6THE HOST OF THE AIR
241HANRAHAN AND CATHLEEN THE DAUGHTER OF HOOLIHAN
7THE FISHERMAN
242RED HANRAHAN’S CURSE
8A CRADLE SONG
243HANRAHAN’S VISION
9INTO THE TWILIGHT
244THE DEATH OF HANRAHAN
10THE SONG OF WANDERING AENGUS
245WHAT IS ‘POPULAR POETRY’?
11THE HEART OF THE WOMAN
246SPEAKING TO THE PSALTERY.
12THE LOVER MOURNS FOR THE LOSS OF LOVE
247I
13HE MOURNS FOR THE CHANGE THAT HAS COME UPON HIM AND HIS BELOVED AND LONGS FOR THE END OF THE WORLD
248II
14HE BIDS HIS BELOVED BE AT PEACE
249III
15HE REPROVES THE CURLEW
250MAGIC.
16HE REMEMBERS FORGOTTEN BEAUTY
251I
17A POET TO HIS BELOVED
252II
18HE GIVES HIS BELOVED CERTAIN RHYMES
253III
19TO MY HEART, BIDDING IT HAVE NO FEAR
254IV
20THE CAP AND BELLS
255V
21THE VALLEY OF THE BLACK PIG
256VI
22THE LOVER ASKS FORGIVENESS BECAUSE OF HIS MANY MOODS
257VII
23HE TELLS OF A VALLEY FULL OF LOVERS
258VIII
24HE TELLS OF THE PERFECT BEAUTY
259THE HAPPIEST OF THE POETS.
25HE HEARS THE CRY OF THE SEDGE
260I
26HE THINKS OF THOSE WHO HAVE SPOKEN EVIL OF HIS BELOVED
261II
27THE BLESSED
262III
28THE SECRET ROSE
263IV
29MAID QUIET
264V
30THE TRAVAIL OF PASSION
265THE PHILOSOPHY OF SHELLEY’S POETRY
31THE LOVER PLEADS WITH HIS FRIEND FOR OLD FRIENDS
266I. HIS RULING IDEAS
32A LOVER SPEAKS TO THE HEARERS OF HIS SONGS IN COMING DAYS
267II. HIS RULING SYMBOLS
33THE POET PLEADS WITH THE ELEMENTAL POWERS
268AT STRATFORD-ON-AVON
34HE WISHES HIS BELOVED WERE DEAD
269I
35HE WISHES FOR THE CLOTHS OF HEAVEN
270II
36HE THINKS OF HIS PAST GREATNESS WHEN A PART OF THE CONSTELLATIONS OF HEAVEN
271III
37THE OLD AGE OF QUEEN MAEVE
272IV
38BAILE AND AILLINN
273V
39IN THE SEVEN WOODS
274VI
40THE ARROW
275WILLIAM BLAKE AND THE IMAGINATION.
41THE FOLLY OF BEING COMFORTED
276WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDY.
42OLD MEMORY
277I. HIS OPINIONS UPON ART.
43NEVER GIVE ALL THE HEART
278II. HIS OPINIONS ON DANTE.
44THE WITHERING OF THE BOUGHS
279III. THE ILLUSTRATIONS OF DANTE.
45ADAM’S CURSE
280SYMBOLISM IN PAINTING
46RED HANRAHAN’S SONG ABOUT IRELAND
281THE SYMBOLISM OF POETRY
47THE OLD MEN ADMIRING THEMSELVES IN THE WATER
282I
48UNDER THE MOON
283II
49THE HOLLOW WOOD
284III
50O DO NOT LOVE TOO LONG
285IV
51THE PLAYERS ASK FOR A BLESSING ON THE PSALTERIES AND ON THEMSELVES
286V
52THE HAPPY TOWNLAND
287THE THEATRE
53EARLY POEMS I BALLADS AND LYRICS
288I
54EARLY POEMS: BALLADS AND LYRICS
289II
55THE SONG OF THE HAPPY SHEPHERD
290THE CELTIC ELEMENT IN LITERATURE
56THE SAD SHEPHERD
291I
57THE CLOAK, THE BOAT, AND THE SHOES
292II
58ANASHUYA AND VIJAYA
293III
59THE INDIAN UPON GOD
294IV
60THE INDIAN TO HIS LOVE
295THE AUTUMN OF THE BODY
61THE FALLING OF THE LEAVES
296THE MOODS
62EPHEMERA
297THE BODY OF THE FATHER CHRISTIAN ROSENCRUX
63THE MADNESS OF KING GOLL
298THE RETURN OF ULYSSES
64THE STOLEN CHILD
299I
65TO AN ISLE IN THE WATER
300II
66DOWN BY THE SALLEY GARDENS
301IRELAND AND THE ARTS
67THE MEDITATION OF THE OLD FISHERMAN
302THE GALWAY PLAINS
68THE BALLAD OF FATHER O’HART
303EMOTION OF MULTITUDE: FOOTNOTES:
69THE BALLAD OF MOLL MAGEE
304THE SECRET ROSE
70THE BALLAD OF THE FOXHUNTER
305TO THE SECRET ROSE
71THE BALLAD OF FATHER GILLIGAN
306THE CRUCIFIXION OF THE OUTCAST
72THE LAMENTATION OF THE OLD PENSIONER
307OUT OF THE ROSE
73THE FIDDLER OF DOONEY
308THE WISDOM OF THE KING
74THE DEDICATION TO A BOOK OF STORIES SELECTED FROM THE IRISH NOVELISTS
309THE HEART OF THE SPRING
75EARLY POEMS II THE ROSE
310THE CURSE OF THE FIRES AND OF THE SHADOWS
76EARLY POEMS: THE ROSE
311THE OLD MEN OF THE TWILIGHT
77TO THE ROSE UPON THE ROOD OF TIME
312WHERE THERE IS NOTHING, THERE IS GOD.
78FERGUS AND THE DRUID
313OF COSTELLO THE PROUD, OF OONA THE DAUGHTER OF DERMOTT AND OF THE BITTER TONGUE.
79THE DEATH OF CUCHULAIN
314ROSA ALCHEMICA
80THE ROSE OF THE WORLD
315I
81THE ROSE OF PEACE
316II
82THE ROSE OF BATTLE
317III
83A FAERY SONG
318IV
84THE LAKE ISLE OF INNISFREE
319V
85A CRADLE SONG
320THE TABLES OF THE LAW
86THE SONG OF THE OLD MOTHER
321I
87THE PITY OF LOVE
322II
88THE SORROW OF LOVE
323THE ADORATION OF THE MAGI
89WHEN YOU ARE OLD
324JOHN SHERMAN AND DHOYA: TWO EARLY STORIES
90THE WHITE BIRDS
325JOHN SHERMAN
91A DREAM OF DEATH
326FIRST PART JOHN SHERMAN LEAVES BALLAH
92A DREAM OF A BLESSED SPIRIT
327SECOND PART MARGARET LELAND
93THE MAN WHO DREAMED OF FAERYLAND
328THIRD PART JOHN SHERMAN REVISITS BALLAH
94THE TWO TREES
329FOURTH PART THE REV. WILLIAM HOWARD
95TO IRELAND IN THE COMING TIMES
330FIFTH PART JOHN SHERMAN RETURNS TO BALLAH
96EARLY POEMS III THE WANDERINGS OF OISIN
331II
97BOOK I
332DHOYA
98THE WANDERINGS OF OISIN
333I
99BOOK II
334II
100THE WANDERINGS OF OISIN
335III
101BOOK III
336DISCOVERIES
102THE WANDERINGS OF OISIN
337PROPHET, PRIEST AND KING
103THE WIND AMONG THE REEDS.
338PERSONALITY AND THE INTELLECTUAL ESSENCES
104EARLY POEMS:
339THE MUSICIAN AND THE ORATOR
105THE KING’S THRESHOLD
340A GUITAR PLAYER
106PERSONS IN THE PLAY
341THE LOOKING-GLASS
107THE KING’S THRESHOLD.
342THE TREE OF LIFE
108ON BAILE’S STRAND
343THE PRAISE OF OLD WIVES’ TALES
109PERSONS IN THE PLAY
344THE PLAY OF MODERN MANNERS
110ON BAILE’S STRAND
345HAS THE DRAMA OF CONTEMPORARY LIFE A ROOT OF ITS OWN?
111DEIRDRE
346WHY THE BLIND MAN IN ANCIENT TIMES WAS MADE A POET
112PERSONS IN THE PLAY
347CONCERNING SAINTS AND ARTISTS
113DEIRDRE
348THE SUBJECT MATTER OF DRAMA
114THE SHADOWY WATERS
349THE TWO KINDS OF ASCETICISM
115THE HARP OF AENGUS
350IN THE SERPENT’S MOUTH
116PERSONS IN THE PLAY
351THE BLACK AND THE WHITE ARROWS
117APPENDIX I ACTING VERSION OF THE SHADOWY WATERS
352HIS MISTRESS’S EYEBROWS
118APPENDIX II. A different Version of Deirdre’s Entrance.
353THE TRESSES OF THE HAIR
119APPENDIX III. The Legendary and Mythological Foundation of the Plays.
354A TOWER ON THE APENNINE
120APPENDIX IV. The Dates and Places of Performance of Plays.
355THE THINKING OF THE BODY
121THE COUNTESS CATHLEEN: PERSONS IN THE PLAY
356RELIGIOUS BELIEF NECESSARY TO SYMBOLIC ART
122THE COUNTESS CATHLEEN.
357THE HOLY PLACES
123ACT I.
358EDMUND SPENSER
124ACT II.
359I
125ACT III.
360II
126ACT IV.
361III
127THE LAND OF HEART’S DESIRE: PERSONS IN THE PLAY
362IV
128THE LAND OF HEART’S DESIRE
363V
129THE UNICORN FROM THE STARS: PERSONS IN THE PLAY
364VI
130THE UNICORN FROM THE STARS
365VII
131ACT I.
366VIII
132ACT II
367IX
133ACT III
368POETRY AND TRADITION
134APPENDIX.
369I
135THE COUNTESS CATHLEEN.
370II
136FOOTNOTE:
371III
137NOTES: FOOTNOTE:
372IV
138THE MUSIC FOR USE IN THE PERFORMANCE OF THESE PLAYS.
373MODERN IRISH POETRY
139THE KING’S THRESHOLD.
374LADY GREGORY’S CUCHULAIN OF MUIRTHEMNE
140ON BAILE’S STRAND. THE FOOL’S SONG.
375I
141ON BAILE’S STRAND.—SONG OF THE WOMEN.
376II
142THE FOOL’S SONG.—II.
377III
143DEIRDRE. MUSICIANS’ SONG.—I.
378IV
144DEIRDRE. MUSICIANS’ SONG.—II.
379V
145DEIRDRE. MUSICIANS’ SONG.—III. Farr.
380VI
146DEIRDRE. MUSICIANS’ SONG.—III. ALLGOOD.
381LADY GREGORY’S GODS AND FIGHTING MEN
147SHADOWY WATERS.
382I
148FOOTNOTE:
383II
149THE UNICORN FROM THE STARS “The Airy Bachelor.”
384III
150THE UNICORN FROM THE STARS “Johnnie Gibbons.”
385IV
151THE UNICORN FROM THE STARS “The Lion shall lose his strength.”
386V
152THE HOUR-GLASS.
387VI
153CATHLEEN NI HOULIHAN.
388VII
154MUSIC FOR LYRICS.
389VIII
155NOTE BY FLORENCE FARR.
390IX
156THE WIND BLOWS OUT OF THE GATES OF THE DAY.
391X
157THE HAPPY TOWNLAND.
392MR. SYNGE AND HIS PLAYS
158FOOTNOTE:
393LIONEL JOHNSON
159I HAVE DRUNK ALE FROM THE COUNTRY OF THE YOUNG.
394THE PATHWAY
160THE SONG OF WANDERING AENGUS.
395A BIBLIOGRAPHY OF THE WRITINGS OF WILLIAM BUTLER YEATS BY ALLAN WADE.: NOTE.
161THE HOST OF THE AIR.
396PART I.—ORIGINAL WORKS.
162FOOTNOTE:
3971886.
163THE SONG OF THE OLD MOTHER.
3981889.
164THE HOUR-GLASS: A MORALITY: PERSONS IN THE PLAY
3991891.
165CATHLEEN NI HOULIHAN: PERSONS IN THE PLAY
4001892.
166THE GOLDEN HELMET: PERSONS IN THE PLAY
4011893.
167THE GOLDEN HELMET
4021894.
168THE IRISH DRAMATIC MOVEMENT
4031895.
169SAMHAIN: 1901
4041897.
1701902
4051899.
1711903
4061900.
1721904 THE DRAMATIC MOVEMENT
4071902.
1731905
4081903.
1741906 LITERATURE AND THE LIVING VOICE.[J]
4091904.
175THE ARROW: 1906.[L]
4101906.
1761907 ON TAKING THE PLAYBOY TO LONDON.
4111907.
177FOOTNOTES:
4121908.
178APPENDIX I THE HOUR-GLASS.: THE PRIEST’S SOUL.
413PART II. BOOKS EDITED OR CONTRIBUTED TO BY W. B. YEATS.
179APPENDIX II CATHLEEN NI HOULIHAN.
4141888.
180APPENDIX III THE GOLDEN HELMET.
4151889.
181APPENDIX IV DATES AND PLACES OF THE FIRST PERFORMANCE OF NEW PLAYS PRODUCED BY THE NATIONAL THEATRE SOCIETY AND ITS PREDECESSORS:—
4161890.
182THE CELTIC TWILIGHT
4171892.
183THE HOSTING OF THE SIDHE
4181893.
184THE CELTIC TWILIGHT
4191894.
185THIS BOOK
4201895.
186I
4211898.
187II
4221899.
188A TELLER OF TALES
4231899.-1900.
189BELIEF AND UNBELIEF
4241900.
190MORTAL HELP
4251901.
191A VISIONARY: FOOTNOTE:
4261902.
192VILLAGE GHOSTS: FOOTNOTE:
4271903.
193‘DUST HATH CLOSED HELEN’S EYE.’
4281904.
194I
4291905.
195II
4301906.
196FOOTNOTE:
4311906–7.
197A KNIGHT OF THE SHEEP
432PART III. CONTRIBUTIONS TO PERIODICALS.
198AN ENDURING HEART
4331885.
199THE SORCERERS: FOOTNOTE:
4341886.
200THE DEVIL
4351887.
201HAPPY AND UNHAPPY THEOLOGIANS
4361889.
202I
4371890.
203II
4381891.
204FOOTNOTE:
4391892.
205THE LAST GLEEMAN
4401893.
206REGINA, REGINA PIGMEORUM VENI: FOOTNOTE:
4411894.
207‘AND FAIR, FIERCE WOMEN’: FOOTNOTE:
4421895.
208ENCHANTED WOODS
4431896.
209I
4441897.
210II
4451898.
211MIRACULOUS CREATURES
4461899.
212ARISTOTLE OF THE BOOKS
4471900.
213THE SWINE OF THE GODS
4481901.
214A VOICE
4491902.
215KIDNAPPERS: FOOTNOTE:
4501903.
216THE UNTIRING ONES: FOOTNOTE:
4511904.
217EARTH, FIRE AND WATER
4521905.
218THE OLD TOWN
4531906.
219THE MAN AND HIS BOOTS
4541907.
220A COWARD
4551908.
221THE THREE O’BYRNES AND THE EVIL FAERIES
456PART IV. AMERICAN EDITIONS. (COMPILED BY JOHN QUINN.)
222DRUMCLIFF AND ROSSES
457[1892.]
223THE THICK SKULL OF THE FORTUNATE
4581894.
224I
4591895.
225II
4601897.
226THE RELIGION OF A SAILOR
4611899.
227CONCERNING THE NEARNESS TOGETHER OF HEAVEN, EARTH, AND PURGATORY
4621901.
228THE EATERS OF PRECIOUS STONES
4631902.
229OUR LADY OF THE HILLS
4641903.
230THE GOLDEN AGE
4651904.
231A REMONSTRANCE WITH SCOTSMEN FOR HAVING SOURED THE DISPOSITION OF THEIR GHOSTS AND FAERIES
4661906.
232WAR
4671907.
233THE QUEEN AND THE FOOL
4681908.
234THE FRIENDS OF THE PEOPLE OF FAERY
469FOOTNOTES:
235DREAMS THAT HAVE NO MORAL
