1In memory of…
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2A few words with the esteemed reader
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3The Authenticity of this Collection:
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4Adherence to the Forughi and Ghani Standard
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5This collection of 70 “Robā’iyāt” quatrains serves as a meticulously curated representation of the oeuvre of Omar Khayyām (1048–1131 AD). Our scrupulous selection process was guided by the principle of authenticity, ensuring these poems conform to the stringent textual standards established by the most esteemed critical scholars in Khayyāmian Studies, notably Mohammad Ali Foroughi and Ghāssēm Ghani. By concentrating exclusively on the “core canon” delineated through their rigorous methodology, we aspire to present Khayyām's voice with minimal interference from later, often apocryphal, attributions.
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6Enigmas of Fate, the Celestial Rotating Wheel of Destiny,
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7Infinity, Fatalism, Mortality, Embracing the Present,
49This quatrain explores the theme of human limitation and the absolute power of Destiny over Humanity. The first two lines suggest that the Mysteries of Destiny (birth and death) are impenetrable, and no human being, regardless of their effort and the level of their intelligence, can escape the predetermined “circle” of their existence. In the final lines, the Poet notes that this vulnerability is universal; whether a person is a beginner or a highly learned master, they remain fundamentally “helpless” and vulnerable from the moment they are born. The poem serves as a humbling reminder that notwithstanding our intellectual or worldly accomplishments, we are all bound by the same inexorable Destiny, devoid of any semblance of autonomy.
8Exultation in the Moment, Indulgence in Revelry,
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9the Allegory of the Potter's Wheel, Critique of Hypocrisy
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10Alongside the Poetic, Mystical, and Spiritual Affection
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11Quatrain 1
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12Quatrain 2
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13Quatrain 3
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15Quatrain 5
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65This quatrain articulates a resolute repudiation of frigid rationality in favor of spiritual or worldly ecstasy. The “pure wine” serves as a potent emblem of liberation from the encumbrances of the material realm, facilitating a transcendence into a state of unadulterated joy and ecstasy. By turning his visage the vibrant hue of a jujube, the Poet vividly wishes to illustrate the corporeal and emotional metamorphosis that accompanies this emancipation. He depicts the human intellect as a meddling, intrusive interloper that disturbs tranquility with incessant inquiry and trepidation about the meaning of life. To counter this, he employs the metaphor of a corporeal strike, to silence the rational mind, compelling it into a state of repose. This act permits the soul to engage with existence unencumbered by the constraints of restrictive thoughts or societal expectations. Ultimately, the verses extol the supremacy of immediate, lived experience over the arid and often debilitating essence
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32Inner Contemplations
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83Notes
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![[I Want No Weeping at My Grave]](https://storage.googleapis.com/eleven-public-cdn/database/reads/wolnelektury%3Awyspianski-i-want-no-weeping-at-my-grave/thumbnail.webp?v=1738885508)
