By Judith Turner-YamamotoNarrated by Cassandra Campbell, various narrators, Suzanne Toren, Roger Clark, Sophie Amoss
Length10h 4m
About this audiobook
This beautifully written novel, with its complicated, stubborn characters, will haunt you long after the last page.” —Margot Livesey, Author of The Boy in the Field
The death of Donald Ray in a freak car accident becomes the catalyst for the release of passions, needs, and hurts. Clayton’s discovery of dead Donald Ray upends his longtime emotional numbness. Darlene, the seventeen-year-old widow, struggles to reconnect with her late husband while proving herself still alive. Soon Clayton and Darlene’s bond of loss and death works its magic, drawing them into an affair that brings the loneliness in Clayton’s marriage to a crisis. When Aurilla Cutter, Clayton’s mother-in-law, learns about the affair, her own memories of longing and infidelity are set loose. Like Darlene’s passions—unappeased and clung to—Aurilla’s possess an intensity that denies life to the present. As Aurilla’s own forbidden and tragic story of love, death, and repeated loss alternates with Darlene’s and Clayton’s, the divide of generations narrows and collapses, building to the unlikely collision.
Narrated byCassandra Campbell, various narrators, Suzanne Toren, Roger Clark, Sophie Amoss
FormatAudiobook
Publish dateSep 6, 2022
LanguageEnglish
Table of contents
1#1
14#14
2#2
15#15
3#3
16#16
4#4
17#17
5#5
18#18
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6#6
19#19
7#7
20#20
8#8
21#21
9#9
22#22
10#10
23#23
11#11
24#24
12#12
25#25
13#13
26#26
About the author
Judith Turner-Yamamoto
Judith Turner-Yamamoto’s work has appeared in StorySOUTH, Mississippi Review, and American Literary Review, and in many anthologies, including Walking the Edge, Show Us Your Papers, and Gravity Dancers. Her fellowships and awards include the Virginia Arts Commission, the Ohio Arts Council, the VCCA, the Thomas Wolfe Fiction Prize, and the Virginia Screenwriting Award. An art historian, her articles are published in Travel + Leisure, Elle, Art & Antiques, Interiors, and The Boston Globe, among others.View all by Judith Turner-Yamamoto
