6CHAPTER IIA.113 BACH AT LEIPZIG, 1723-1750
34Organ:—
7CHAPTER III. BACH AS A CLAVIER PLAYER
35Vocal:—
8CHAPTER IV. BACH THE ORGANIST
36Clavier:—
9CHAPTER V. BACH THE COMPOSER
37Chamber:—
10CHAPTER VI. BACH THE COMPOSER (continued)
38Organ:—
11CHAPTER VII. BACH AS A TEACHER
39(1) COMPOSED AT ARNSTADT (see also Nos. 150, 189.)
12CHAPTER VIII. PERSONAL CHARACTERISTICS
40(2) COMPOSED AT MÜLHAUSEN (see also Nos. 150, 189.)
13I. Compositions For The Clavier
41(3) COMPOSED AT WEIMAR. (See also Nos. 12, 72, 80, 164, 168, 186.)
14II. Music For The Clavier With Other Instruments
42(4) COMPOSED AT CÖTHEN. (See also Nos. 22 and 23.)
15III. Compositions For The Organ
43(5) COMPOSED AT LEIPZIG. 1723-34. (See also Nos. 31, 70, 134, 147, 158, 173.)
16IV. Instrumental Music
44(6) COMPOSED AT LEIPZIG: 1735-50
17V. Vocal Music
45(A) PUBLICATIONS OF THE BACHGESELLSCHAFT
18CHAPTER X. BACH'S MANUSCRIPTS
46(B) PUBLICATIONS OF THE NEW BACHGESELLSCHAFT
19CHAPTER XI. THE GENIUS OF BACH
47I. Germany
20VOCAL:—
48II. France
21CLAVIER328:—
49III. Great Britain
22Organ330:—
50IV. United States Of America
23Vocal:—
51V. Holland
24Clavier:—
52VI. Belgium
25Organ:—
53VII. Russia
26Vocal:—
54APPENDIX V. A COLLATION OF THE NOVELLO AND PETERS EDITIONS OF THE ORGAN WORKS
27Clavier:—
55APPENDIX VI. GENEALOGY OF THE FAMILY OF BACH
28Chamber333:—
