Cubism

Cubism

By Guillaume Apollinaire, Dorothea Eimert
Michael Caine
Listen with Sir Michael Caine™ and 1,000+ voices
Length3h 55m

About this audiobook

Les Demoiselles d'Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, led by Braque and Picasso, imposed a new vision upon the world that was in total opposition to the principles of the Impressionists. Largely diffused in Europe, Cubism developed rapidly in successive phases that brought art history to all the richness of the 20th century: from the futurism of Boccioni to the abstraction of Kandinsky, from the suprematism of Malevich to the constructivism of Tatlin. Linking the core text of Guillaume Apollinaire with the studies of Dr. Dorothea Eimert, this work offers a new interpretation of modernity's crucial moment, and permits the reader to rediscover, through their biographies, the principal representatives of the movement.

Audiobook details

GenreOther
Length3 hrs 55 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateJan 5, 2012
LanguageEnglish

Table of contents

1CubismCubism
2I. Aesthetic Meditations on Painting: The Cubist Painters by Guillaume Apollinaire
3I
4their accursed discipline.
5symbolic bloom.
Show all chapters
6solely to the harmony of odd lights.
7Up to now, the three dimensions of
8II. What Is Cubism?
9The Analysis of Form
10Picasso, Braque and the “Popular” Image
11The Merit of Material
12Collage
13Simultaneity in Cubist Circles
14the modern view of
15III. Picasso and Cubism
16Les Demoiselles d’Avignon: Breaking with the Past
17A New Pictorial Language
18The Dance of
19On the contrary, the feverish funereal quality of
20The appearance of
21Subjectivity
22Surreality or Sculpture in Painting
23Polarisation of Semantics
24the Dianas of
25The pseudo-historic Queen Isabeau, a direct descendant of
26the family of
27Psychological Reality
28Synthetic Cubism
29Picasso’s Mysticism
30a religious painting.”
31Major Artists
32Pablo Picasso (Málaga, 1881 – Mougins, 1973)
33more colourful, expressive and optimistic.
34Georges Braque (Argenteuil-sur-Seine, 1882 – Paris, 1963)
35Fernand Léger (Argentan, 1881 – Gif-sur-Yvette, 1955)
36Juan Gris (Madrid, 1887 – Boulogne-Billancourt, 1927)
37Marcel Duchamp (Balinville, 1887 – Neuilly-sur-Seine, 1968)
38Jacques Villon (Damville, 1875 – Puteaux, 1963)
39B rother of Raymond Duchamp-Villon and Marcel Duchamp, Gaston Duchamp took
40Jacques Lipchitz (Druskieniki, 1891 – Capri, 1973)
41Raymond Duchamp-Villon (Damville, 1876 – Cannes, 1918)
42Henri Laurens (Paris, 1885 – 1954)
43Alexander Archipenko (Kiev, 1887 – New York, 1964)
44Jean Metzinger (Nantes, 1883 – Paris, 1956)
45Albert Gleizes (Paris, 1881 – Saint-Rémy-de-Provence, 1953)
46Henri Le Fauconnier (Hesdin, 1881 – Paris, 1946)
47Notes
48J. W. von Goethe, Dichtung and Wahrheit, Book 9.
49Work, New York, 1977, p. 7.
50I. Aksenov, op. cit., pp. 24, 26.

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