Length7h 45m
About this audiobook
Not only does Sir Claude Phillips offer the reader a studied and insightful loook into the work of one of the world's most cherished painters, but he also invites us to discover the bustling world on the Venetian art circle in which Titian lived and worked. From his early years in the workshop of Giovanni Bellini, to his meeting with Michelangelo and his rivalry with Pordenone, the story of Titian's artistic development also tells the story of the most influential Italian Renaissance art.
Audiobook details
GenreOther
Length7 hrs 45 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateMar 9, 2016
LanguageEnglish
Table of contents
1Sir Claude Phillips
2INTRODUCTION
3Galleria dell’Academia and the Three Philosophers in the Kunsthistorisches Museum in
4Kunsthistorisches Museum in Vienna, the sensuousness of the early Giorgionesque time
5Introduction
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6Giorgionesque, and only marginally less the poet-painter than his master and
7characteristics of the sitter and the atmosphere of the time.2
8singular degree interpretative of the subject, but at the same time technically
9astonishing, with certain subtleties of unusual juxtaposition and modulation, delightful
10THE EARLIER WORK OF TITIAN
11Musée Fesch, Ajaccio.
12fifteenth century could, however, entirely withdraw himself from the influence of the
13by his greater contemporary.
14astonishingly like Cima that, without this piece of documentary evidence, it would
15Il Duomo, Treviso.
16in his personal development of the Giorgionesque an extra element of something
17Titian
18Museum, Vienna.
19The Earlier Work of Titian
20Titian
21Giorgionesque school. Its pathos and intensity contrast curiously with the less
22Titian
23Galleria degli Uffizi, Florence.
24middle period.15
25Titian
26warm air.
27Galleria degli Uffizi, Florence.
28Titian
29the true Giorgionesque fashion by the warm white of the slender, diaphanous
30Epithalamium Pelei et Thetidos of Catullus.
31Titian
32Glasgow.
33The Earlier Work of Titian
34Gemäldegalerie Alte Meister, Dresden.
35The singularly attractive, yet a little puzzling, Holy Family with a Shepherd
36a certain fleshiness and matronly amplitude of proportion, though by no means
37Titian
38278 x 122 cm; upper side panels each:
3979 x 65 cm; lower side panels each:
40Santi Nazaro e Celso, Brescia.
41still very similar to that in the Virgin with the Cherries.
42Titian
43so well the tempered majesty, the infinite gentleness of the conception; the
44Titian
45Scuola del Santo, Padua.
46prominent a place in the picture.
47Titian
48Museo Regionale, Trapani.
49picture, almost his sole excursion into the regions of pagan mythology and
50Museo Nacional del Prado, Madrid.
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