.
1398TARTUFFE—TARTUFERIE.
584SCENE VI.
1399TASTE.
585SCENE VII.
1400TAUROBOLIUM.
586DRAMATIS PERSONÆ.
1401TAX—FEE.
587ACT I.
1402TEARS.
588SCENE I.
1403TERELAS.
589SCENE II.
1404TESTES.
590SCENE III.
1405THEISM.
591SCENE IV.
1406THEIST.
592SCENE V.
1407THEOCRACY.
593SCENE VI.
1408THEODOSIUS.
594ACT II.
1409THEOLOGIAN.
595SCENE I.
1410THUNDER.
596SCENE II.
1411TOLERATION.
597SCENE III.
1412TOPHET.
598SCENE IV.
1413TORTURE.
599SCENE V.
1414TRANSUBSTANTIATION.
600SCENE VI.
1415TRINITY.
601ACT III.
1416TRUTH.
602SCENE I.
1417TYRANNY.
603SCENE II.
1418TYRANT.
604SCENE III.
1419UNIVERSITY.
605SCENE IV.
1420USAGES.
606SCENE V.
1421VAMPIRES.
607SCENE VI.
1422VELETRI.
608SCENE VII.
1423VENALITY.
609ACT IV.
1424VENICE.
610SCENE I.
1425VERSE.
611SCENE II.
1426VIANDS.
612SCENE III.
1427VIRTUE.
613SCENE IV.
1428VISION.
614SCENE V.
1429VISION OF CONSTANTINE.
615SCENE VI.
1430VOWS.
616SCENE VII.
1431VOYAGE OF ST. PETER TO ROME.
617ACT V.
1432WALLER.
618SCENE I.
1433WAR.
619SCENE II.
1434WEAKNESS ON BOTH SIDES.
620SCENE III.
1435WHYS (THE).
621SCENE IV.
1436WICKED.
622SCENE V.
1437WILL.
623SCENE VI.
1438WIT, SPIRIT, INTELLECT.
624DRAMATIS PERSONÆ.
1439WOMEN.
625ACT I.
1440XENOPHANES.
626SCENE I.
1441XENOPHON, AND THE RETREAT OF THE TEN THOUSAND.
627SCENE II.
1442YVETOT.
628SCENE III.
1443ZEAL.
629SCENE IV.
1444ZOROASTER.
630SCENE V.
1445DECLARATION OF THE AMATEURS, IN-QUIRERS, AND DOUBTERS
631ACT II.
1446INTRODUCTION
632SCENE I.
1447LETTER I. ON THE QUAKERS
633SCENE II.
1448LETTER II. ON THE QUAKERS
634SCENE III.
1449LETTER III. ON THE QUAKERS
635SCENE IV.
1450LETTER IV. ON THE QUAKERS
636SCENE V.
1451LETTER V. ON THE CHURCH OF ENGLAND
637SCENE VI.
1452LETTER VI. ON THE PRESBYTERIANS
638SCENE VII.
1453LETTER VII. ON THE SOCINIANS, OR ARIANS, OR ANTITRINITARIANS
639ACT III.
1454LETTER VIII. ON THE PARLIAMENT
640SCENE I.
1455LETTER IX. ON THE GOVERNMENT
641SCENE II.
1456LETTER X. ON TRADE
642SCENE III.
1457LETTER XI. ON INOCULATION
643SCENE IV.
1458LETTER XII. ON THE LORD BACON
644SCENE V.
1459LETTER XIII. ON MR. LOCKE
645SCENE VI.
1460LETTER XIV. ON DESCARTES AND SIR ISAAC NEWTON
646ACT IV.
1461LETTER XV. ON ATTRACTION
647SCENE I.
1462LETTER XVI. ON SIR ISAAC NEWTON’S OPTICS
648SCENE II.
1463LETTER XVII. ON INFINITES IN GEOMETRY, AND SIR ISAAC NEWTON’S CHRONOLOGY
649SCENE III.
1464LETTER XVIII. ON TRAGEDY
650SCENE IV.
1465LETTER XIX. ON COMEDY
651SCENE V.
1466LETTER XX. ON SUCH OF THE NOBILITY AS CULTIVATE THE BELLES LETTRES
652SCENE VI.
1467LETTER XXI. ON THE EARL OF ROCHESTER AND MR. WALLER
653SCENE VII.
1468LETTER XXII. ON MR. POPE AND SOME OTHER FAMOUS POETS
654SCENE VIII.
1469LETTER XXIII. ON THE REGARD THAT OUGHT TO BE SHOWN TO MEN OF LETTERS
655ACT V.
1470LETTER XXIV. ON THE ROYAL SOCIETY AND OTHER ACADEMIES
656SCENE I.
1471CHAPTER I. A BRIEF ACCOUNT OF THE DEATH OF JOHN CALAS.
657SCENE II.
1472CHAPTER II. CONSEQUENCES OF THE EXECUTION OF JOHN CALAS.
658SCENE III.
1473CHAPTER III. A SKETCH OF THE REFORMATION IN THE SIXTEENTH CENTURY.
659SCENE IV.
1474CHAPTER IV. WHETHER TOLERATION IS DANGEROUS, AND AMONG WHAT NATIONS IT IS PRACTISED.
660SCENE V.
1475CHAPTER V. IN WHAT CASES TOLERATION MAY BE ADMITTED.
661SCENE VI.
1476CHAPTER VI. IF NON-TOLERATION IS AGREEABLE TO THE LAW OF NATURE AND OF SOCIETY.
662SCENE VII.
1477CHAPTER VII. IF NON-TOLERATION WAS KNOWN AMONG THE GREEKS.
663SCENE VIII.
1478CHAPTER VIII. WHETHER THE ROMANS ENCOURAGED TOLERATION.
664SCENE IX.
1479CHAPTER IX. MARTYRS.
665DRAMATIS PERSONÆ.
1480CHAPTER X. THE DANGER OF FALSE LEGENDS AND PERSECUTION.
666ACT I.
1481CHAPTER XI. ILL CONSEQUENCES OF NON-TOLERATION.
667SCENE I.
1482CHAPTER XII. IF NON-TOLERATION WAS PART OF THE DIVINE LAW AMONG THE JEWS, AND WHETHER IT WAS ALWAYS PUT IN PRACTICE.
668SCENE II.
1483CHAPTER XIII. THE GREAT TOLERATION EXERCISED AMONG THE JEWS.
669SCENE III.
1484CHAPTER XIV. IF NON-TOLERATION WAS TAUGHT BY CHRIST.
670SCENE IV.
1485CHAPTER XV. TESTIMONIES AGAINST PERSECUTION.
671SCENE V.
1486CHAPTER XVI. A CONVERSATION BETWEEN A DYING MAN AND ONE IN GOOD HEALTH.
672SCENE VI.
1487CHAPTER XVII. A LETTER FROM A BENEFICED PRIEST TO FATHER LETELLIER, THE JESUIT, DATED THE 6th OF MAY, 1714.
673ACT II.
1488CHAPTER XVIII. THE ONLY CASES IN WHICH NON-TOLERATION MAKES PART OF THE HUMAN LAW.
674SCENE I.
1489CHAPTER XIX. ACCOUNT OF A CONTROVERSIAL DISPUTE WHICH HAPPENED IN CHINA.
675SCENE II.
1490CHAPTER XX. WHETHER IT IS OF SERVICE TO INDULGE THE PEOPLE IN SUPERSTITION.
676SCENE III.
1491CHAPTER XXI. VIRTUE IS BETTER THAN LEARNING.
677SCENE IV.
1492CHAPTER XXII. OF UNIVERSAL TOLERATION.
678SCENE V.
1493CHAPTER XXIII. AN ADDRESS TO THE DEITY.
679SCENE VI.
1494CHAPTER XXIV. POSTSCRIPT.
680SCENE VII.
1495CHAPTER XXV. SEQUEL AND CONCLUSION.
681SCENE VIII.
1496PART I
682ACT III.
1497INTRODUCTION TO THE AGE OF LOUIS XIV.
683SCENE I.
1498CHAPTER I. THE STATES OF EUROPE BEFORE LOUIS XIV.
684SCENE II.
1499CHAPTER II. MINORITY OF LOUIS XIV.—THE VICTORIES OF THE FRENCH UNDER THE GREAT CONDE, THEN DUKE OF ENGHIEN.
685SCENE III.
1500CHAPTER III. THE CIVIL WAR.
686SCENE IV.
1501CHAPTER IV. CONTINUATION OF THE CIVIL WAR, TILL THE END OF THE REBELLION IN 1654.
687SCENE V.
1502CHAPTER V. FRANCE, TILL THE DEATH OF CARDINAL MAZARIN, 1661.
688SCENE VI.
1503CHAPTER VI. LOUIS XIV. GOVERNS ALONE—HE OBLIGES THE SPANISH BRANCH OF THE HOUSE OF AUSTRIA TO YIELD HIM THE PRECEDENCY EVERYWHERE, AND THE COURT OF ROME TO GIVE HIM SATISFACTION—HE PURCHASES DUNKIRK, SENDS AID TO THE EMPEROR, THE DUTCH, AND THE PORTUGUESE, AND RENDERS HIS KINGDOM POWERFUL AND FLOURISHING.
689ACT IV.
1504CHAPTER VII. THE CONQUEST OF FLANDERS.
690SCENE I.
1505CHAPTER VIII. CONQUEST OF FRANCHE-COMTÉ—PEACE OF AIX-LA-CHAPELLE.
691SCENE II.
1506CHAPTER IX. MAGNIFICENCE OF LOUIS XIV.—CONQUEST OF HOLLAND.
692SCENE III.
1507CHAPTER X. HOLLAND EVACUATED—FRANCHÉ-COMTE CONQUERED A SECOND TIME.
693SCENE IV.
1508CHAPTER XI. THE GLORIOUS CAMPAIGN AND DEATH OF MARSHAL TURENNE.
694ACT V.
1509CHAPTER XII. FROM THE DEATH OF TURENNE TILL THE PEACE OF NIMEGUEN, IN 1678.
695SCENE I.
1510CHAPTER XIII. THE TAKING OF STRASBURG—THE BOMBARDING OF ALGIERS—THE SUBMISSION OF THE GENOESE—THE EMBASSY FROM THE EMPEROR OF SIAM—THE POPE BRAVED IN ROME—THE SUCCESSION TO THE ELECTORATE OF COLOGNE DISPUTED.
696SCENE II.
1511CHAPTER XIV. JAMES II. OF ENGLAND DETHRONED BY HIS SON-IN-LAW, WILLIAM III., AND PROTECTED BY LOUIS XIV.
697SCENE III.
1512CHAPTER XV. THE CONTINENT WHILE WILLIAM III. WAS INVADING ENGLAND, SCOTLAND, AND IRELAND, TILL THE YEAR 1697—BURNING OF THE PALATINATE—VICTORIES OF MARSHALS CATINAT AND LUXEMBOURG.
698SCENE IV.
1513CHAPTER XVI. TREATY WITH SAVOY—MARRIAGE OF THE DUKE OF BURGUNDY—PEACE OF RYSWICK—STATE OF FRANCE AND EUROPE—DEATH AND LAST WILL OF CHARLES II., KING OF SPAIN.
699SCENE V.
1514PART II
700SCENE VI.
1515CHAPTER XVII. THE WAR OF 1701—CONDUCT OF PRINCE EUGENE, MARSHAL VILLEROI, THE DUKE OF VENDÔME, THE DUKE OF MARLBOROUGH, AND MARSHAL VILLARS; UNTIL THE YEAR 1703.
701SCENE VII.
1516CHAPTER XVIII. LOSS OF THE BATTLE OF HÖCHSTÄDT, OR BLENHEIM.
702SCENE VIII.
1517CHAPTER XIX. LOSSES IN SPAIN—THE BATTLES OF RAMILLIES AND TURIN, AND THEIR CONSEQUENCES.
703DRAMATIS PERSONÆ.
1518CHAPTER XX. LOSSES OF THE FRENCH AND SPANIARDS CONTINUED—LOUIS XIV. HUMBLED; HIS PERSEVERANCE AND RESOURCES—BATTLE OF MALPLAQUET.
704ACT I.
1519CHAPTER XXI. LOUIS XIV. CONTINUES TO SOLICIT PEACE, AND TO DEFEND HIMSELF—THE DUKE OF VENDÔME SECURES THE KING OF SPAIN ON HIS THRONE.
705SCENE I.
1520CHAPTER XXII. VICTORY GAINED BY MARSHAL VILLARS AT DENAIN—THE AFFAIRS OF FRANCE RETRIEVED—THE GENERAL PEACE.
706SCENE II.
1521CHAPTER XXIII. PRIVATE ANECDOTES OF THE REIGN OF LOUIS XIV.
707SCENE III.
1522CHAPTER XXIV. ANECDOTES CONTINUED.
708SCENE IV.
1523CHAPTER XXV. ADDITIONAL MEMOIRS.
709SCENE V.
1524CHAPTER XXVI. LAST YEARS OF LOUIS XIV.
710SCENE VI.
1525CHAPTER XXVII. GOVERNMENT, COMMERCE, LAWS, MILITARY DISCIPLINE, UNDER LOUIS XIV.
711ACT II.
1526CHAPTER XXVIII. FINANCE UNDER LOUIS XIV.
712SCENE I.
1527CHAPTER XXIX. PROGRESS OF THE SCIENCES.
713SCENE II.
1528CHAPTER XXX. THE POLITE ARTS IN EUROPE AT THE TIME OF LOUIS XIV.
714SCENE III.
1529CHAPTER XXXI. THE CHILDREN OF LOUIS XIV.—THE SOVEREIGN PRINCES CONTEMPORARY WITH HIM—HIS GENERALS AND MINISTERS.
715SCENE IV.
1530CHAPTER XXXII. CELEBRATED ARTISTS AND MUSICIANS.
716SCENE V.
1531CHAPTER I.
717SCENE VI.
1532CHAPTER II.
718ACT III.
1533CHAPTER III.
719SCENE I.
1534CHAPTER IV.
720SCENE II.
1535CHAPTER V.
721SCENE III.
1536CHAPTER VI.
722SCENE IV.
1537CHAPTER VII.
723SCENE V.
1538CHAPTER VIII.
724SCENE VI.
1539CHAPTER IX.
725ACT IV.
1540CHAPTER X.
726SCENE I.
1541CHAPTER XI.
727SCENE II.
1542CHAPTER XII.
728SCENE III.
1543CHAPTER XIII.
729SCENE IV.
1544CHAPTER XIV.
730SCENE V.
1545CHAPTER XV.
731SCENE VI.
1546CHAPTER XVI.
732SCENE VII.
1547CHAPTER XVII.
733ACT V.
1548CHAPTER XVIII.
734SCENE I.
1549CHAPTER XIX.
735SCENE II.
1550CHAPTER XX.
736SCENE III.
1551CHAPTER XXI.
737DRAMATIS PERSONÆ.
1552CHAPTER XXII.
738ACT I.
1553CHAPTER XXIII.
739SCENE I.
1554CHAPTER XXIV.
740SCENE II.
1555CHAPTER XXV.
741ACT II.
1556CHAPTER XXVI.
742ACT III.
1557CHAPTER XXVII.
743ACT IV.
1558CHAPTER XXVIII.
744ACT V.
1559CHAPTER XXIX.
745DRAMATIS PERSONÆ.
1560CHAPTER XXX.
746ACT I.
1561CHAPTER XXXI.
747SCENE I.
1562CHAPTER XXXII.
748SCENE II.
1563CHAPTER XXXIII.
749SCENE III.
1564CHAPTER XXXIV.
750SCENE IV.
1565CHAPTER XXXV.
751SCENE V.
1566CHAPTER XXXVI.
752SCENE VI.
1567LETTERS TO JONATHAN SWIFT
753SCENE VII.
1568Letter from Voltaire to Jonathan Swift (June 1727)
754ACT II.
1569Letter from Voltaire to Jonathan Swift (1727)
755SCENE I.
1570Letter from Voltaire to Jonathan Swift (December 14, 1727)
756SCENE II.
1571Letter from Voltaire to Jonathan Swift (1727)
757SCENE III.
1572LETTER FROM VOLTAIRE TO CHARLES JEAN-BAPTISTE FLEURIAU
758SCENE IV.
1573Literary Criticism
759SCENE V.
1574VOLTAIRE AND ENGLAND by Lytton Strachey1
760SCENE VI.
1575VOLTAIRE’S TRAGEDIES by Lytton Strachey
761SCENE VII.
1576VOLTAIRE AND FREDERICK THE GREAT by Lytton Strachey
762SCENE VIII.
1577I. CHANGES WROUGHT BY TIME.
763ACT III.
1578II. THE DAYS OF YOUTH.
764SCENE I.
1579III. THE MORN OF MANHOOD.
765SCENE II.
1580IV. THE SCHEME OF NATURE.
766SCENE III.
1581V. HIS HUMANITY.
767SCENE IV.
1582VI. THE RETURN.
768SCENE V.
1583VII. THE DEATH-BED ARGUMENT.
769SCENE VI.
1584VIII. THE SECOND RETURN.
770SCENE VII.
1585Biographies
771SCENE VIII.
1586PREFACE
772ACT IV.
1587EARLY LIFE
773SCENE I.
1588HEGIRA TO ENGLAND
774SCENE II.
1589EXAMPLES FROM ENGLAND
775SCENE III.
1590AT CIREY
776SCENE IV.
1591“CANDIDE”
777SCENE V.
1592THE ENCYCLOPÆDIA
778SCENE VI.
1593LAST DAYS
779SCENE VII.
1594HIS CHARACTER AND SERVICES
780ACT V.
1595TRIBUTES TO VOLTAIRE
781SCENE I.
1596SELECTIONS FROM VOLTAIRE’S WORKS
782SCENE II.
1597History
783SCENE III.
1598Wars
784SCENE IV.
1599Politics
785SCENE V.
1600The Population Question
786SCENE VI.
1601Nature’s Way
787DRAMATIS PERSONÆ.
1602Prayer
788ACT I.
1603Doubt and Speculation
789SCENE I.
1604Dr. Pangloss and the Dervish
790SCENE II.
1605Motives for Conduct
791SCENE III.
1606Self-Love
792SCENE IV.
1607Go From Your Village
793SCENE V.
1608Religious Prejudices
794SCENE VI.
1609Sacred History
795SCENE VII.
1610Dupe And Rogue
796SCENE VIII.
1611“Delenda Est Carthago”
797SCENE IX.
1612Jesus and Mohammed
798ACT II.
1613How Faiths Spread
799SCENE I.
1614Superstition
800SCENE II.
1615The Bible
801SCENE III.
1616Transubstantiation
802SCENE IV.
1617Dreams and Ghosts
803SCENE V.
1618Mortifying the Flesh
804SCENE VI.
1619Heaven
805SCENE VII.
1620Magic
806SCENE VIII.
1621DETACHED THOUGHTS
807SCENE IX.
1622CHAPTER 1. THE IDEAL MAN FOR THE TIME.
808SCENE X.
1623CHAPTER 2. ENGLISH STUDIES AND INFLUENCES.
809SCENE XI.
1624CHAPTER 3. TEMPERAMENT, LIFE, AND LITERARY GENIUS.
810SCENE XII.
1625CHAPTER 4. WITH FREDERICK THE GREAT.
811SCENE XIII.
1626CHAPTER 5. WAR AGAINST INTOLERANCE.
812ACT III.
1627CHAPTER 6. METHODS AND MERITS AS HISTORIAN.
813SCENE I.
1628CHAPTER 7. THE PHILANTHROPIST OF FERNEY.
814SCENE II.
1629VOLTAIRE IN THE NETHERLANDS by C. A. Van Sypesteyn
815SCENE III.
1630VOLTAIRE by George Saintsbury
