11. CHAPTER 1: FOUNDATIONS OF CINEMATIC STORYTELLING AND MONTAGE
1313. CHAPTER 13: GLOBAL PERSPECTIVES ON MONTAGE
22. CHAPTER 2: THE EVOLUTION OF EDITING: FROM EARLY CINEMA TO MODERN TECHNIQUES
1414. CHAPTER 14: EXPERIMENTAL MONTAGE IN NEW MEDIA
33. CHAPTER 3: KULESHOV AND THE TRANSFORMATIVE POWER OF CONTEXT
1515. CHAPTER 15: DESIGNING YOUR OWN MONTAGE
44. CHAPTER 4: EISENSTEIN’S INTELLECTUAL MONTAGE AND COLLISION OF IDEAS
1616. CHAPTER 16: FINAL REFLECTIONS
55. CHAPTER 5: VERTOV AND THE REVOLUTIONARY CINEMA-EYE
1717. APPENDIX A: RECOMMENDED RESOURCES
66. CHAPTER 6: PUDOVKIN’S PRINCIPLES OF EDITING
1818. APPENDIX B: SAMPLE MONTAGE SCENE BREAKDOWN
77. CHAPTER 7: TYPOLOGIES OF MONTAGE — METRIC, RHYTHMIC, TONAL, AND BEYOND
1919. APPENDIX C: GLOSSARY OF KEY TERMS
88. CHAPTER 8: MODERN APPLICATIONS OF MONTAGE
2020. APPENDIX D: EXTENDED DRILLS AND SAMPLE SCENARIOS
99. CHAPTER 9: EMOTIONAL AND COGNITIVE IMPACT
2121. APPENDIX E: FREQUENTLY ASKED QUESTIONS AND NEXT STEPS
1010. CHAPTER 10: MONTAGE AND NARRATIVE STRUCTURE
2222. APPENDIX F: MENTORSHIP, INDUSTRY INSIGHTS, AND CAREER PATHWAYS
1111. CHAPTER 11: PRACTICAL EDITING TECHNIQUES
2323. CODA: THE FUTURE LIGHTS AND FINAL SIGNAL
1212. CHAPTER 12: ETHICS AND RESPONSIBILITY IN MONTAGE
2424. Disclaimer