When the Birds Begin to Sing
Mature

When the Birds Begin to Sing

A Poetic Journey through Self-Discovery and SymbolismBy Winifred Graham
Listen with 1,000+ voices
Length6h 8m

About this audiobook

In "When the Birds Begin to Sing," Winifred Graham masterfully intertwines themes of nature, introspection, and human relationships within a rich literary framework characteristic of Early 20th-century realism. The narrative unfolds in a lush, pastoral setting, where the awakening of spring serves as a poignant metaphor for renewal and self-discovery. Graham'Äôs intricate prose evokes a vivid sensory experience, characterized by lyrical descriptions and nuanced character development, allowing readers to engage deeply with the intricate emotional landscapes of the protagonists. This work resonates with a context of post-Victorian literature, exploring the shifting societal norms and the nuances of personal agency during a transformative era. Winifred Graham, a prominent figure in her time, infused her writing with personal experiences and observations drawn from her upbringing in the English countryside. Having faced societal expectations of women in the early 1900s, Graham'Äôs life experiences significantly shaped her perspective on independence and nature's role in human emotions. Her keen interest in the intersection of the natural environment and human psychology is apparent throughout the narrative, reflecting her desire to challenge conventional societal boundaries. This novel is highly recommended for readers seeking an introspective journey woven with vivid imagery and profound themes. Graham's ability to capture the essence of human emotion in tandem with the cyclical beauty of nature invites individuals to reflect upon their paths of growth. "When the Birds Begin to Sing" is an enriching read for those who appreciate literature that fuses personal exploration with the exquisite tapestry of the natural world.

Audiobook details

GenreGeneral Fiction
Length6 hrs 8 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateDec 10, 2019
LanguageEnglish

Table of contents

1CHAPTER I.
25CHAPTER XIII.
2AND WHEN LOVE SPEAKS.
26IF NEED, TO DIE—NOT LIVE.—Chas. Kingsley.
3CHAPTER II.
27CHAPTER XIV.
4"IMPARADIS'D IN ONE ANOTHER'S ARMS."—Milton.
28IN CLOUDS OF SILENCE FOLDED OUT OF SIGHT.
5CHAPTER III.
29"Why, it's never Mr. Roche!" she exclaims.
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6GOD MADE THE WOMAN FOR THE MAN.—Tennyson.: "Look! there it goes."
30She rushes to the door with a wild cry.
7CHAPTER IV.
31CHAPTER XV.
8LIFE IS A JEST.: Saluting the old pictures on the wall with mock courtesy.
32AH, FOR SOME RETREAT, DEEP IN YONDER SHINING ORIENT.—Tennyson.: Eleanor staggers on breathlessly up the hill.
9CHAPTER V.
33CHAPTER XVI.
10"THE FLY THAT SIPS TREACLE IS LOST IN THE SWEETS.": The dining-room door opens, and Philip Roche stands before them.
34OH, LOVE! IN SUCH A WILDERNESS AS THIS.: The cruel fingers press with deadly force.
11CHAPTER VI.
35CHAPTER XVII.
12LIKE ONE THAT ON A LONESOME ROAD DOST WALK IN FEAR AND DREAD.
36"WHERE THERE AIN'T NO TEN COMMANDMENTS." "The Road to Mandalay."—Rudyard Kipling.
13CHAPTER VII.
37CHAPTER XVIII.
14THE SHADOWS RISE AND FALL.
38LET US BE OPEN AS THE DAY.: Big Tombo bows assent.
15CHAPTER VIII.
39CHAPTER XIX.
16KIND HEARTS ARE MORE THAN CORONETS.: "Mr. and Mrs. Grebby!"
40THE IDEAL! DIM VANITIES OF DREAMS BY NIGHT.: Bearing tenderly the limp body of the terrier.
17CHAPTER IX.
41CHAPTER XX.
18HEART SICK AND WEARY WITH THE JOURNEY'S FRET.
42LIFE IS THORNY, AND YOUTH IS VAIN.: "What villain has killed my horse?"
19CHAPTER X.
43CHAPTER XXI.: She steals into the verandah and watches.
20FALSER THAN ALL FANCY FATHOMS.
44CHAPTER XXII.
21CHAPTER XI.
45NO FOOTSTEP STIRRED—THE HATED WORLD ALL SLEPT, SAVE ONLY THEE AND ME. (OH, HEAVEN! OH, GOD!)
22IF WE ONLY KNOW! IF WE ONLY KNOW!: She covers her face with her hands.
46CHAPTER XXIII.
23CHAPTER XII.
47OH, I DEFY THEE, HELL, TO SHOW ON BEDS OF FIRE THAT BURN BELOW, A DEEPER WOE.—E. A. Poe.: Philip throws back his coat, and she sees the shirt beneath it is splashed with blood.
24TO-MORROW, AND TO-MORROW, AND TO-MORROW.—Shakespeare.: "May I see that photograph?"

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