6AT THE SIGN OF THE CAT AND RACKET
613II. A WOMAN WITHOUT A HEART (pt. 2)
7THE BALL AT SCEAUX
614III. THE AGONY (pt. 1)
8THE PURSE
615III. THE AGONY (pt. 2)
9VENDETTA
616EPILOGUE
10CHAPTER I. PROLOGUE
617CHAPTER I
11CHAPTER II. THE STUDIO
618CHAPTER II
12CHAPTER III. LABEDOYERE’S FRIEND
619CHAPTER III
13CHAPTER IV. LOVE
620CHAPTER IV
14CHAPTER V. MARRIAGE
621CHAPTER V
15CHAPTER VI. RETRIBUTION
622CHAPTER VI
16MADAME FIRMIANI
623CHAPTER VII
17A SECOND HOME (pt. 1)
624CHAPTER VIII
18A SECOND HOME (pt. 2)
625CHAPTER IX
19DOMESTIC PEACE
626CHAPTER X
20PAZ
627CHAPTER XI
21I
628CHAPTER XII
22II
629CHAPTER XIII
23III
630CHAPTER XIV
24STUDY OF A WOMAN
631CHAPTER XV
25ANOTHER STUDY OF WOMAN
632CHAPTER XVI
26THE GRAND BRETECHE
633CHRIST IN FLANDERS
27ALBERT SAVARUS (pt. 1)
634MELMOTH RECONCILED
28ALBERT SAVARUS (pt. 2)
635THE UNKNOWN MASTERPIECE
29FIRST PART
636I—GILLETTE
30I. LOUISE DE CHAULIEU TO RENEE DE MAUCOMBE. PARIS, SEPTEMBER
637II—CATHERINE LESCAULT
31II. THE SAME TO THE SAME NOVEMBER 25TH
638PART I. HOW THE MOTHER LIVED
32III. THE SAME TO THE SAME DECEMBER
639CHAPTER I. A BEDROOM OF THE SIXTEENTH CENTURY
33IV. THE SAME TO THE SAME DECEMBER 15TH
640CHAPTER II. THE BONESETTER
34V. RENEE DE MAUCOMBE TO LOUISE DE CHAULIEU OCTOBER
641CHAPTER III. THE MOTHER’S LOVE
35VI. DON FELIPE HENAREZ TO DON FERNAND PARIS, SEPTEMBER
642PART II. HOW THE SON DIED
36VII. LOUISE DE CHAULIEU TO RENEE DE MAUCOMBE
643CHAPTER IV. THE HEIR
37VIII. THE SAME TO THE SAME JANUARY
644CHAPTER V. GABRIELLE
38IX. MME. DE L'ESTORADE TO MLLE. DE CHAULIEU. DECEMBER
645CHAPTER VI. LOVE
39X. MLLE. DE CHAULIEU TO MME. DE L'ESTORADE JANUARY
646CHAPTER VII. THE CRUSHED PEARL
40XI. MME. DE L'ESTORADE TO MLLE. DE CHAULIEU LA CRAMPADE
647GAMBARA (pt. 1)
41XII. MLLE. DE CHAULIEU TO MME. DE L'ESTORADE FEBRUARY
648GAMBARA (pt. 2)
42XIII. MME. DE L'ESTORADE TO MLLE. DE CHAULIEU LA CRAMPADE, FEBRUARY
649MASSIMILLA DONI (pt. 1)
43XIV. THE DUC DE SORIA TO THE BARON DE MACUMER MADRID
650MASSIMILLA DONI (pt. 2)
44XV. LOUISE DE CHAULIEU TO MME. DE L'ESTORADE MARCH
651JUANA
45XVI. THE SAME TO THE SAME MARCH
652CHAPTER I. EXPOSITION
46XVII. THE SAME TO THE SAME APRIL 2ND
653CHAPTER II. AUCTION
47XVIII. MME. DE L'ESTORADE TO LOUISE DE CHAULIEU APRIL
654CHAPTER III. THE HISTORY OF MADAME DIARD
48XIX. LOUISE DE CHAULIEU TO MME. DE L'ESTORADE
655FAREWELL
49XX. RENEE DE L'ESTORADE TO LOUISE DE CHAULIEU MAY
656THE RECRUIT
50XXI. LOUISE DE CHAULIEU TO RENEE DE L'ESTORADE JUNE
657EL VERDUGO
51XXII. LOUISE TO FELIPE
658A DRAMA ON THE SEASHORE
52XXIII. FELIPE TO LOUISE
659THE RED INN
53XXIV. LOUISE DE CHAULIEU TO RENEE DE L'ESTORADE OCTOBER
660THE ELIXIR OF LIFE
54XXV. RENEE DE L'ESTORADE TO LOUISE DE CHAULIEU
661MAITRE CORNELIUS
55XXVI. LOUISE DE MACUMER TO RENEE DE L'ESTORADE MARCH
662CHAPTER I. A CHURCH SCENE OF THE FIFTEENTH CENTURY
56XXVII. THE SAME TO THE SAME OCTOBER
663CHAPTER II. THE TORCONNIER
57XXVIII. RENEE DE L'ESTORADE TO LOUISE DE MACUMER DECEMBER
664CHAPTER III. THE ROBBERY OF THE JEWELS OF THE DUKE OF BAVARIA
58XXIX. M. DE L'ESTORADE TO THE BARONNE DE MACUMER DECEMBER 1825
665CHAPTER IV. THE HIDDEN TREASURE
59XXX. LOUISE DE MACUMER TO RENEE DE L'ESTORADE JANUARY 1826
666CATHERINE DE' MEDICI:
60XXXI. RENEE DE L'ESTORADE TO LOUISE DE MACUMER
667I. A HOUSE WHICH NO LONGER EXISTS
61XXXII. MME. DE MACUMER TO MME. DE L'ESTORADE MARCH 1826
668II. THE BURGHERS
62XXXIII. MME. DE L'ESTORADE TO MME. DE MACUMER
669III. THE CHATEAU DE BLOIS
63XXXIV. MME. DE MACUMER TO THE VICOMTESSE DE L'ESTORADE APRIL 1826
670IV. THE QUEEN-MOTHER
64XXXV. THE SAME TO THE SAME MARSEILLES, JULY
671V. THE COURT
65XXXVI. THE VICOMTESSE DE L'ESTORADE TO THE BARONNE DE MACUMER
672VI. THE LITTLE LEVER OF FRANCOIS II
66XXXVII. THE BARONNE DE MACUMER TO THE VICOMTESSE DE L'ESTORADE GENOA
673VII. A DRAMA IN A SURCOAT
67XXXVIII. THE VICOMTESSE DE L'ESTORADE TO THE BARONNE DE MACUMER
674VIII. MARTYRDOM
68XXXIX. THE BARONNE DE MACUMER TO THE VICOMTESSE DE L'ESTORADE
675IX. THE TUMULT AT AMBOISE
69XL. THE COMTESSE DE L'ESTORADE TO THE BARONNE DE MACUMER JANUARY 1827
676X. COSMO RUGGIERO
70XLI. THE BARONNE DE MACUMER TO THE VICOMTESSE DE L'ESTORADE PARIS
677XI. AMBROISE PARE
71XLII. RENEE TO LOUISE
678XII. DEATH OF FRANCOIS II
72XLIII. MME. DE MACUMER TO THE COMTESSE DE L'ESTORADE
679XIII. CALVIN
73XLIV. THE SAME TO THE SAME PARIS, 1829
680XIV. CATHERINE IN POWER
74XLV. RENEE TO LOUISE
681XV. COMPENSATION
75XLVI. MME. DE MACUMER TO THE COMTESSE DE L'ESTORADE 1829
682THE RUGGIERI'S SECRET
76XLVII. RENEE TO LOUISE 1829
683I. THE COURT UNDER CHARLES IX
77SECOND PART
684II. SCHEMES AGAINST SCHEMES
78XLVIII. THE BARONNE DE MACUMER TO THE COMTESSE DE L'ESTORADE OCTOBER 15, 1833
685III. MARIE TOUCHET
79XLIX. MARIE GASTON TO DANIEL D'ARTHEZ OCTOBER 1833
686IV. THE KING’S TALE
80L. MME. DE L'ESTORADE TO MME. DE MACUMER
687V. THE ALCHEMISTS
81LI. THE COMTESSE DE L'ESTORADE TO MME. MARIE GASTON 1835
688THE TWO DREAMS
82LII. MME. GASTON TO MME. DE L'ESTORADE THE CHALET
689LOUIS LAMBERT (pt. 1)
83LIII. MME. DE L'ESTORADE TO MME. GASTON
690LOUIS LAMBERT (pt. 2)
84LIV. MME. GASTON TO THE COMTESSE DE L'ESTORADE MAY 20TH
691THE EXILES
85LV. THE COMTESSE DE L'ESTORADE TO MME. GASTON JULY 16TH
692SERAPHITA
86LVI. MME. GASTON TO THE COMTESSE DE L'ESTORADE
693CHAPTER I. SERAPHITUS
87LVII. THE COMTESSE DE L'ESTORADE TO THE COMTE DE L'ESTORADE THE CHALET,
694CHAPTER II. SERAPHITA
88A DAUGHTER OF EVE
695CHAPTER III. SERAPHITA-SERAPHITUS
89CHAPTER I. THE TWO MARIES
696CHAPTER IV. THE CLOUDS OF THE SANCTUARY
90CHAPTER II. A CONFIDENCE BETWEEN SISTERS
697CHAPTER V. FAREWELL
91CHAPTER III. THE HISTORY OF A FORTUNATE WOMAN
698CHAPTER VI. THE PATH TO HEAVEN
92CHAPTER IV. A CELEBRATED MAN
699CHAPTER VII. THE ASSUMPTION
93CHAPTER V. FLORINE
700OTHER WORKS:
94CHAPTER VI. ROMANTIC LOVE
701NOVELS
95CHAPTER VII. SUICIDE
702I
96CHAPTER VIII. A LOVER SAVED AND LOST
703II
97CHAPTER IX. THE HUSBAND’S TRIUMPH
704III
98A WOMAN OF THIRTY
705IV
99I. EARLY MISTAKES (pt. 1)
706V
100I. EARLY MISTAKES (pt. 2)
707VI
101II. A HIDDEN GRIEF
708VII
102III. AT THIRTY YEARS
709VIII
103IV. THE FINGER OF GOD
710IX
104V. TWO MEETINGS
711X
105VI. THE OLD AGE OF A GUILTY MOTHER
712XI
106THE DESERTED WOMAN
713XII
107LA GRENADIERE
714SHORT STORIES
108THE MESSAGE
715THE NAPOLEON OF THE PEOPLE
109GOBSECK
716THE FAIR IMPERIA
110THE MARRIAGE CONTRACT
717THE VENIAL SIN
111CHAPTER I. PRO AND CON
718THE KING’S SWEETHEART
112CHAPTER II. THE PINK OF FASHION
719THE DEVIL’S HEIR
113CHAPTER III. THE MARRIAGE CONTRACT—FIRST DAY
720THE MERRIE JESTS OF KING LOUIS THE ELEVENTH
114CHAPTER IV. THE MARRIAGE CONTRACT—SECOND DAY
721THE HIGH CONSTABLE’S WIFE
115CHAPTER V. THE MARRIAGE CONTRACT—THIRD DAY
722THE MAID OF THILOUSE
116CHAPTER VI. CONCLUSION
723THE BROTHERS-IN-ARMS
117CHAPTER I. THAT WHICH WAS LACKING TO PIERROTIN’S HAPPINESS
724THE VICAR OF AZAY-LE-RIDEAU
118CHAPTER II. THE STEWARD IN DANGER
725THE REPROACH
119CHAPTER III. THE TRAVELLERS
726THE THREE CLERKS OF ST. NICHOLAS
120CHAPTER IV. THE GRANDSON OF THE FAMOUS CZERNI-GEORGES
727THE CONTINENCE OF KING FRANCIS THE FIRST
121CHAPTER V. THE DRAMA BEGINS
728THE MERRY TATTLE OF THE NUNS OF POISSY
122CHAPTER VI. THE MOREAU INTERIOR
729HOW THE CHATEAU D’AZAY CAME TO BE BUILT
123CHAPTER VII. A MOTHER’S TRIALS
730THE FALSE COURTESAN
124CHAPTER VIII. TRICKS AND FARCES OF THE EMBRYO LONG ROBE
731THE DANGER OF BEING TOO INNOCENT
125CHAPTER IX, LA MARQUISE DE LAS FLORENTINAS Y CABIROLOS
732THE DEAR NIGHT OF LOVE
126CHAPTER X. ANOTHER CATASTROPHE
733THE SERMON OF THE MERRY VICAR OF MEUDON
127CHAPTER XI. OSCAR’S LAST BLUNDER
734THE SUCCUBUS
128CHAPTER I. THE CHALET
735PROLOGUE
129CHAPTER II. A PORTRAIT FROM LIFE
736I. WHAT THE SUCCUBUS WAS
130CHAPTER III. PRELIMINARIES
737II. THE PROCEEDINGS TAKEN RELATIVE TO THIS FEMALE VAMPIRE
131CHAPTER IV. A SIMPLE STORY
738III. WHAT THE SUCCUBUS DID TO SUCK OUT THE SOUL OF THE OLD JUDGE, AND WHAT CAME OF THE DIABOLICAL DELECTATION
132CHAPTER V. THE PROBLEM STILL UNSOLVED
739IV. HOW THE MOORISH WOMAN OF THE RUE CHAUDE TWISTED ABOUT SO BRISKLY THAT WITH GREAT DIFFICULTY WAS SHE BURNED AND COOKED ALIVE, TO THE GREAT LOSS OF THE INFERNAL REGIONS
133CHAPTER VI. A MAIDEN’S FIRST ROMANCE
740DESPAIR IN LOVE
134CHAPTER VII. A POET OF THE ANGELIC SCHOOL
741PERSEVERANCE IN LOVE
135CHAPTER VIII. BLADE TO BLADE
742CONCERNING A PROVOST WHO DID NOT RECOGNISE THINGS
136CHAPTER IX. THE POWER OF THE UNSEEN
743ABOUT THE MONK AMADOR, WHO WAS A GLORIOUS ABBOT OF TURPENAY
137CHAPTER X. THE MARRIAGE OF SOULS
744BERTHA THE PENITENT
138CHAPTER XI. WHAT COMES OF CORRESPONDENCE
745HOW THE PRETTY MAID OF PORTILLON CONVINCED HER JUDGE
139CHAPTER XII. A DECLARATION OF LOVE,—SET TO MUSIC
746IN WHICH IT IS DEMONSTRATED THAT FORTUNE IS ALWAYS FEMININE
140CHAPTER XIII. A FULL-LENGTH PORTRAIT OF MONSIEUR DE LA BRIERE
747CONCERNING A POOR MAN WHO WAS CALLED LE VIEUX PAR-CHEMINS
141CHAPTER XIV. MATTERS GROWN COMPLICATED
748ODD SAYINGS OF THREE PILGRIMS
142CHAPTER XV. A FATHER STEPS IN
749INNOCENCE
143CHAPTER XVI. DISENCHANTED
750THE FAIR IMPERIA MARRIED
144CHAPTER XVII. A THIRD SUITOR
751I. PHYSIOGNOMY OF THE STREET
145CHAPTER XVIII. A SPLENDID FIRST APPEARANCE
752II. SILHOUETTE OF THE INHABITANT
146CHAPTER XIX. OF WHICH THE AUTHOR THINKS A GOOD DEAL
753III. MADAME ADOLPHE
147CHAPTER XX. THE POET DOES HIS EXERCISES
754IV. INCONVENIENCE OF QUAYS WHERE ARE BOOK STALLS
148CHAPTER XXI. MODESTE PLAYS HER PART
755V. FIRST COURSE
149CHAPTER XXII. A RIDDLE GUESSED
756VI. SECOND COURSE
150CHAPTER XXIII. BUTSCHA DISTINGUISHES HIMSELF
757VII. DESSERT
151CHAPTER XXIV. THE POET FEELS THAT HE IS LOVED TOO WELL
758VIII. THIS SHOWS THAT THE WIFE OF A MAN OF SCIENCE IS VERY UNHAPPY
152CHAPTER XXV. A DIPLOMATIC LETTER
759PLAYS
153CHAPTER XXVI. TRUE LOVE
760AUTHOR'S PREFACE
154CHAPTER XXVII. A GIRL’S REVENGE
761PERSONS OF THE PLAY
155CHAPTER XXVIII. MODESTE BEHAVES WITH DIGNITY
762ACT I
156CHAPTER XXIX. CONCLUSION
763SCENE FIRST
157I. A BRETON TOWN AND MANSION
764SCENE SECOND
158II. THE BARON, HIS WIFE, AND SISTER
765SCENE THIRD
159III. THREE BRETON SILHOUETTES
766SCENE FOURTH
160IV. A NORMAL EVENING
767SCENE FIFTH
161V. CALYSTE
768SCENE SIXTH
162VI. BIOGRAPHY OF CAMILLE MAUPIN
769SCENE SEVENTH
163VII. LES TOUCHES
770SCENE EIGHTH
164VIII. LA MARQUISE BEATRIX
771SCENE NINTH
165IX. A FIRST MEETING
772SCENE TENTH
166X. DRAMA
773ACT II
167XI. FEMALE DIPLOMACY
774SCENE FIRST
168XII. CORRESPONDENCE
775SCENE SECOND
169XIII. DUEL BETWEEN WOMEN
776SCENE THIRD
170XIV. AN EXCURSION TO CROISIC
777SCENE FOURTH
171XV. CONTI
778SCENE FIFTH
172XVI. SICKNESS UNTO DEATH
779SCENE SIXTH
173XVII. A DEATH: A MARRIAGE
780SCENE SEVENTH
174XVIII. THE END OF A HONEY-MOON
781SCENE EIGHTH
175XIX. THE FIRST LIE OF A PIOUS DUCHESS
782SCENE NINTH
176XX. A SHORT TREATISE ON CERTAINTY: BUT NOT FROM PASCAL’S POINT OF VIEW
783SCENE TENTH
177XXI. THE WICKEDNESS OF A GOOD WOMAN
784SCENE ELEVENTH
178XXII. THE NORMAL HISTORY OF AN UPPER-CLASS GRISETTE
785SCENE TWELFTH
179XXIII. ONE OF THE DISEASES OF THE AGE
786SCENE THIRTEENTH
180XXIV. THE INFLUENCE OF SOCIAL RELATIONS AND POSITION
787ACT III
181XXV. A PRINCE OF BOHEMIA
788SCENE FIRST
182XXVI. DISILLUSIONS—IN ALL BUT LA FONTAINE’S FABLES
789SCENE SECOND
183HONORINE (pt. 1)
790SCENE THIRD
184HONORINE (pt. 2)
791SCENE FOURTH
185COLONEL CHABERT (pt. 1)
792SCENE FIFTH
186COLONEL CHABERT (pt. 2)
793SCENE SIXTH
187THE ATHEIST'S MASS
794SCENE SEVENTH
188THE COMMISSION IN LUNACY (pt. 1)
795SCENE EIGHTH
189THE COMMISSION IN LUNACY (pt. 2)
796SCENE NINTH
190PIERRE GRASSOU
797SCENE TENTH
191SCENES FROM PROVINCIAL LIFE
798ACT IV
192CHAPTER I. THE FRIGHTENED HEIRS
799SCENE FIRST
193CHAPTER II. THE RICH UNCLE
800SCENE SECOND
194CHAPTER III. THE DOCTOR'S FRIENDS
801SCENE THIRD
195CHAPTER IV. ZELIE
802SCENE FOURTH
196CHAPTER V. URSULA
803SCENE FIFTH
197CHAPTER VI. A TREATISE ON MESMERISM
804SCENE SIXTH
198CHAPTER VII. A TWO-FOLD CONVERSION
805SCENE SEVENTH
199CHAPTER VIII. THE CONFERENCE
806SCENE EIGHTH
200CHAPTER IX. A FIRST CONFIDENCE
807SCENE NINTH
201CHAPTER X. THE FAMILY OF PORTENDUERE
808SCENE TENTH
202CHAPTER XI. SAVINIEN SAVED
809SCENE ELEVENTH
203CHAPTER XII. OBSTACLES TO YOUNG LOVE
810SCENE TWELFTH
204CHAPTER XIII. BETROTHAL OF HEARTS
811ACT V
205CHAPTER XIV. URSULA AGAIN ORPHANED
812SCENE FIRST
206CHAPTER XV. THE DOCTOR'S WILL
813SCENE SECOND
207CHAPTER XVI. THE TWO ADVERSARIES
814SCENE THIRD
208CHAPTER XVII. THE MALIGNITY OF PROVINCIAL MINDS
815SCENE FOURTH
209CHAPTER XVIII. A TWO-FOLD VENGEANCE
816SCENE FIFTH
210CHAPTER XIX. APPARITIONS
817SCENE SIXTH
211CHAPTER XX. REMORSE
818SCENE SEVENTH
212CHAPTER XXI. SHOWING HOW DIFFICULT IT IS TO STEAL THAT WHICH SEEMS VERY EASILY STOLEN
819SCENE EIGHTH
213I
820SCENE NINTH
214II
821SCENE TENTH
215III
822SCENE ELEVENTH
216IV
823SCENE TWELFTH
217V
824SCENE THIRTEENTH
218VI
825SCENE FOURTEENTH
219VII
826SCENE FIFTEENTH
220VIII
827SCENE SIXTEENTH
221IX
828SCENE SEVENTEENTH
222X
829AUTHOR'S PREFACE
223XI
830PERSONS OF THE PROLOGUE
224XII
831PERSONS OF THE PLAY
225XIII
832PROLOGUE
226XIV
833SCENE FIRST
227PIERRETTE
834SCENE SECOND
228I. THE LORRAINS
835SCENE THIRD
229II. THE ROGRONS
836SCENE FOURTH
230III. PATHOLOGY OF RETIRED MERCERS
837SCENE FIFTH
231IV. PIERRETTE
838SCENE SIXTH
232V. HISTORY OF POOR COUSINS IN THE HOME OF RICH ONES
839SCENE SEVENTH
233VI. AN OLD MAID’S JEALOUSY
840SCENE EIGHTH
234VII. DOMESTIC TYRANNY
841SCENE NINTH
235VIII. THE LOVES OF JACQUES AND PIERRETTE
842SCENE TENTH
236IX. THE FAMILY COUNCIL
843SCENE ELEVENTH
237X. VERDICTS—LEGAL AND OTHER
844SCENE TWELFTH
238THE VICAR OF TOURS
845SCENE THIRTEENTH
239I
846SCENE FOURTEENTH
240II
847ACT I
241III
848SCENE FIRST
242IV
849SCENE SECOND
243CHAPTER I
850SCENE THIRD
244CHAPTER II
851SCENE FOURTH
245CHAPTER III
852SCENE FIFTH
246CHAPTER IV
853SCENE SIXTH
247CHAPTER V
854SCENE SEVENTH
248CHAPTER VI
855SCENE EIGHTH
249CHAPTER VII
856SCENE NINTH
250CHAPTER VIII
857SCENE TENTH
251CHAPTER IX
858SCENE ELEVENTH
252CHAPTER X
859SCENE TWELFTH
253CHAPTER XI
860SCENE THIRTEENTH
254CHAPTER XII
861SCENE FOURTEENTH
255CHAPTER XIII
862SCENE FIFTEENTH
256CHAPTER XIV
863SCENE SIXTEENTH
257CHAPTER XV
864SCENE SEVENTEENTH
258CHAPTER XVI
865SCENE EIGHTEENTH
259CHAPTER XVII
866SCENE NINETEENTH
260THE ILLUSTRIOUS GAUDISSART
867ACT II
261CHAPTER I
868SCENE FIRST
262CHAPTER II
869SCENE SECOND
263CHAPTER III
870SCENE THIRD
264CHAPTER IV
871SCENE FOURTH
265CHAPTER V
872SCENE FIFTH
266THE MUSE OF THE DEPARTMENT (pt. 1)
873SCENE SIXTH
267THE MUSE OF THE DEPARTMENT (pt. 2)
874SCENE SEVENTH
268THE MUSE OF THE DEPARTMENT (pt. 3)
875SCENE EIGHTH
269CHAPTER I. ONE OF MANY CHEVALIERS DE VALOIS
876SCENE NINTH
270CHAPTER II. SUSANNAH AND THE ELDERS
877SCENE TENTH
271CHAPTER III. ATHANASE
878SCENE ELEVENTH
272CHAPTER IV. MADEMOISELLE CORMON
879SCENE TWELFTH
273CHAPTER V. AN OLD MAID’S HOUSEHOLD
880SCENE THIRTEENTH
274CHAPTER VI. FINAL DISAPPOINTMENT AND ITS FIRST RESULT
881SCENE FOURTEENTH
275CHAPTER VII. OTHER RESULTS
882SCENE FIFTEENTH
276THE COLLECTION OF ANTIQUITIES (pt. 1)
883SCENE SIXTEENTH
277THE COLLECTION OF ANTIQUITIES (pt. 2)
884SCENE SEVENTEENTH
278THE COLLECTION OF ANTIQUITIES (pt. 3)
885SCENE EIGHTEENTH
279THE LILY OF THE VALLEY
886SCENE NINETEENTH
280CHAPTER I. TWO CHILDHOODS (pt. 1)
887SCENE TWENTIETH
281CHAPTER I. TWO CHILDHOODS (pt. 2)
888SCENE TWENTY
282CHAPTER II. FIRST LOVE (pt. 1)
889SCENE TWENTY
283CHAPTER II. FIRST LOVE (pt. 2)
890ACT III
284CHAPTER III. THE TWO WOMEN (pt. 1)
891SCENE FIRST
285CHAPTER III. THE TWO WOMEN (pt. 2)
892SCENE SECOND
286TWO POETS (pt. 1)
893SCENE THIRD
287TWO POETS (pt. 2)
894SCENE FOURTH
288TWO POETS (pt. 3)
895SCENE FIFTH
289A DISTINGUISHED PROVINCIAL AT PARIS
896SCENE SIXTH
290PART I (pt. 1)
897SCENE SEVENTH
291PART I (pt. 2)
898SCENE EIGHTH
292PART II (pt. 1)
899SCENE NINTH
293PART II (pt. 2)
900SCENE TENTH
294PART II (pt. 3)
901SCENE ELEVENTH
295PART II (pt. 4)
902SCENE TWELFTH
296I
903SCENE THIRTEENTH
297II
904SCENE FOURTEENTH
298III
905SCENE FIFTEENTH
299IV
906SCENE SIXTEENTH
300V
907SCENE SEVENTEENTH
301VI
908SCENE EIGHTEENTH
302VII
909SCENE NINETEENTH
303VIII
910SCENE TWENTIETH
304IX
911ACT IV
305X
912SCENE FIRST
306XI
913SCENE SECOND
307XII
914SCENE THIRD
308SCENES FROM PARISIAN LIFE
915SCENE FOURTH
309SCENES FROM A COURTESAN'S LIFE:
916SCENE FIFTH
310ESTHER HAPPY (pt. 1)
917SCENE SIXTH
311ESTHER HAPPY (pt. 2)
918SCENE SEVENTH
312ESTHER HAPPY (pt. 3)
919SCENE EIGHTH
313WHAT LOVE COSTS AN OLD MAN (pt. 1)
920SCENE NINTH
314WHAT LOVE COSTS AN OLD MAN (pt. 2)
921SCENE TENTH
315WHAT LOVE COSTS AN OLD MAN (pt. 3)
922SCENE ELEVENTH
316THE END OF EVIL WAYS (pt. 1)
923SCENE TWELFTH
317THE END OF EVIL WAYS (pt. 2)
924SCENE THIRTEENTH
318VAUTRIN’S LAST AVATAR (pt. 1)
925SCENE FOURTEENTH
319VAUTRIN’S LAST AVATAR (pt. 2)
926SCENE FIFTEENTH
320VAUTRIN’S LAST AVATAR (pt. 3)
927SCENE SIXTEENTH
321A PRINCE OF BOHEMIA
928SCENE SEVENTEENTH
322A MAN OF BUSINESS
929SCENE EIGHTEENTH
323GAUDISSART II
930SCENE NINETEENTH
324UNCONSCIOUS COMEDIANS
931ACT V
325FERRAGUS
932SCENE FIRST
326PREFACE
933SCENE SECOND
327CHAPTER I. MADAME JULES
934SCENE THIRD
328CHAPTER II. FERRAGUS
935SCENE FOURTH
329CHAPTER III. THE WIFE ACCUSED
936SCENE FIFTH
330CHAPTER IV. WHERE GO TO DIE?
937SCENE SIXTH
331CHAPTER V. CONCLUSION
938PERSONS OF THE PLAY
332THE DUCHESSE DE LANGEAIS (pt. 1)
939ACT I
333THE DUCHESSE DE LANGEAIS (pt. 2)
940SCENE FIRST
334THE DUCHESSE DE LANGEAIS (pt. 3)
941SCENE SECOND
335THE GIRL WITH THE GOLDEN EYES (pt. 1)
942SCENE THIRD
336THE GIRL WITH THE GOLDEN EYES (pt. 2)
943SCENE FOURTH
337FATHER GORIOT (pt. 1)
944SCENE FIFTH
338FATHER GORIOT (pt. 2)
945ACT II
339FATHER GORIOT (pt. 3)
946SCENE FIRST
340FATHER GORIOT (pt. 4)
947SCENE SECOND
341FATHER GORIOT (pt. 5)
948SCENE THIRD
342PART I. CESAR AT HIS APOGEE
949SCENE FOURTH
343I
950SCENE FIFTH
344II
951SCENE SIXTH
345III
952SCENE SEVENTH
346IV
953SCENE EIGHTH
347V
954SCENE NINTH
348VI
955ACT III
349VII
956SCENE FIRST
350PART II. CESAR GRAPPLING WITH MISFORTUNE
957SCENE SECOND
351I
958SCENE THIRD
352II
959SCENE FOURTH
353III
960SCENE FIFTH
354IV
961SCENE SIXTH
355V
962ACT IV
356VI
963SCENE FIRST
357VII
964SCENE SECOND
358ADDENDUM
965SCENE THIRD
359THE FIRM OF NUCINGEN (pt. 1)
966SCENE FOURTH
360THE FIRM OF NUCINGEN (pt. 2)
967SCENE FIFTH
361SECRETS OF THE PRINCESSE DE CADIGNAN
968SCENE SIXTH
362CHAPTER I. THE LAST WORD OF TWO GREAT COQUETTES
969SCENE SEVENTH
363CHAPTER II. DANIEL D’ARTHEZ
970SCENE EIGHTH
364CHAPTER III. THE PRINCESS GOES TO WORK
971ACT V
365CHAPTER IV. THE CONFESSION OF A PRETTY WOMAN
972SCENE FIRST
366CHAPTER V. A TRIAL OF FAITH
973SCENE SECOND
367I. THE RABOURDIN HOUSEHOLD
974SCENE THIRD
368II. MONSIEUR DES LUPEAULX
975SCENE FOURTH
369III. THE TEREDOS NAVALIS, OTHERWISE CALLED SHIP-WORM
976SCENE FIFTH
370IV. THREE-QUARTER LENGTH PORTRAITS OF CERTAIN GOVERNMENT OFFICIALS
977SCENE SIXTH
371V. THE MACHINE IN MOTION
978SCENE SEVENTH
372VI. THE WORMS AT WORK
979SCENE EIGHTH
373VII. SCENES FROM DOMESTIC LIFE
980SCENE NINTH
374VIII. FORWARD, MOLLUSKS!
981PERSONS OF THE PLAY
375IX. THE RESIGNATION
982ACT I
376SARRASINE
983SCENE FIRST
377FACINO CANE
984SCENE SECOND
378COUSIN BETTY (pt. 1)
985SCENE THIRD
379COUSIN BETTY (pt. 2)
986SCENE FOURTH
380COUSIN BETTY (pt. 3)
987SCENE FIFTH
381COUSIN BETTY (pt. 4)
988SCENE SIXTH
382COUSIN BETTY (pt. 5)
989SCENE SEVENTH
383COUSIN BETTY (pt. 6)
990SCENE EIGHTH
384COUSIN BETTY (pt. 7)
991SCENE NINTH
385I
992ACT II
386II
993SCENE FIRST
387III
994SCENE SECOND
388IV
995SCENE THIRD
389V
996SCENE FOURTH
390VI
997SCENE FIFTH
391VII
998SCENE SIXTH
392VIII
999SCENE SEVENTH
393IX
1000SCENE EIGHTH
394X
1001SCENE NINTH
395XI
1002SCENE TENTH
396XII
1003SCENE ELEVENTH
397XIII
1004SCENE TWELFTH
398XIV
1005SCENE THIRTEENTH
399XV
1006ACT III
400XVI
1007SCENE FIRST
401XVII
1008SCENE SECOND
402XVIII
1009SCENE THIRD
403XIX
1010SCENE FOURTH
404XX
1011SCENE FIFTH
405XXI
1012SCENE SIXTH
406XXII
1013SCENE SEVENTH
407XXIII
1014SCENE EIGHTH
408XXIV
1015SCENE NINTH
409XXV
1016SCENE TENTH
410XXVI
1017SCENE ELEVENTH
411XXVII
1018SCENE TWELFTH
412XXVIII
1019SCENE THIRTEENTH
413XXIX
1020SCENE FOURTEENTH
414XXX
1021SCENE FIFTEENTH
415XXXI
1022ACT IV
416PART I. THE LESSER BOURGEOIS OF PARIS
1023SCENE FIRST
417CHAPTER I. DEPARTING PARIS
1024SCENE SECOND
418CHAPTER II. THE HISTORY OF A TYRANNY
1025SCENE THIRD
419CHAPTER III. COLLEVILLE
1026SCENE FOURTH
420CHAPTER IV. THE CIRCLE OF MONSIEUR AND MADAME THUILLIER
1027SCENE FIFTH
421CHAPTER V. A PRINCIPAL PERSONAGE
1028SCENE SIXTH
422CHAPTER VI. A KEYNOTE
1029SCENE SEVENTH
423CHAPTER VII. THE WORTHY PHELLIONS
1030SCENE EIGHTH
424CHAPTER VIII. AD MAJOREM THEODOSIS GLORIAM
1031SCENE NINTH
425CHAPTER IX. THE BANKER OF THE POOR
1032SCENE TENTH
426CHAPTER X. HOW BRIGITTE WAS WON
1033SCENE ELEVENTH
427CHAPTER XI. THE REIGN OF THEODOSE
1034SCENE TWELFTH
428CHAPTER XII. DEVILS AGAINST DEVILS
1035SCENE THIRTEENTH
429CHAPTER XIII. THE PERVERSITY OF DOVES
1036SCENE FOURTEENTH
430CHAPTER XIV. ONE OF CERIZET’S FEMALE CLIENTS
1037SCENE FIFTEENTH
431CHAPTER XV. THE DIFFICULTIES THAT CROP UP IN THE EASIEST OF THEFTS
1038SCENE SIXTEENTH
432CHAPTER XVI. DU PORTAIL
1039SCENE SEVENTEENTH
433CHAPTER XVII. IN WHICH THE LAMB DEVOURS THE WOLF
1040ACT V
434CHAPTER XVIII. SET A SAINT TO CATCH A SAINT
1041SCENE FIRST
435PART II. THE PARVENUS
1042SCENE SECOND
436CHAPTER I. PHELLION, UNDER A NEW ASPECT
1043SCENE THIRD
437CHAPTER II. THE PROVENCAL’S PRESENT POSITION
1044SCENE FOURTH
438CHAPTER III. GOOD BLOOD CANNOT LIE
1045SCENE FIFTH
439CHAPTER IV. HUNGARY VERSUS PROVENCE
1046SCENE SIXTH
440CHAPTER V. SHOWING HOW NEAR THE TARPEIAN ROCK IS TO THE CAPITOL
1047SCENE SEVENTH
441CHAPTER VI. ‘TWAS THUS THEY BADE ADIEU
1048SCENE EIGHTH
442CHAPTER VII. HOW TO SHUT THE DOOR IN PEOPLE’S FACES
1049SCENE NINTH
443CHAPTER VIII
1050SCENE TENTH
444CHAPTER IX. GIVE AND TAKE
1051SCENE ELEVENTH
445CHAPTER X. IN WHICH CERIZET PRACTISES THE HEALING ART AND THE ART OF POISONING ON THE SAME DAY
1052PERSONS OF THE PLAY
446CHAPTER XI. EXPLANATIONS AND WHAT CAME OF THEM
1053ACT I
447CHAPTER XII. A STAR
1054SCENE FIRST
448CHAPTER XIII. THE MAN WHO THINKS THE STAR TOO BRIGHT
1055SCENE SECOND
449CHAPTER XIV. A STORMY DAY
1056SCENE THIRD
450CHAPTER XV. AT DU PORTAIL’S
1057SCENE FOURTH
451CHAPTER XVI. CHECKMATE TO THUILLIER
1058SCENE FIFTH
452CHAPTER XVII. IN THE EXERCISE OF HIS FUNCTIONS
1059SCENE SIXTH
453SCENES FROM POLITICAL LIFE
1060SCENE SEVENTH
454PART I
1061SCENE EIGHTH
455CHAPTER I. JUDAS
1062SCENE NINTH
456CHAPTER II. A CRIME RELINQUISHED
1063SCENE TENTH
457CHAPTER III. THE MASK THROWN OFF
1064SCENE ELEVENTH
458CHAPTER IV. LAURENCE DE CINQ-CYGNE
1065SCENE TWELFTH
459CHAPTER V. ROYALIST HOMES AND PORTRAITS UNDER THE CONSULATE
1066SCENE THIRTEENTH
460CHAPTER VI. A DOMICILIARY VISIT
1067SCENE FOURTEENTH
461CHAPTER VII. A FOREST NOOK
1068ACT II
462CHAPTER VIII. TRIALS OF THE POLICE
1069SCENE FIRST
463CHAPTER IX. FOILED
1070SCENE SECOND
464PART II
1071SCENE THIRD
465CHAPTER X. ONE AND THE SAME, YET A TWO-FOLD LOVE
1072SCENE FOURTH
466CHAPTER XI. WISE COUNSEL
1073SCENE FIFTH
467CHAPTER XII. THE FACTS OF A MYSTERIOUS AFFAIR
1074SCENE SIXTH
468CHAPTER XIII. THE CODE OF BRUMAIRE, YEAR IV
1075SCENE SEVENTH
469CHAPTER XIV. THE ARRESTS
1076SCENE EIGHTH
470CHAPTER XV. DOUBTS AND FEARS OF COUNSEL
1077SCENE NINTH
471CHAPTER XVI. MARTHE INVEIGLED
1078ACT III
472CHAPTER XVII. THE TRIAL
1079SCENE FIRST
473CHAPTER XVIII. TRIAL CONTINUED: CRUEL VICISSITUDES
1080SCENE SECOND
474CHAPTER XIX. THE EMPEROR’S BIVOUAC
1081SCENE THIRD
475CHAPTER XX. THE MYSTERY SOLVED
1082SCENE FOURTH
476AN EPISODE UNDER THE TERROR
1083SCENE FIFTH
477FIRST EPISODE. MADAME DE LA CHANTERIE
1084SCENE SIXTH
478I. THE MALADY OF THE AGE
1085SCENE SEVENTH
479II. OLD HOUSE, OLD PEOPLE, OLD CUSTOMS
1086SCENE EIGHTH
480III. THE HOUSE OF MONGENOD
1087SCENE NINTH
481IV. FAREWELL TO THE LIFE OF THE WORLD
1088SCENE TENTH
482V. THE INFLUENCE OF BOOKS
1089SCENE ELEVENTH
483VI. THE BUSINESS OF THE HOUSE OF CHANTERIE AND COMPANY
1090SCENE TWELFTH
484VII. MONSIEUR ALAIN TELLS HIS SECRETS
1091SCENE THIRTEENTH
485VIII. WHO SHE WAS—WIFE AND MOTHER
1092SCENE FOURTEENTH
486IX. THE LEGAL STATEMENT
1093ANALYTICAL STUDIES
487X. PRAY FOR THOSE WHO DESPITEFULLY USE YOU AND PERSECUTE YOU
1094INTRODUCTION
488SECOND EPISODE. THE INITIATE
1095FIRST PART. A GENERAL CONSIDERATION
489XI. THE POLICE OF THE GOOD GOD
1096MEDITATION I. THE SUBJECT
490XII. A CASE TO INVESTIGATE
1097MEDITATION II. MARRIAGE STATISTICS
491XIII. FURTHER INVESTIGATIONS
1098MEDITATION III. OF THE HONEST WOMAN
492XIV. HOW THE POOR AND HELPLESS ARE PREYED UPON
1099APHORISMS
493XV. AN EVENING WITH VANDA
1100MEDITATION IV. OF THE VIRTUOUS WOMAN
494XVI. A LESSON IN CHARITY
1101MEDITATION V. OF THE PREDESTINED
495XVII. HALPERSOHN
1102MEDITATION VI. OF BOARDING SCHOOLS
496XVIII. WHO MONSIEUR BERNARD WAS
1103MEDITATION VII. OF THE HONEYMOON
497XIX. VENGEANCE
1104MEDITATION VIII. OF THE FIRST SYMPTOMS
498Z. MARCAS
1105MEDITATION IX. EPILOGUE
499PART I. THE ELECTION
1106SECOND PART. MEANS OF DEFENCE, INTERIOR AND EXTERIOR
500I. ALL ELECTIONS BEGIN WITH A BUSTLE
1107MEDITATION X. A TREATISE ON MARITAL POLICY
501II. REVOLT OF A LIBERAL ROTTEN-BOROUGH
1108MEDITATION XI. INSTRUCTION IN THE HOME
502III. OPPOSITION DEFINES ITSELF
1109MEDITATION XII. THE HYGIENE OF MARRIAGE
503IV. THE FIRST PARLIAMENTARY TEMPEST
1110MEDITATION XIII. OF PERSONAL MEASURES
504V. THE PERPLEXITIES OF THE GOVERNMENT IN ARCIS
1111MEDITATION XIV. OF APARTMENTS
505VI. THE CAMPAIGN OF 1814 FROM THE HOSIERY POINT OF VIEW
1112MEDITATION XV. OF THE CUSTOM HOUSE
506VII. THE BEAUVISAGE FAMILY
1113MEDITATION XVI. THE CHARTER OF MARRIAGE
507VIII. IN WHICH THE DOT, ONE OF THE HEROINES OF THIS HISTORY, APPEARS
1114MEDITATION XVII. THE THEORY OF THE BED
508IX. A STRANGER
1115MEDITATION XVIII. OF MARITAL REVOLUTIONS
509X. THE REVELATIONS OF AN OPERA-GLASS
1116MEDITATION XIX. OF THE LOVER
510XI. IN WHICH THE CANDIDATE BEGINS TO LOSE VOTES
1117MEDITATION XX. ESSAY ON POLICE
511XII. THE SALON OF MADAME D’ESPARD
1118MEDITATION XXI. THE ART OF RETURNING HOME
512XIII. PREFACE BEFORE LETTERING
1119MEDITATION XXII. OF CATASTROPHES
513PART II. LETTERS EXPLANATORY
1120THIRD PART. RELATING TO CIVIL WAR
514I. THE COMTE DE L’ESTORADE TO MONSIEUR MARIE-GASTON
1121MEDITATION XXIII. OF MANIFESTOES
515II. THE COMTESSE DE L’ESTORADE TO MADAME OCTAVE DE CAMPS
1122MEDITATION XXIV. PRINCIPLES OF STRATEGY
516III. THE COMTE DE L’ESTORADE TO MONSIEUR MARIE-GASTON
1123MEDITATION XXV. OF ALLIES
517IV. THE COMTESSE DE L’ESTORAADE TO MADAME OCTAVE DE CAMPS
1124MEDITATION XXVI. OF DIFFERENT WEAPONS
518V. THE COMTESSE DE L’ESTORADE TO MADAME OCTAVE DE CAMPS
1125MEDITATION XXVII. OF THE LAST SYMPTOMS
519VI. THE COMTESSE DE L’ESTORADE TO MADAME OCTAVE DE CAMPS
1126MEDITATION XXVIII. OF COMPENSATIONS
520VII. THE COMTESSE DE L’ESTORADE TO MADAME OCTAVE DE CAMPS
1127MEDITATION XXIX. OF CONJUGAL PEACE
521VIII. THE COMTESSE DE L’ESTORADE TO MADAME OCTAVE DE CAMPS
1128MEDITATION XXX. CONCLUSION
522IX. DORLANGE TO MARIE-GASTON
1129POSTSCRIPT
523X. DORLANGE TO MARIE-GASTON
1130PART FIRST
524XI. THE COMTESSE DE L’ESTORADE TO MADAME OCTAVE DE CAMPS
1131PREFACE
525XII. DORLANGE TO MARIE-GASTON
1132THE UNKINDEST CUT OF ALL
526XIII. DORLANGE TO MARIE-GASTON
1133REVELATIONS
527XIV. MARIE-GASTON TO MADAME LA COMTESSE DE L’ESTORADE
1134AXIOMS
528XV. MARIE-GASTON TO THE COMTESSE DE L’ESTORADE
1135THE ATTENTIONS OF A WIFE
529XVI. MARIE-GASTON TO THE COMTESSE DE L’ESTORADE
1136SMALL VEXATIONS
530XVII. MARIE-GASTON TO MADAME LA COMTESSE DE L’ESTORADE
1137THE ULTIMATUM
531XVIII. CHARLES DE SALLENAUVE TO THE COMTESSE DE L’ESTORADE
1138WOMEN'S LOGIC
532XIX. MARIE-GASTON TO THE COMTESSE DE L’ESTORADE
1139THE JESUITISM OF WOMEN
533PART III. MONSIEUR DE SALLENAUVE
1140MEMORIES AND REGRETS
534I. THE SORROWS OF MONSIEUR DE TRAILLES
1141OBSERVATIONS
535II. A CONVERSATION BETWEEN ELEVEN O’CLOCK AND MIDNIGHT
1142THE MATRIMONIAL GADFLY
536III. A MINISTER’S MORNING
1143HARD LABOR
537IV. A CATECHISM
1144FORCED SMILES
538V. CHILDREN
1145NOSOGRAPHY OF THE VILLA
539VI. CURIOSITY THAT CAME WITHIN AN ACE OF BEING FATAL
1146TROUBLE WITHIN TROUBLE
540VII. THE WAY TO MANAGE POLITICAL INTRIGUES
1147A HOUSEHOLD REVOLUTION
541VIII. SOME OLD ACQUAINTANCES
1148THE ART OF BEING A VICTIM
542IX. IN THE CHAMBER
1149THE FRENCH CAMPAIGN
543SCENES FROM MILITARY LIFE
1150A SOLO ON THE HEARSE
544THE CHOUANS
1151PART SECOND
545I. AN AMBUSCADE
1152PREFACE
546II. ONE OF FOUCHE’S IDEAS (pt. 1)
1153HUSBANDS DURING THE SECOND MONTH
547II. ONE OF FOUCHE’S IDEAS (pt. 2)
1154DISAPPOINTED AMBITION
548III. A DAY WITHOUT A MORROW (pt. 1)
1155THE PANGS OF INNOCENCE
549III. A DAY WITHOUT A MORROW (pt. 2)
1156THE UNIVERSAL AMADIS
550III. A DAY WITHOUT A MORROW (pt. 3)
1157WITHOUT AN OCCUPATION
551A PASSION IN THE DESERT
1158INDISCRETIONS
552SCENES FROM COUNTRY LIFE
1159BRUTAL DISCLOSURES
553THE COUNTRY DOCTOR
1160A TRUCE
554CHAPTER I. THE COUNTRYSIDE AND THE MAN (pt. 1)
1161USELESS CARE
555CHAPTER I. THE COUNTRYSIDE AND THE MAN (pt. 2)
1162SMOKE WITHOUT FIRE
556CHAPTER II. A DOCTOR’S ROUND (pt. 1)
1163THE DOMESTIC TYRANT
557CHAPTER II. A DOCTOR’S ROUND (pt. 2)
1164THE AVOWAL
558CHAPTER III. THE NAPOLEON OF THE PEOPLE
1165HUMILIATIONS
559CHAPTER IV. THE COUNTRY DOCTOR’S CONFESSION
1166THE LAST QUARREL
560CHAPTER V. ELEGIES
1167PAPERS RELATING TO CHAUMONTEL'S AFFAIR
561I. THE SAUVIATS
1168A SIGNAL FAILURE
562II. VERONIQUE
1169THE CHESTNUTS IN THE FIRE
563III. MARRIAGE
1170ULTIMA RATIO
564IV. THE HISTORY OF MANY MARRIED WOMEN IN THE PROVINCES
1171COMMENTARY IN WHICH IS EXPLAINED LA FELICITA OF FINALES
565V. TASCHERON
1172LETTERS TO MADAME HANSKA
566VI. DISCUSSIONS AND CHRISTIAN SOLICITUDES
1173LETTERS DURING 1833 (pt. 1)
567VII. MONTEGNAC
1174LETTERS DURING 1833 (pt. 2)
568VIII. THE RECTOR OF MONTEGNAC
1175LETTERS DURING 1834 (pt. 1)
569IX. DENISE
1176LETTERS DURING 1834 (pt. 2)
570X. THIRD PHASE OF VERONIQUE’S LIFE
1177LETTERS DURING 1835
571XI. THE RECTOR AT WORK
1178LETTERS DURING 1836 (pt. 1)
572XII. THE SOUL OF FORESTS
1179LETTERS DURING 1836 (pt. 2)
573XIII. FARRABESCHE
1180LETTERS DURING 1837 (pt. 1)
574XIV. THE TORRENT OF THE GABOU
1181LETTERS DURING 1837 (pt. 2)
575XV. STORY OF A GALLEY-SLAVE
1182LETTERS DURING 1838
576XVI. CONCERNS ONE OF THE BLUNDERS OF THE NINETEENTH CENTURY
1183LETTERS DURING 1839, 1840, 1841 (pt. 1)
577XVII. THE REVOLUTION OF JULY JUDGED AT MONTEGNAC
1184LETTERS DURING 1839, 1840, 1841 (pt. 2)
578XVIII. CATHERINE CURIEUX
1185LETTERS DURING 1843, 1844, 1845 (pt. 1)
579XIX. A DEATH BLOW
1186LETTERS DURING 1843, 1844, 1845 (pt. 2)
580XX. THE LAST STRUGGLE
1187LETTERS DURING 1846.65
581XXI. CONFESSION AT THE GATES OF THE TOMB
1188A
582SONS OF THE SOIL
1189B
583PART I
1190C
584CHAPTER I. THE CHATEAU
1191D
585CHAPTER II. A BUCOLIC OVERLOOKED BY VIRGIL
1192E
586CHAPTER III. THE TAVERN
1193F
587CHAPTER IV. ANOTHER IDYLL
1194G
588CHAPTER V. ENEMIES FACE TO FACE
1195H
589CHAPTER VI. A TALE OF THIEVES
1196I
590CHAPTER VII. CERTAIN LOST SOCIAL SPECIES
1197J
591CHAPTER VIII. THE GREAT REVOLUTIONS OF A LITTLE VALLEY
1198K
592CHAPTER IX. CONCERNING THE MEDIOCRACY
1199L
593CHAPTER X. THE SADNESS OF A HAPPY WOMAN
1200M
594CHAPTER XI. THE OARISTYS, EIGHTEENTH ECLOGUE OF THEOCRITUS LITTLE ADMIRED ON THE POLICE CALENDAR
1201N
595CHAPTER XII. SHOWETH HOW THE TAVERN IS THE PEOPLE’S PARLIAMENT
1202O
596CHAPTER XIII. A TYPE OF THE COUNTRY USURER
1203P
597PART II
1204Q
598CHAPTER I. THE LEADING SOCIETY OF SOULANGES
1205R
599CHAPTER II. THE CONSPIRATORS IN THE QUEEN’S SALON
1206S
600CHAPTER III. THE CAFE DE LA PAIX
1207T
601CHAPTER IV. THE TRIUMVIRATE OF VILLE-AUX-FAYES
1208U
602CHAPTER V. VICTORY WITHOUT A FIGHT
1209V
603CHAPTER VI. THE FOREST AND THE HARVEST
1210W
604CHAPTER VII. THE GREYHOUND
1211X
605CHAPTER VIII. RURAL VIRTUE
1212Y
606CHAPTER IX. THE CATASTROPHE
1213Z
607CHAPTER X. THE TRIUMPH OF THE VANQUISHED
