The Essential Works of Goethe (Annotated)

The Essential Works of Goethe (Annotated)

Enriched Edition. The Greatest Works: Sorrows of Young Werther, Wilhelm Meister's Apprenticeship and Journeyman Years, Elective Affinities, Faust, Sorcerer's Apprentice, Theory of Colours…By Johann Wolfgang von Goethe
Michael Caine
Listen with Sir Michael Caine™ and 1,000+ voices
Length162h 53m

About this audiobook

The Essential Works of Goethe gathers the astonishing range of Johann Wolfgang von Goethe's achievement: lyric poetry of crystalline intensity, dramatic masterpieces such as Faust, searching prose fiction, and reflective writings that helped define modern European letters. Moving between Sturm und Drang passion, Weimar Classicism's disciplined humanism, and early Romantic inwardness, the volume reveals Goethe's distinctive fusion of sensuous observation, philosophical inquiry, and formal mastery. Goethe (1749–1832) was not merely Germany's preeminent literary figure, but a statesman, scientist, theater director, critic, and cosmopolitan intellectual whose long life traversed the Enlightenment, revolution, and the birth of modernity. His encounters with law, court politics, classical antiquity, natural science, and personal love all informed works that repeatedly ask how the individual might cultivate freedom, knowledge, and moral proportion within a restless world. This collection is recommended to readers seeking both an introduction to Goethe and a compact encounter with one of world literature's central imaginations. It rewards students, general readers, and scholars alike, offering works whose beauty and difficulty continue to illuminate ambition, desire, art, nature, and the unfinished education of the human spirit. This enriched edition has been carefully crafted to add value to your reading experience. - A comprehensive Introduction outlines these selected works' unifying features, themes, or stylistic evolutions. - The Author Biography highlights personal milestones and literary influences that shape the entire body of writing. - A Historical Context section situates the works in their broader era—social currents, cultural trends, and key events that underpin their creation. - A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists. - A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different work's strengths. - Reflection questions inspire deeper contemplation of the author's overarching message, inviting readers to draw connections among different texts and relate them to modern contexts. - Lastly, our hand‐picked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collection's central themes.

Audiobook details

GenreLiterary Classics
Length162 hrs 53 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateApr 19, 2019
LanguageEnglish

Table of contents

1Introduction
273IX.
2Introduction
274X.
3Author Biography
275XI.
4Historical Context
276XII.
5Synopsis (Selection)
277XIII.
Show all chapters
6The Sorrows of Young Werther
278XIV.
7Preface
279XV.
8Book I.
280XVI.
9Book II.
281ACT IV.
10The Editor to the Reader
282II.
11Wilhelm Meister’s Apprenticeship
283III.
12Translator's Preface
284IV.
13List of Characters
285V.
14Book I.
286ACT V.
15Chapter I.
287II.
16Chapter II.
288III.
17Chapter III.
289IV.
18Chapter IV.
290V.
19Chapter V.
291VI.
20Chapter VI.
292VII.
21Chapter VII.
293VIII.
22Chapter VIII.
294IX.
23Chapter IX.
295X.
24Chapter X.
296XI.
25Chapter XI.
297XII.
26Chapter XII.
298Hermann and Dorothea
27Chapter XIII.
299I. Kalliope (Fate and Sympathy)
28Chapter XIV.
300II. Terpsichore (Hermann)
29Chapter XV.
301III. Thalia (The Burghers)
30Chapter XVI.
302IV. Euterpe (Mother and Son)
31Chapter XVII.
303V. Polyhymnia (The Cosmopolite)
32Book II.
304VI. Klio (The Age)
33Chapter I.
305VII. Erato (Dorothea)
34Chapter II.
306VIII. Melpomene (Hermann and Dorothea)
35Chapter III.
307IX. Urania (Conclusion)
36Chapter IV.
308Erotica Romana
37Chapter V.
309I
38Chapter VI.
310II
39Chapter VII.
311III
40Chapter VIII.
312IV
41Chapter IX.
313V
42Chapter X.
314VI
43Chapter XI.
315VII
44Chapter XII.
316VIII
45Chapter XIII.
317IX
46Chapter XIV.
318X
47Book III.
319XI
48Chapter I.
320XII
49Chapter II.
321XIII
50Chapter III.
322XIV
51Chapter IV.
323XV
52Chapter V.
324XVI
53Chapter VI.
325XVII
54Chapter VII.
326XVIII
55Chapter VIII.
327XIX
56Chapter IX.
328XX
57Chapter X.
329XXI
58Chapter XI.
330XXII
59Chapter XII.
331XXIII
60Book IV.
332XXIV
61Chapter I.
333Reynard the Fox
62Chapter II.
334Chapter I.
63Chapter III.
335Chapter II.
64Chapter IV.
336Chapter III.
65Chapter V.
337Chapter IV.
66Chapter VI.
338Chapter V.
67Chapter VII.
339Chapter VI.
68Chapter VIII.
340Chapter VII.
69Chapter IX.
341Chapter VIII.
70Chapter X.
342Chapter IX.
71Chapter XI.
343Chapter X.
72Chapter XII.
344Chapter XI.
73Chapter XIII.
345Chapter XII.
74Chapter XIV.
346The Sorcerer's Apprentice
75Chapter XV.
347Truth and Poetry: From My Own Life (Autobiography)
76Chapter XVI.
348Author's Preface
77Chapter XVII.
349PART THE FIRST
78Chapter XVIII.
350First Book. Childhood—the City of Frankfort
79Chapter XIX.
351Second Book. The New Paris—Frankfort Citizen
80Chapter XX.
352Third Book. Occupation of Frankfort by the French
81Book V.
353Fourth Book. Studies—The Bible—Frankfort Characters
82Chapter I.
354Fifth Book. Gretchen—Coronation Ceremonies
83Chapter II.
355PART THE SECOND.
84Chapter III.
356Sixth Book. Illness and Recovery—Leipzig
85Chapter IV.
357Seventh Book. Leipzig (continued)—German Literature
86Chapter V.
358Eighth Book. Art—Dresden—Return from Leipzig
87Chapter VI.
359Ninth Book. Strasbourg
88Chapter VII.
360Tenth Book. Strasbourg (continued)—Herder—Tour in Alsace and Lorraine—Frederika
89Chapter VIII.
361PART THE THIRD.
90Chapter IX.
362Eleventh Book. Frederica (continued)—Return from Strasbourg
91Chapter X.
363Twelfth Book. Merck—Wetzlar; the Imperial Chamber—Charlotte
92Chapter XI.
364Thirteenth Book. Goetz von Berlichingen and Werther
93Chapter XII.
365Fourteenth Book. Lenz—Lavater and Basedow—Cologne
94Chapter XIII.
366Fifteenth Book. Moravians—"The Wandering Jew"—Zimmerman—"Clavigo"
95Chapter XIV.
367PART THE FOURTH.
96Chapter XV.
368Sixteenth Book. Spinoza—Jung (Stilling)
97Chapter XVI.
369Seventeenth Book. Lili—Betrothal—Ulrich von Hutten
98Book VI.
370Eighteenth Book. Hans Sachs—The Stolbergs—Switzerland
99Confessions of a Fair Saint
371Nineteenth Book. Lavater—"Egmont"
100Book VII.
372Twentieth Book. Kraus—Daemonic Influence—Heidelberg—Departure for Weimar
101Chapter I.
373Maxims and Reflections
102Chapter II.
374Translator's Preface
103Chapter III.
375II
104Chapter IV.
376III
105Chapter V.
377Life and Character
106Chapter VI.
378II
107Chapter VII.
379III
108Chapter VIII.
380IV
109Chapter IX.
381V
110Book VIII.
382VI
111Chapter I.
383VII
112Chapter II.
384Literature and Art
113Chapter III.
385Science
114Chapter IV.
386Nature: Aphorisms
115Chapter V.
387From Carlsbad to the Brenner
116Chapter VI.
388From the Brenner to Verona
117Chapter VII.
389From Verona to Venice
118Chapter VIII.
390Venice
119Chapter IX.
391From Ferrara to Rome
120Chapter X.
392Rome
121Wilhelm Meister's Journeyman Years
393Naples
122Book 1.
394Sicily
123Chapter 1.
395Palermo (pt. 1)
124Chapter 2.
396Palermo (pt. 2)
125Chapter 3.
397Letters from Switzerland (pt. 1)
126Chapter 4.
398Letters from Switzerland (pt. 2)
127Chapter 5.
399Eckermann’s Conversations with Goethe (pt. 1)
128Chapter 6.
400Eckermann’s Conversations with Goethe (pt. 2)
129Chapter 7.
401Theory of Colours
130Chapter 8.
402Translator's Preface
131Chapter 9.
403Preface to the First Edition of 1810
132Chapter 10.
404Introduction
133Chapter 11.
405PART I. PHYSIOLOGICAL COLOURS.
134Chapter 12.
406I. Effects of Light and Darkness on the Eye
135Book 2.
407II. Effects of Black and White Objects on the Eye
136Chapter 1.
408III. Grey Surfaces and Objects
137Chapter 2.
409IV. Dazzling Colourless Objects
138Chapter 3.
410V. Coloured Objects
139Chapter 4.
411VI. Coloured Shadows
140Chapter 5.
412VII. Faint Lights
141Chapter 6.
413VIII. Subjective Halos
142Chapter 7.
414Pathological Colours. Appendix
143Chapter 9.
415PART II. PHYSICAL COLOURS.
144Chapter 10.
416IX. Dioptrical Colours
145Chapter 11.
417X. Dioptrical Colours of the First Class
146Chapter 12.
418XI. Dioptrical Colours of the Second Class.—Refraction
147Book 3.
419XII. Refraction without the Appearance of Colour
148Chapter 1.
420XIII. Conditions of the Appearance of Colour
149Chapter 2.
421XIV. Conditions under which the Appearance of Colour Increases
150Chapter 3.
422XV. Explanation of the Foregoing Phenomena
151Chapter 4.
423XVI. Decrease of the Appearance of Colour
152Chapter 5.
424XVII. Grey Objects Displaced by Refraction
153Chapter 6.
425XVIII. Coloured Objects Displaced by Refraction
154Chapter 7.
426XIX. Achromatism and Hyperchromatism
155Chapter 8.
427XX. Advantages of Subjective Experiments.—Transition to the Objective
156Chapter 9.
428Objective Experiments
157Chapter 10.
429XXI. Refraction without the Appearance of Colour
158Chapter 11.
430XXII. Conditions of the Appearance of Colour
159Chapter 12.
431XXIII. Conditions of the Increase of Colour
160Chapter 13.
432XXIV. Explanation of the Foregoing Phenomena
161Chapter 14.
433XXV. Decrease of the Appearance of Colour
162Chapter 15.
434XXVI. Grey Objects
163Chapter 16.
435XXVII. Coloured Objects
164Chapter 17.
436XXVIII. Achromatism and Hyperchromatism
165Chapter 18.
437XXIX. Combination of Subjective and Objective Experiments
166Elective Affinities
438XXX. Transition
167Part 1
439XXXI. Catoptrical Colours
168Chapter 1
440XXXII. Paroptical Colours
169Chapter 2
441XXXIII. Epoptical Colours
170Chapter 3
442PART III. CHEMICAL COLOURS
171Chapter 4
443XXXIV. Chemical Contrast
172Chapter 5
444XXXV. White
173Chapter 6
445XXXVI. Black
174Chapter 7
446XXXVII. First Excitation of Colour
175Chapter 8
447XXXVIII. Augmentation of Colour44
176Chapter 9
448XXXIX. Culmination45
177Chapter 10
449XL. Fluctuation
178Chapter 11
450XLI. Passage through the Whole Scale
179Chapter 12
451XLII. Inversion
180Chapter 13
452XLIII. Fixation
181Chapter 14
453XLIV. Intermixture, Real
182Chapter 15
454XLV. Intermixture, Apparent
183Chapter 16
455XLVI. Communication, Actual
184Chapter 17
456XLVII. Communication, Apparent
185Chapter 18
457XLVIII. Extraction
186Part 2
458XLIX. Nomenclature
187Chapter 1
459L. Minerals
188Chapter 2
460LI. Plants
189Chapter 3
461LII. Worms, Insects, Fishes
190Chapter 4
462LIII. Birds
191Chapter 5
463LIV. Mammalia and Human Beings
192Chapter 6
464LV. Physical and Chemical Effects of the Transmission of Light through Coloured Mediums
193Chapter 7
465LVI. Chemical Effect in Dioptrical Achromatism
194Chapter 8
466PART IV. GENERAL CHARACTERISTICS
195Chapter 9
467The Facility with which Colour Appears
196Chapter 10
468The Force of Colour
197Chapter 11
469The Definite Nature of Colour
198Chapter 12
470Combination of the Two Principles
199Chapter 13
471Augmentation to Red
200Chapter 14
472Junction of the Two Augmented Extremes
201Chapter 15
473Completeness the Result of Variety
202Chapter 16
474Completeness the Result of Variety in Colour
203Chapter 17
475Harmony of the Complete State
204Chapter 18
476Facility with which Colour may be made to tend either to the Plus or Minus Side
205The Good Women
477Evanescence of Colour
206Novella; or, A Tale
478Permanence of Colour
207Green Snake and the Beautiful Lily
479PART V. RELATION TO OTHER PURSUITS—RELATION TO PHILOSOPHY
208Faust
480Relation to Mathematics
209- Faust (Part One)
481Relation to the Technical Operations of the Dyer
210Preface
482Relation to Physiology and Pathology
211An Goethe
483Relation to Natural History
212Dedication
484Relation to General Physics
213Prelude at the Theatre
485Relation to the Theory of Music
214Prologue in Heaven
486Concluding Observations on Terminology
215First Part of the Tragedy
487PART VI. EFFECT OF COLOUR WITH REFERENCE TO MORAL ASSOCIATIONS
216II. Before the City–Gate
488Yellow
217III. The Study
489Red-Yellow
218IV. The Study
490Yellow-Red
219V. Auerbach’s Cellar in Leipzig
491Blue
220VI. Witches’ Kitchen
492Red-Blue
221VII. Street
493Red
222VIII. Evening a Small, Neatly Kept Chamber
494Green
223IX. Promenade
495Completeness and Harmony
224X. The Neighbor’s House
496Yellow and Blue
225XI. A Street
497Yellow and Red
226XII. Garden
498Blue and Red
227XIII. A Garden–Arbor
499Yellow-Red and Blue-Red
228XIV. Forest and Cavern
500Combinations Non-Characteristic
229XV. Margaret’s Room
501Relation of the Combinations to Light and Dark
230XVI. Martha’s Garden
502Considerations Derived from the Evidence of Experience and History
231XVII. At the Fountain
503Æsthetic Influence
232XVIII. Donjon
504Chiaro-Scuro
233XIX. Night
505Tendency to Colour
234XX. Cathedral
506Keeping
235XXI. Walpurgis–Night
507Colour in General Nature
236XXII. Walpurgis–Night’s Dream
508Characteristic Colouring
237XXIII. Dreary Day
509Harmonious Colouring
238XXIV. Night
510Genuine Tone
239XXV. Dungeon
511False Tone
240- Faust (Part Two)
512Weak Colouring
241Dramatis Personæ
513The Motley
242Act I.
514Dread of Theory
243Act II.
515Ultimate Aim
244Act III.
516Grounds
245Act IV.
517Pigments
246Act V.
518Allegorical, Symbolical, Mystical Application of Colour
247- Faustus (Translated by Samuel Taylor Coleridge)
519Concluding Observations (pt. 1)
248Goetz Von Berlichingen with the Iron Hand
520Concluding Observations (pt. 2)
249Preface
521Bonus:
250Dramatis Personæ
522Life of Johann Wolfgang Goethe (James Sime)
251ACT I.
523Chapter I.
252II.
524Chapter II.
253III.
525Chapter III.
254IV.
526Chapter IV.
255V.
527Chapter V.
256ACT II.
528Chapter VI.
257II.
529Chapter VII.
258III.
530Chapter VIII.
259IV.
531Chapter IX.
260V.
532Chapter X.
261VI.
533Chronological List of Works
262VII
534Goethe: The Writer (Ralph Waldo Emerson)
263VIII.
535Byron and Goethe (Giuseppe Mazzini)
264IX.
536The Faust-Legend and Goethe's 'Faust' (H. B. Cotterill)
265ACT III.
537Preface
266II.
538I. The Old Faust-Legend
267III.
539II. Goethe's 'Faust'. Part I
268IV.
540III. Goethe's 'Faust'. Part II
269V.
541Goethe's Farbenlehre: Theory of Colors (I&II) (John Tyndall)
270VI.
542Analysis
271VII.
543Reflection
272VIII.
544Memorable Quotes
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