Plays, Acting and Music: A Book Of Theory
Harmonizing Drama, Performance, and Melody: An Insightful ExplorationBy Arthur Symons
Length4h 47m
About this audiobook
In "Plays, Acting and Music: A Book Of Theory," Arthur Symons offers a profound exploration of the intricate relationship between dramatic expression and musical composition. Written during the late 19th century, a time marked by artistic upheaval and the rise of modernism, Symons weaves together influences from Symbolist literature and contemporary theatrical practices. His insightful prose blends theoretical musings with practical observations, delving into the essence of performance and the emotional resonance of music in plays. The work stands out for its innovative synthesis of aesthetics and psychology, casting light on the performative arts as a sensory experience that transcends mere entertainment. Arthur Symons, a prominent figure in the literary and theatrical circles of his time, was deeply influenced by both English and French literary movements. His extensive background in poetry and criticism, coupled with his commitment to the avant-garde, informed his understanding of art's transformative power. This book emerges from Symons'Äôs dedication to elevating theater and music as vital expressions of the human experience, revealing his belief in the profound interconnectedness of artistic disciplines. Symons'Äôs examination of the synergy between plays, acting, and music makes this book an essential read for scholars, practitioners, and anyone captivated by the performing arts. It invites readers to reconsider the role of music in drama and the nuances of human expression, encouraging a deeper appreciation for the confluence of these art forms. This text is a vital addition to the libraries of those seeking enlightenment in the world of theater and its multifaceted dimensions.
Audiobook details
Rating★★★★ 3.6 (10)
Includes Goodreads
GenreOther
Length4 hrs 47 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateAug 12, 2023
LanguageEnglish
Table of contents
1I
2II
3III
4IV
5V
Show all chaptersShow less
6VI
7I. "PELLÉAS AND MÉLISANDE"
8II. "EVERYMAN"
9III. "FAUST" AT THE LYCEUM
10IV. THE JAPANESE PLAYERS
11V. THE PARIS MUSIC-HALL
12M. CAPUS IN ENGLAND
13A DOUBLE ENIGMA
14DRAMA
15PROFESSIONAL AND UNPROFESSIONAL
16TOLSTOI AND OTHERS
17I. "THE MARRYING OF ANN LEETE"
18II. "THE LADY FROM THE SEA"
19III. "THE NEW IDOL"
20IV. "MRS. WARREN'S PROFESSION"
21"MONNA, VANNA"
22THE QUESTION OF CENSORSHIP.
23A PLAY AND THE PUBLIC
24THE TEST OF THE ACTOR
25THE PRICE OF REALISM
26ON CROSSING STAGE TO RIGHT
27THE SPEAKING OF VERSE
28GREAT ACTING IN ENGLISH
29A THEORY OF THE STAGE
30I
31II
32ON WRITING ABOUT MUSIC
33TECHNIQUE AND THE ARTIST
34I
35II
36III
37PADEREWSKI
38A REFLECTION AT A DOLMETSCH CONCERT
39THE DRAMATISATION OF SONG
40THE MEININGEN ORCHESTRA
41MOZART IN THE MIRABELL-GARTEN
42I. BAYREUTH AND MUNICH
43II. THE LESSON OF PARSIFAL
44III. THE ART OF WAGNER
45CONCLUSION
46A PARADOX ON ART
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