Bakst

Bakst

By Elisabeth Ingles
Michael Caine
Listen with Sir Michael Caine™ and 1,000+ voices
Length1h 49m

About this audiobook

Léon Bakst (1866-1924) was a painter, illustrator, stage and costume designer. He is universally acknowledged for representing a synthesis of creative energy in the late 19th and early 20th centuries. Bakst travelled widely throughout Europe and in 1890 joined the World of Art journal circle which numbered many artists among its members, the most famous being Benois and Diaghilev. This book illustrates the wealth of Bakst's contribution to the world of theatre and dance. His best known work includes sets for Stravinsky's Firebird, and Weber's Spectre de la Rose.

Audiobook details

Rating★★★★ 4.1 (19)
Includes Amazon, Goodreads
GenreOther
Length1 hr 49 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateJul 1, 2011
LanguageEnglish

Table of contents

1Bakst Bakst
2Foreword
3Biography
4magazines.
5Introduction
Show all chapters
6Marius Petipa (1822-1910) and composers
7Portrait of Alexander Benois
8Diaghilev’s Ballets Russes, the immediate
9Formative Influences
101901 The State Tretyakov Gallery, Moscow
11Design for the costume of a huntress nymph in the ballet Sylvia
12deeply conventional and probably racially-
131902 Oil on canvas, 150 x 100 cm Russian Museum, St Petersburg
14certain carnival themes, harlequins and
15His attraction to the otherworld of
16But
171903 The State Tretyakov Gallery, Moscow
18Russia and France
19Benois and his wife Marina, the daughter of a
201904-1906 Oil on canvas, 97 x 83 cm Russian Museum, St Petersburg
21with the latest developments on the musical
22Portrait of Andrej Bely
23lively circle.
24Brought up in Perm, a distant city within
251906 The State Tretyakov Gallery, Moscow
26Russian Watercolour Painters.
27Terror Antiquus
28Downpour
29Russian naval detachment to France, and he
30Portrait of Mili Balakirew
31In the Artist’s Studio
32Admiral in the Place de la République amid
331908 The State Tretyakov Gallery, Moscow
34Everyone of any importance in the world
35The role of Bakst in all this ferment of artistic
36Design for the costume of a Jewish dancer in the ballet Cléopâtre
37Design for the costume of an Indo-Persian dancer in the ballet Cléopâtre
381910 35.5 x 26 cm Sotherby’s, Private collection
391910 Watercolour and gouache on paper Private collection
40Marina, from her first marriage, of whom
411910 Watercolour and gouache on paper Private collection
42Korovin’s house in St Petersburg. Bakst’s
431910 Watercolour on paper Musée des Arts Décoratifs, Paris
441910 Musée des Beaux-Arts, Strasbourg
451910 National Gallery of Australia, Canberra
46Union of Russian Artists in Moscow, with
47for which
48Design for the costume of the Gold Niger in the ballet Shéhérazade
491911 The Marion Koogler McNay Art Museum, San Antonio
50reception in Europe for all things Russian

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