Length63h 59m
About this audiobook
Victor Hugo's "Les Misérables" is a monumental exploration of justice, redemption, and the human condition, set against the backdrop of early 19th-century France. Through its intricate narrative, featuring vivid characters such as Jean Valjean, Javert, and Fantine, the novel employs a rich, emotive literary style that deftly blends melodrama with philosophical introspection. This epic work is not only a gripping tale of suffering and resilience but also a profound social commentary, reflective of the tumultuous political landscape and class struggles of its era, serving as a harbinger for later humanitarian movements. Victor Hugo, a titan of French literature and a vocal advocate for social reform, crafted this masterpiece during a period of deep personal and political upheaval. His experiences with poverty, exile, and political injustice greatly influenced his writing. Amidst his literary pursuits, Hugo sought to awaken the conscience of society, and "Les Misérables" epitomizes this mission, intertwining personal tragedy with broader social critique, capturing the zeitgeist of his time. To readers seeking a transformative literary experience, "Les Misérables" is an essential narrative that transcends time and geography. It invites reflection on the inherent dignity of all individuals, challenging societal norms and moral conventions. This novel not only captivates with its storytelling but also serves as a catalyst for empathy and understanding, making it a timeless classic worthy of exploration.
Audiobook details
GenreLiterary Classics, General Fiction
Length63 hrs 59 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateSep 16, 2022
LanguageEnglish
Table of contents
1Introduction
212CHAPTER IV—M. MABEUF
2VOLUME I—FANTINE
213CHAPTER V—POVERTY A GOOD NEIGHBOR FOR MISERY
3PREFACE
214CHAPTER VI—THE SUBSTITUTE
4FANTINE
215BOOK SIXTH—THE CONJUNCTION OF TWO STARS
5BOOK FIRST—A JUST MAN
216CHAPTER I—THE SOBRIQUET: MODE OF FORMATION OF FAMILY NAMES
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6CHAPTER I—M. MYRIEL
217CHAPTER II—LUX FACTA EST
7CHAPTER II—M. MYRIEL BECOMES M. WELCOME
218CHAPTER III—EFFECT OF THE SPRING
8CHAPTER III—A HARD BISHOPRIC FOR A GOOD BISHOP
219CHAPTER IV—BEGINNING OF A GREAT MALADY
9CHAPTER IV—WORKS CORRESPONDING TO WORDS
220CHAPTER V—DIVERS CLAPS OF THUNDER FALL ON MA’AM BOUGON
10CHAPTER V—MONSEIGNEUR BIENVENU MADE HIS CASSOCKS LAST TOO LONG
221CHAPTER VI—TAKEN PRISONER
11CHAPTER VI—WHO GUARDED HIS HOUSE FOR HIM
222CHAPTER VII—ADVENTURES OF THE LETTER U DELIVERED OVER TO CONJECTURES
12CHAPTER VII—CRAVATTE
223CHAPTER VIII—THE VETERANS THEMSELVES CAN BE HAPPY
13CHAPTER VIII—PHILOSOPHY AFTER DRINKING
224CHAPTER IX—ECLIPSE
14CHAPTER IX—THE BROTHER AS DEPICTED BY THE SISTER
225BOOK SEVENTH—PATRON MINETTE
15CHAPTER X—THE BISHOP IN THE PRESENCE OF AN UNKNOWN LIGHT
226CHAPTER I—MINES AND MINERS
16CHAPTER XI—A RESTRICTION
227CHAPTER II—THE LOWEST DEPTHS
17CHAPTER XII—THE SOLITUDE OF MONSEIGNEUR WELCOME
228CHAPTER III—BABET, GUEULEMER, CLAQUESOUS, AND MONTPARNASSE
18CHAPTER XIII—WHAT HE BELIEVED
229CHAPTER IV—COMPOSITION OF THE TROUPE
19CHAPTER XIV—WHAT HE THOUGHT
230BOOK EIGHTH—THE WICKED POOR MAN
20BOOK SECOND—THE FALL
231CHAPTER I—MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN IN A CAP
21CHAPTER I—THE EVENING OF A DAY OF WALKING
232CHAPTER II—TREASURE TROVE
22CHAPTER II—PRUDENCE COUNSELLED TO WISDOM.
233CHAPTER III—QUADRIFRONS
23CHAPTER III—THE HEROISM OF PASSIVE OBEDIENCE.
234CHAPTER IV—A ROSE IN MISERY
24CHAPTER IV—DETAILS CONCERNING THE CHEESE-DAIRIES OF PONTARLIER.
235CHAPTER V—A PROVIDENTIAL PEEP-HOLE
25CHAPTER V—TRANQUILLITY
236CHAPTER VI—THE WILD MAN IN HIS LAIR
26CHAPTER VI—JEAN VALJEAN
237CHAPTER VII—STRATEGY AND TACTICS
27CHAPTER VII—THE INTERIOR OF DESPAIR
238CHAPTER VIII—THE RAY OF LIGHT IN THE HOVEL
28CHAPTER VIII—BILLOWS AND SHADOWS
239CHAPTER IX—JONDRETTE COMES NEAR WEEPING
29CHAPTER IX—NEW TROUBLES
240CHAPTER X—TARIFF OF LICENSED CABS: TWO FRANCS AN HOUR
30CHAPTER X—THE MAN AROUSED
241CHAPTER XI—OFFERS OF SERVICE FROM MISERY TO WRETCHEDNESS
31CHAPTER XI—WHAT HE DOES
242CHAPTER XII—THE USE MADE OF M. LEBLANC’S FIVE-FRANC PIECE
32CHAPTER XII—THE BISHOP WORKS
243CHAPTER XIII—SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE PATER NOSTER
33CHAPTER XIII—LITTLE GERVAIS
244CHAPTER XIV—IN WHICH A POLICE AGENT BESTOWS TWO FISTFULS ON A LAWYER
34BOOK THIRD—IN THE YEAR 1817
245CHAPTER XV—JONDRETTE MAKES HIS PURCHASES
35CHAPTER I—THE YEAR 1817
246CHAPTER XVI—IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH WAS IN FASHION IN 1832
36CHAPTER II—A DOUBLE QUARTETTE
247CHAPTER XVII—THE USE MADE OF MARIUS’ FIVE-FRANC PIECE
37CHAPTER III—FOUR AND FOUR
248CHAPTER XVIII—MARIUS’ TWO CHAIRS FORM A VIS-A-VIS
38CHAPTER IV—THOLOMYÈS IS SO MERRY THAT HE SINGS A SPANISH DITTY
249CHAPTER XIX—OCCUPYING ONE’S SELF WITH OBSCURE DEPTHS
39CHAPTER V—AT BOMBARDA’S
250CHAPTER XX—THE TRAP
40CHAPTER VI—A CHAPTER IN WHICH THEY ADORE EACH OTHER
251CHAPTER XXI—ONE SHOULD ALWAYS BEGIN BY ARRESTING THE VICTIMS
41CHAPTER VII—THE WISDOM OF THOLOMYÈS
252CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO
42CHAPTER VIII—THE DEATH OF A HORSE
253VOLUME IV—SAINT-DENIS
43CHAPTER IX—A MERRY END TO MIRTH
254BOOK FIRST—A FEW PAGES OF HISTORY
44BOOK FOURTH—TO CONFIDE IS SOMETIMES TO DELIVER INTO A PERSON’S POWER
255CHAPTER I—WELL CUT
45CHAPTER I—ONE MOTHER MEETS ANOTHER MOTHER
256CHAPTER II—BADLY SEWED
46CHAPTER II—FIRST SKETCH OF TWO UNPREPOSSESSING FIGURES
257CHAPTER III—LOUIS PHILIPPE
47CHAPTER III—THE LARK
258CHAPTER IV—CRACKS BENEATH THE FOUNDATION
48BOOK FIFTH—THE DESCENT
259CHAPTER V—FACTS WHENCE HISTORY SPRINGS AND WHICH HISTORY IGNORES
49CHAPTER I—THE HISTORY OF A PROGRESS IN BLACK GLASS TRINKETS
260CHAPTER VI—ENJOLRAS AND HIS LIEUTENANTS
50CHAPTER II—MADELEINE
261BOOK SECOND—ÉPONINE
51CHAPTER III—SUMS DEPOSITED WITH LAFFITTE
262CHAPTER I—THE LARK’S MEADOW
52CHAPTER IV—M. MADELEINE IN MOURNING
263CHAPTER II—EMBRYONIC FORMATION OF CRIMES IN THE INCUBATION OF PRISONS
53CHAPTER V—VAGUE FLASHES ON THE HORIZON
264CHAPTER III—APPARITION TO FATHER MABEUF
54CHAPTER VI—FATHER FAUCHELEVENT
265CHAPTER IV—AN APPARITION TO MARIUS
55CHAPTER VII—FAUCHELEVENT BECOMES A GARDENER IN PARIS
266BOOK THIRD—THE HOUSE IN THE RUE PLUMET
56CHAPTER VIII—MADAME VICTURNIEN EXPENDS THIRTY FRANCS ON MORALITY
267CHAPTER I—THE HOUSE WITH A SECRET
57CHAPTER IX—MADAME VICTURNIEN’S SUCCESS
268CHAPTER II—JEAN VALJEAN AS A NATIONAL GUARD
58CHAPTER X—RESULT OF THE SUCCESS
269CHAPTER III—FOLIIS AC FRONDIBUS
59CHAPTER XI—CHRISTUS NOS LIBERAVIT
270CHAPTER IV—CHANGE OF GATE
60CHAPTER XII—M. BAMATABOIS’S INACTIVITY
271CHAPTER V—THE ROSE PERCEIVES THAT IT IS AN ENGINE OF WAR
61CHAPTER XIII—THE SOLUTION OF SOME QUESTIONS CONNECTED WITH THE MUNICIPAL POLICE
272CHAPTER VI—THE BATTLE BEGUN
62BOOK SIXTH—JAVERT
273CHAPTER VII—TO ONE SADNESS OPPOSE A SADNESS AND A HALF
63CHAPTER I—THE BEGINNING OF REPOSE
274CHAPTER VIII—THE CHAIN-GANG
64CHAPTER II—HOW JEAN MAY BECOME CHAMP
275BOOK FOURTH—SUCCOR FROM BELOW MAY TURN OUT TO BE SUCCOR FROM ON HIGH
65BOOK SEVENTH—THE CHAMPMATHIEU AFFAIR
276CHAPTER I—A WOUND WITHOUT, HEALING WITHIN
66CHAPTER I—SISTER SIMPLICE
277CHAPTER II—MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A PHENOMENON
67CHAPTER II—THE PERSPICACITY OF MASTER SCAUFFLAIRE
278BOOK FIFTH—THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING
68CHAPTER III—A TEMPEST IN A SKULL
279CHAPTER I—SOLITUDE AND THE BARRACKS COMBINED
69CHAPTER IV—FORMS ASSUMED BY SUFFERING DURING SLEEP
280CHAPTER II—COSETTE’S APPREHENSIONS
70CHAPTER V—HINDRANCES
281CHAPTER III—ENRICHED WITH COMMENTARIES BY TOUSSAINT
71CHAPTER VI—SISTER SIMPLICE PUT TO THE PROOF
282CHAPTER IV—A HEART BENEATH A STONE
72CHAPTER VII—THE TRAVELLER ON HIS ARRIVAL TAKES PRECAUTIONS FOR DEPARTURE
283CHAPTER V—COSETTE AFTER THE LETTER
73CHAPTER VIII—AN ENTRANCE BY FAVOR
284CHAPTER VI—OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY
74CHAPTER IX—A PLACE WHERE CONVICTIONS ARE IN PROCESS OF FORMATION
285BOOK SIXTH—LITTLE GAVROCHE
75CHAPTER X—THE SYSTEM OF DENIALS
286CHAPTER I—THE MALICIOUS PLAYFULNESS OF THE WIND
76CHAPTER XI—CHAMPMATHIEU MORE AND MORE ASTONISHED
287CHAPTER II—IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE GREAT
77BOOK EIGHTH—A COUNTER-BLOW
288CHAPTER III—THE VICISSITUDES OF FLIGHT
78CHAPTER I—IN WHAT MIRROR M. MADELEINE CONTEMPLATES HIS HAIR
289BOOK SEVENTH—SLANG
79CHAPTER II—FANTINE HAPPY
290CHAPTER I—ORIGIN
80CHAPTER III—JAVERT SATISFIED
291CHAPTER II—ROOTS
81CHAPTER IV—AUTHORITY REASSERTS ITS RIGHTS
292CHAPTER III—SLANG WHICH WEEPS AND SLANG WHICH LAUGHS
82CHAPTER V—A SUITABLE TOMB
293CHAPTER IV—THE TWO DUTIES: TO WATCH AND TO HOPE
83VOLUME II—COSETTE
294BOOK EIGHTH—ENCHANTMENTS AND DESOLATIONS
84BOOK FIRST—WATERLOO
295CHAPTER I—FULL LIGHT
85CHAPTER I—WHAT IS MET WITH ON THE WAY FROM NIVELLES
296CHAPTER II—THE BEWILDERMENT OF PERFECT HAPPINESS
86CHAPTER II—HOUGOMONT
297CHAPTER III—THE BEGINNING OF SHADOW
87CHAPTER III—THE EIGHTEENTH OF JUNE, 1815
298CHAPTER IV—A CAB RUNS IN ENGLISH AND BARKS IN SLANG
88CHAPTER IV—A
299CHAPTER V—THINGS OF THE NIGHT
89CHAPTER V—THE QUID OBSCURUM OF BATTLES
300CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING COSETTE HIS ADDRESS
90CHAPTER VI—FOUR O’CLOCK IN THE AFTERNOON
301CHAPTER VII—THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH OTHER
91CHAPTER VII—NAPOLEON IN A GOOD HUMOR
302BOOK NINTH—WHITHER ARE THEY GOING?
92CHAPTER VIII—THE EMPEROR PUTS A QUESTION TO THE GUIDE LACOSTE
303CHAPTER I—JEAN VALJEAN
93CHAPTER IX—THE UNEXPECTED
304CHAPTER II—MARIUS
94CHAPTER X—THE PLATEAU OF MONT-SAINT-JEAN
305CHAPTER III—M. MABEUF
95CHAPTER XI—A BAD GUIDE TO NAPOLEON; A GOOD GUIDE TO BÜLOW
306BOOK TENTH—THE 5TH OF JUNE, 1832
96CHAPTER XII—THE GUARD
307CHAPTER I—THE SURFACE OF THE QUESTION
97CHAPTER XIII—THE CATASTROPHE
308CHAPTER II—THE ROOT OF THE MATTER
98CHAPTER XIV—THE LAST SQUARE
309CHAPTER III—A BURIAL; AN OCCASION TO BE BORN AGAIN
99CHAPTER XV—CAMBRONNE
310CHAPTER IV—THE EBULLITIONS OF FORMER DAYS
100CHAPTER XVI—QUOT LIBRAS IN DUCE?
311CHAPTER V—ORIGINALITY OF PARIS
101CHAPTER XVII—IS WATERLOO TO BE CONSIDERED GOOD?
312BOOK ELEVENTH—THE ATOM FRATERNIZES WITH THE HURRICANE
102CHAPTER XVIII—A RECRUDESCENCE OF DIVINE RIGHT
313CHAPTER I—SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE’S POETRY. THE INFLUENCE OF AN ACADEMICIAN ON THIS POETRY
103CHAPTER XIX—THE BATTLE-FIELD AT NIGHT
314CHAPTER II—GAVROCHE ON THE MARCH
104BOOK SECOND—THE SHIP ORION
315CHAPTER III—JUST INDIGNATION OF A HAIR-DRESSER
105CHAPTER I—NUMBER 24,601 BECOMES NUMBER 9,430
316CHAPTER IV—THE CHILD IS AMAZED AT THE OLD MAN
106CHAPTER II—IN WHICH THE READER WILL PERUSE TWO VERSES, WHICH ARE OF THE DEVIL’S COMPOSITION, POSSIBLY
317CHAPTER V—THE OLD MAN
107CHAPTER III—THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY MANIPULATION TO BE THUS BROKEN WITH A BLOW FROM A HAMMER
318CHAPTER VI—RECRUITS
108BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN
319BOOK TWELFTH—CORINTHE
109CHAPTER I—THE WATER QUESTION AT MONTFERMEIL
320CHAPTER I—HISTORY OF CORINTHE FROM ITS FOUNDATION
110CHAPTER II—TWO COMPLETE PORTRAITS
321CHAPTER II—PRELIMINARY GAYETIES
111CHAPTER III—MEN MUST HAVE WINE, AND HORSES MUST HAVE WATER
322CHAPTER III—NIGHT BEGINS TO DESCEND UPON GRANTAIRE
112CHAPTER IV—ENTRANCE ON THE SCENE OF A DOLL
323CHAPTER IV—AN ATTEMPT TO CONSOLE THE WIDOW HUCHELOUP
113CHAPTER V—THE LITTLE ONE ALL ALONE
324CHAPTER V—PREPARATIONS
114CHAPTER VI—WHICH POSSIBLY PROVES BOULATRUELLE’S INTELLIGENCE
325CHAPTER VI—WAITING
115CHAPTER VII—COSETTE SIDE BY SIDE WITH THE STRANGER IN THE DARK
326CHAPTER VII—THE MAN RECRUITED IN THE RUE DES BILLETTES
116CHAPTER VIII—THE UNPLEASANTNESS OF RECEIVING INTO ONE’S HOUSE A POOR MAN WHO MAY BE A RICH MAN
327CHAPTER VIII—MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE CABUC WHOSE NAME MAY NOT HAVE BEEN LE CABUC
117CHAPTER IX— THÉNARDIER AND HIS MANŒUVRES
328BOOK THIRTEENTH—MARIUS ENTERS THE SHADOW
118CHAPTER X—HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION WORSE
329CHAPTER I—FROM THE RUE PLUMET TO THE QUARTIER SAINT-DENIS
119CHAPTER XI—NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY
330CHAPTER II—AN OWL’S VIEW OF PARIS
120BOOK FOURTH—THE GORBEAU HOVEL
331CHAPTER III—THE EXTREME EDGE
121CHAPTER I—MASTER GORBEAU
332BOOK FOURTEENTH—THE GRANDEURS OF DESPAIR
122CHAPTER II—A NEST FOR OWL AND A WARBLER
333CHAPTER I—THE FLAG: ACT FIRST
123CHAPTER III—TWO MISFORTUNES MAKE ONE PIECE OF GOOD FORTUNE
334CHAPTER II—THE FLAG: ACT SECOND
124CHAPTER IV—THE REMARKS OF THE PRINCIPAL TENANT
335CHAPTER III—GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS’ CARBINE
125CHAPTER V—A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT
336CHAPTER IV—THE BARREL OF POWDER
126BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK
337CHAPTER V—END OF THE VERSES OF JEAN PROUVAIRE
127CHAPTER I—THE ZIGZAGS OF STRATEGY
338CHAPTER VI—THE AGONY OF DEATH AFTER THE AGONY OF LIFE
128CHAPTER II—IT IS LUCKY THAT THE PONT D’AUSTERLITZ BEARS CARRIAGES
339CHAPTER VII—GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES
129CHAPTER III—TO WIT, THE PLAN OF PARIS IN 1727
340BOOK FIFTEENTH—THE RUE DE L’HOMME ARMÉ
130CHAPTER IV—THE GROPINGS OF FLIGHT
341CHAPTER I—A DRINKER IS A BABBLER
131CHAPTER V—WHICH WOULD BE IMPOSSIBLE WITH GAS LANTERNS
342CHAPTER II—THE STREET URCHIN AN ENEMY OF LIGHT
132CHAPTER VI—THE BEGINNING OF AN ENIGMA
343CHAPTER III—WHILE COSETTE AND TOUSSAINT ARE ASLEEP
133CHAPTER VII—CONTINUATION OF THE ENIGMA
344CHAPTER IV—GAVROCHE’S EXCESS OF ZEAL
134CHAPTER VIII—THE ENIGMA BECOMES DOUBLY MYSTERIOUS
345VOLUME V—JEAN VALJEAN
135CHAPTER IX—THE MAN WITH THE BELL
346BOOK FIRST—THE WAR BETWEEN FOUR WALLS
136CHAPTER X—WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT
347CHAPTER I—THE CHARYBDIS OF THE FAUBOURG SAINT ANTOINE AND THE SCYLLA OF THE FAUBOURG DU TEMPLE
137BOOK SIXTH—LE PETIT-PICPUS
348CHAPTER II—WHAT IS TO BE DONE IN THE ABYSS IF ONE DOES NOT CONVERSE
138CHAPTER I—NUMBER 62 RUE PETIT-PICPUS
349CHAPTER III—LIGHT AND SHADOW
139CHAPTER II—THE OBEDIENCE OF MARTIN VERGA
350CHAPTER IV—MINUS FIVE, PLUS ONE
140CHAPTER III—AUSTERITIES
351CHAPTER V—THE HORIZON WHICH ONE BEHOLDS FROM THE SUMMIT OF A BARRICADE
141CHAPTER IV—GAYETIES
352CHAPTER VI—MARIUS HAGGARD, JAVERT LACONIC
142CHAPTER V—DISTRACTIONS
353CHAPTER VII—THE SITUATION BECOMES AGGRAVATED
143CHAPTER VI—THE LITTLE CONVENT
354CHAPTER VIII—THE ARTILLERY-MEN COMPEL PEOPLE TO TAKE THEM SERIOUSLY
144CHAPTER VII—SOME SILHOUETTES OF THIS DARKNESS
355CHAPTER IX—EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT INFALLIBLE MARKSMANSHIP WHICH INFLUENCED THE CONDEMNATION OF 1796
145CHAPTER VIII—POST CORDA LAPIDES
356CHAPTER X—DAWN
146CHAPTER IX—A CENTURY UNDER A GUIMPE
357CHAPTER XI—THE SHOT WHICH MISSES NOTHING AND KILLS NO ONE
147CHAPTER X—ORIGIN OF THE PERPETUAL ADORATION
358CHAPTER XII—DISORDER A PARTISAN OF ORDER
148CHAPTER XI—END OF THE PETIT-PICPUS
359CHAPTER XIII—PASSING GLEAMS
149BOOK SEVENTH—PARENTHESIS
360CHAPTER XIV—WHEREIN WILL APPEAR THE NAME OF ENJOLRAS’ MISTRESS
150CHAPTER I—THE CONVENT AS AN ABSTRACT IDEA
361CHAPTER XV—GAVROCHE OUTSIDE
151CHAPTER II—THE CONVENT AS AN HISTORICAL FACT
362CHAPTER XVI—HOW FROM A BROTHER ONE BECOMES A FATHER
152CHAPTER III—ON WHAT CONDITIONS ONE CAN RESPECT THE PAST
363CHAPTER XVII—MORTUUS PATER FILIUM MORITURUM EXPECTAT
153CHAPTER IV—THE CONVENT FROM THE POINT OF VIEW OF PRINCIPLES
364CHAPTER XVIII—THE VULTURE BECOME PREY
154CHAPTER V—PRAYER
365CHAPTER XIX—JEAN VALJEAN TAKES HIS REVENGE
155CHAPTER VI—THE ABSOLUTE GOODNESS OF PRAYER
366CHAPTER XX—THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE WRONG
156CHAPTER VII—PRECAUTIONS TO BE OBSERVED IN BLAME
367CHAPTER XXI—THE HEROES
157CHAPTER VIII—FAITH, LAW
368CHAPTER XXII—FOOT TO FOOT
158BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM
369CHAPTER XXIII—ORESTES FASTING AND PYLADES DRUNK
159CHAPTER I—WHICH TREATS OF THE MANNER OF ENTERING A CONVENT
370CHAPTER XXIV—PRISONER
160CHAPTER II—FAUCHELEVENT IN THE PRESENCE OF A DIFFICULTY
371BOOK SECOND—THE INTESTINE OF THE LEVIATHAN
161CHAPTER III—MOTHER INNOCENTE
372CHAPTER I—THE LAND IMPOVERISHED BY THE SEA
162CHAPTER IV—IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ AUSTIN CASTILLEJO
373CHAPTER II—ANCIENT HISTORY OF THE SEWER
163CHAPTER V—IT IS NOT NECESSARY TO BE DRUNK IN ORDER TO BE IMMORTAL
374CHAPTER III—BRUNESEAU
164CHAPTER VI—BETWEEN FOUR PLANKS
375CHAPTER IV
165CHAPTER VII—IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON’T LOSE THE CARD
376CHAPTER V—PRESENT PROGRESS
166CHAPTER VIII—A SUCCESSFUL INTERROGATORY
377CHAPTER VI—FUTURE PROGRESS
167CHAPTER IX—CLOISTERED
378BOOK THIRD—MUD BUT THE SOUL
168VOLUME III—MARIUS
379CHAPTER I—THE SEWER AND ITS SURPRISES
169BOOK FIRST—PARIS STUDIED IN ITS ATOM
380CHAPTER II—EXPLANATION
170CHAPTER I—PARVULUS
381CHAPTER III—THE “SPUN” MAN
171CHAPTER II—SOME OF HIS PARTICULAR CHARACTERISTICS
382CHAPTER IV—HE ALSO BEARS HIS CROSS
172CHAPTER III—HE IS AGREEABLE
383CHAPTER V—IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS WHICH IS TREACHEROUS
173CHAPTER IV—HE MAY BE OF USE
384CHAPTER VI—THE FONTIS
174CHAPTER V—HIS FRONTIERS
385CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS DISEMBARKING
175CHAPTER VI—A BIT OF HISTORY
386CHAPTER VIII—THE TORN COAT-TAIL
176CHAPTER VII—THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF INDIA
387CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, THE EFFECT OF BEING DEAD
177CHAPTER VIII—IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE LAST KING
388CHAPTER X—RETURN OF THE SON WHO WAS PRODIGAL OF HIS LIFE
178CHAPTER IX—THE OLD SOUL OF GAUL
389CHAPTER XI—CONCUSSION IN THE ABSOLUTE
179CHAPTER X—ECCE PARIS, ECCE HOMO
390CHAPTER XII—THE GRANDFATHER
180CHAPTER XI—TO SCOFF, TO REIGN
391BOOK FOURTH—JAVERT DERAILED
181CHAPTER XII—THE FUTURE LATENT IN THE PEOPLE
392CHAPTER I
182CHAPTER XIII—LITTLE GAVROCHE
393BOOK FIFTH—GRANDSON AND GRANDFATHER
183BOOK SECOND—THE GREAT BOURGEOIS
394CHAPTER I—IN WHICH THE TREE WITH THE ZINC PLASTER APPEARS AGAIN
184CHAPTER I—NINETY YEARS AND THIRTY-TWO TEETH
395CHAPTER II—MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC WAR
185CHAPTER II—LIKE MASTER, LIKE HOUSE
396CHAPTER III—MARIUS ATTACKED
186CHAPTER III—LUC-ESPRIT
397CHAPTER IV—MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A BAD THING THAT M. FAUCHELEVENT SHOULD HAVE ENTERED WITH SOMETHING UNDER HIS ARM
187CHAPTER IV—A CENTENARIAN ASPIRANT
398CHAPTER V—DEPOSIT YOUR MONEY IN A FOREST RATHER THAN WITH A NOTARY
188CHAPTER V—BASQUE AND NICOLETTE
399CHAPTER VI—THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN FASHION, TO RENDER COSETTE HAPPY
189CHAPTER VI—IN WHICH MAGNON AND HER TWO CHILDREN ARE SEEN
400CHAPTER VII—THE EFFECTS OF DREAMS MINGLED WITH HAPPINESS
190CHAPTER VII—RULE: RECEIVE NO ONE EXCEPT IN THE EVENING
401CHAPTER VIII—TWO MEN IMPOSSIBLE TO FIND
191CHAPTER VIII—TWO DO NOT MAKE A PAIR
402BOOK SIXTH—THE SLEEPLESS NIGHT
192BOOK THIRD—THE GRANDFATHER AND THE GRANDSON
403CHAPTER I—THE 16TH OF FEBRUARY, 1833
193CHAPTER I—AN ANCIENT SALON
404CHAPTER II—JEAN VALJEAN STILL WEARS HIS ARM IN A SLING
194CHAPTER II—ONE OF THE RED SPECTRES OF THAT EPOCH
405CHAPTER III—THE INSEPARABLE
195CHAPTER III—REQUIESCANT
406CHAPTER IV—THE IMMORTAL LIVER 68
196CHAPTER IV—END OF THE BRIGAND
407BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP
197CHAPTER V—THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A REVOLUTIONIST
408CHAPTER I—THE SEVENTH CIRCLE AND THE EIGHTH HEAVEN
198CHAPTER VI—THE CONSEQUENCES OF HAVING MET A WARDEN
409CHAPTER II—THE OBSCURITIES WHICH A REVELATION CAN CONTAIN
199CHAPTER VII—SOME PETTICOAT
410BOOK EIGHTH—FADING AWAY OF THE TWILIGHT
200CHAPTER VIII—MARBLE AGAINST GRANITE
411CHAPTER I—THE LOWER CHAMBER
201BOOK FOURTH—THE FRIENDS OF THE A B C
412CHAPTER II—ANOTHER STEP BACKWARDS
202CHAPTER I—A GROUP WHICH BARELY MISSED BECOMING HISTORIC
413CHAPTER III—THEY RECALL THE GARDEN OF THE RUE PLUMET
203CHAPTER II—BLONDEAU’S FUNERAL ORATION BY BOSSUET
414CHAPTER IV—ATTRACTION AND EXTINCTION
204CHAPTER III—MARIUS’ ASTONISHMENTS
415BOOK NINTH—SUPREME SHADOW, SUPREME DAWN
205CHAPTER IV—THE BACK ROOM OF THE CAFÉ MUSAIN
416CHAPTER I—PITY FOR THE UNHAPPY, BUT INDULGENCE FOR THE HAPPY
206CHAPTER V—ENLARGEMENT OF HORIZON
417CHAPTER II—LAST FLICKERINGS OF A LAMP WITHOUT OIL
207CHAPTER VI—RES ANGUSTA
418CHAPTER III—A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S CART
208BOOK FIFTH—THE EXCELLENCE OF MISFORTUNE
419CHAPTER IV—A BOTTLE OF INK WHICH ONLY SUCCEEDED IN WHITENING
209CHAPTER I—MARIUS INDIGENT
420CHAPTER V—A NIGHT BEHIND WHICH THERE IS DAY
210CHAPTER II—MARIUS POOR
421CHAPTER VI—THE GRASS COVERS AND THE RAIN EFFACES
211CHAPTER III—MARIUS GROWN UP
422LETTER TO M. DAELLI
The Greatest Works of Victor Hugo (Annotated)Victor Hugo193h 58m$2 · $0.00
Ninety-Three (Illustrated Edition) (Annotated)Victor Hugo16h 21m$2 · $0.00
Seeing Europe with Famous Authors (Vol. 1-8) (Annotated)Victor Hugo, Henry James, Washington Irving, Nathaniel Hawthorne, William Howitt, William Makepeace Thackeray, Augustus J. C. Hare, Henry Wadsworth Longfellow, Bayard Taylor, Harriet Beecher Stowe, Percy Bysshe Shelley, Grant Allen, John Ruskin, Hippolyte Adolphe Taine, Johann Wolfgang von Goethe46h 35m$2 · $0.00
Literarische Brücken zwischen Glauben und Logik: Ausgewählte Romane (Kommentiert)Victor Hugo, Lew Tolstoi, Fjodor M. Dostojewski, Klaus Mann, Robert Louis Stevenson, William Beckford, Nikolai Semjonowitsch Leskow, Charles Dickens, Johann Wolfgang von Goethe, E. T. A. Hoffmann, Jeremias Gotthelf, Nikolai Gogol, Stendhal, Iwan Sergejewitsch Turgenew224h 37m$1 · $0.00
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