Plays, Acting and Music: A Book Of Theory
Harmonizing Drama, Performance, and Melody: An Insightful ExplorationBy Arthur Symons
Length4h 47m
About this audiobook
In "Plays, Acting and Music: A Book Of Theory," Arthur Symons offers a profound exploration of the intricate relationship between dramatic expression and musical composition. Written during the late 19th century, a time marked by artistic upheaval and the rise of modernism, Symons weaves together influences from Symbolist literature and contemporary theatrical practices. His insightful prose blends theoretical musings with practical observations, delving into the essence of performance and the emotional resonance of music in plays. The work stands out for its innovative synthesis of aesthetics and psychology, casting light on the performative arts as a sensory experience that transcends mere entertainment. Arthur Symons, a prominent figure in the literary and theatrical circles of his time, was deeply influenced by both English and French literary movements. His extensive background in poetry and criticism, coupled with his commitment to the avant-garde, informed his understanding of art's transformative power. This book emerges from Symons'Äôs dedication to elevating theater and music as vital expressions of the human experience, revealing his belief in the profound interconnectedness of artistic disciplines. Symons'Äôs examination of the synergy between plays, acting, and music makes this book an essential read for scholars, practitioners, and anyone captivated by the performing arts. It invites readers to reconsider the role of music in drama and the nuances of human expression, encouraging a deeper appreciation for the confluence of these art forms. This text is a vital addition to the libraries of those seeking enlightenment in the world of theater and its multifaceted dimensions.
Audiobook details
GenreOther
Length4 hrs 47 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateAug 12, 2023
LanguageEnglish
Table of contents
1I
24THE TEST OF THE ACTOR
2II
25THE PRICE OF REALISM
3III
26ON CROSSING STAGE TO RIGHT
4IV
27THE SPEAKING OF VERSE
5V
28GREAT ACTING IN ENGLISH
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6VI
29A THEORY OF THE STAGE
7I. "PELLÉAS AND MÉLISANDE"
30I
8II. "EVERYMAN"
31II
9III. "FAUST" AT THE LYCEUM
32ON WRITING ABOUT MUSIC
10IV. THE JAPANESE PLAYERS
33TECHNIQUE AND THE ARTIST
11V. THE PARIS MUSIC-HALL
34I
12M. CAPUS IN ENGLAND
35II
13A DOUBLE ENIGMA
36III
14DRAMA
37PADEREWSKI
15PROFESSIONAL AND UNPROFESSIONAL
38A REFLECTION AT A DOLMETSCH CONCERT
16TOLSTOI AND OTHERS
39THE DRAMATISATION OF SONG
17I. "THE MARRYING OF ANN LEETE"
40THE MEININGEN ORCHESTRA
18II. "THE LADY FROM THE SEA"
41MOZART IN THE MIRABELL-GARTEN
19III. "THE NEW IDOL"
42I. BAYREUTH AND MUNICH
20IV. "MRS. WARREN'S PROFESSION"
43II. THE LESSON OF PARSIFAL
21"MONNA, VANNA"
44III. THE ART OF WAGNER
22THE QUESTION OF CENSORSHIP.
45CONCLUSION
23A PLAY AND THE PUBLIC
46A PARADOX ON ART
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