Studies in Central American Picture-Writing
Deciphering the Pictographic Scripts of Central AmericaBy Edward S. Holden
Length1h 2m
About this audiobook
In "Studies in Central American Picture-Writing," Edward S. Holden presents a meticulous exploration of the rich and complex visual languages employed by ancient Central American civilizations. The book showcases Holden's adeptness in blending rigorous scholarship with a narrative style that caters to both academic and lay audiences. Through thoughtful analysis of hieroglyphs and imagery from pre-Columbian cultures, Holden contextualizes these forms of communication within the broader anthropological and historical frameworks, delving into the significance of symbolism, ritual, and cultural identity in Mesoamerican societies. His work is not just an examination of artifacts but an invitation to comprehend the interconnectedness of language, art, and culture in human civilization. Edward S. Holden, an esteemed astronomer and scholar, possessed a multifaceted academic background that informed his interest in the intersection of visual representation and linguistic expression. His scholarly journey was shaped by a deep-seated enthusiasm for understanding the complexities of ancient civilizations, particularly in relation to their forms of communication. This passion is reflected in his detailed investigations, which marry his scientific precision with an appreciation for cultural narratives. "Studies in Central American Picture-Writing" is essential reading for those interested in anthropology, linguistics, and art history. Holden'Äôs work serves as a vital resource for understanding the profound implications of visual language in shaping societal values and identities. This engaging study is highly recommended for scholars, students, and anyone intrigued by the art of communication across cultures and time.
Audiobook details
GenreHistory
Length1 hr 2 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateDec 17, 2019
LanguageEnglish
Table of contents
1IV. IN WHAT ORDER ARE THE HIEROGLYPHS READ?
5VIII. HUITZILOPOCHTLI (MEXICAN GOD OF WAR), TEOYAOMIQUI (MEXICAN GODDESS OF DEATH), MICLANTECUTLI (MEXICAN GOD OF HELL), AND TLALOC (MEXICAN RAIN-GOD), CONSIDERED IN RELATION TO CENTRAL AMERICAN DIVINITIES.
2V. THE CARD-CATALOGUE OF HIEROGLYPHS.
6IX. TLALOC, OR HIS MAYA REPRESENTATIVE.
3VI. COMPARISON OF PLATES I AND IV (COPAN).
7X. CUKULCAN OR QUETZALCOATL.
4VII. ARE THE HIEROGLYPHS OF COPAN AND PALENQUE IDENTICAL?
8XI. COMPARISON OF THE SIGNS OF THE MAYA MONTHS (LANDA) WITH THE TABLETS.
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