6THE TWO-PART AND THREE-PART FORMS
40Song—Meine Liebe ist grün wie der Fliederbusch (See Supplement No. 61)
7THE CLASSICAL AND THE MODERN SUITE
41CÉSAR FRANCK
8LIST OF DANCES
42Sonata for Violin and Pianoforte in A Major
9THE OLDER RONDO FORM
43Symphonic Variations for Pianoforte and Orchestra
10THE VARIATION FORM
44THE MODERN FRENCH SCHOOL—D’INDY AND DEBUSSY
11THE SONATA-FORM AND ITS FOUNDERS, EMMANUEL BACH AND HAYDN
45NATIONAL SCHOOLS—RUSSIAN, BOHEMIAN AND SCANDINAVIAN
12THE SONATA-FORM OR FIRST-MOVEMENT FORM
46THE VARIED TENDENCIES OF MODERN MUSIC
13MOZART. THE PERFECTION OF CLASSIC STRUCTURE AND STYLE
47B
14BEETHOVEN, THE TONE-POET
48C
15Symphony No. 5[150]
49D
16The Coriolanus Overture
50E
17THE ROMANTIC COMPOSERS. SCHUBERT AND WEBER
51F
18SCHUMANN AND MENDELSSOHN
52G
19Des Abends.
53H
20Warum?
54I
21Novellette in E major.
55J
22Song, Mondnacht.
56K
23Overture to Manfred.
57L
24Symphony in D Minor.
58M
25CHOPIN AND PIANOFORTE STYLE
59N
26Prelude in C Major, Op. 28, No. 1.
60O
27Étude in A-flat Major, Op. 25, No. 1.
61P
28Mazurka in F-sharp Minor, Op. 6, No. 1.
62Q
29Polonaise in E-flat Minor, Op. 26, No. 11.
63R
30Barcarolle in F-sharp Major, Op. 60.
64T
31Scherzo in C-sharp Minor, Op. 39.
65V
32BERLIOZ AND LISZT. PROGRAMME MUSIC
66W
33The Carnaval Romain Overture (See Supplement No. 57)
67LIST OF COMPOSITIONS REFERRED TO IN THIS WORK
34Symphonic Poem, Orpheus
68CORRECTED MUSIC
