11. CHAPTER 1: INTRODUCTION TO SCREEN PSYCHOLOGY
1515. CHAPTER 15: MORAL DILEMMAS AND AUDIENCE JUDGMENT
22. CHAPTER 2: THE HUMAN BRAIN ON FILM
1616. CHAPTER 16: AUDIENCE FEEDBACK AND NEUROMARKETING
33. CHAPTER 3: EMOTION AS THE DRIVER OF ENGAGEMENT
1717. CHAPTER 17: ATTENTION ECONOMY AND BINGE-WATCHING
44. CHAPTER 4: STORYTELLING AND MEMORY FORMATION
1818. CHAPTER 18: GENDER, IDENTITY, AND SCREEN PSYCHOLOGY
55. CHAPTER 5: VISUAL CUES AND THE SUBCONSCIOUS
1919. CHAPTER 19: MANIPULATION VS. INSPIRATION
66. CHAPTER 6: SOUND DESIGN AND THE BRAIN
2020. CHAPTER 20: HARNESSING NEUROSCIENCE FOR FUTURE CINEMA
77. CHAPTER 7: EDITING TECHNIQUES AND COGNITION
2121. APPENDIX A: GLOSSARY OF KEY TERMS
88. CHAPTER 8: CHARACTER ATTACHMENT AND IDENTIFICATION
2222. APPENDIX B: ANNOTATED BIBLIOGRAPHY AND FURTHER READING
99. CHAPTER 9: CULTURAL AND SOCIAL FACTORS IN ENGAGEMENT
2323. APPENDIX C: PRACTICAL EXERCISES AND DRILLS
1010. CHAPTER 10: SUSPENSE, TENSION, AND RELEASE
2424. APPENDIX D: CASE STUDIES AND SHOT-BY-SHOT ANALYSES
1111. CHAPTER 11: NONLINEAR STORYTELLING AND THE BRAIN
2525. APPENDIX E: RESOURCES, COMMUNITIES, AND JOURNALS
1212. CHAPTER 12: VR, AR, AND IMMERSIVE EXPERIENCES
2626. APPENDIX F: REAL-WORLD APPLICATION EXAMPLES
1313. CHAPTER 13: HUMOR, LAUGHTER, AND REWARD PATHWAYS
2727. APPENDIX G: WORKSHOP MODULES FOR PRACTICAL APPLICATION
1414. CHAPTER 14: THE POWER OF MUSIC AND SCORE
2828. LEGAL NOTICE & DISCLAIMER
