Landscapes
Nature, vision, and the art of the horizonBy Émile Michel
Length8h 1m
About this audiobook
Although considered a minor genre for a long time, the art of landscape has risen above its forebears - religious and historic painting - to become a genre of its own. Giorgione in Italy, the Brueghels of the Flemish School, Claude Lorrain and Poussain of the French School, the Dutch landscape painters and Turner and Constable of England are just a few of the great landscapists who have left their indelible mark on the history of landscape and the art of painting as a whole.
After serving for a long time as a backdrop for paintings and as a skill-practising exercise for artists, nature came to be observed for its own sake and was incorporated into works of art as an illustration of an enlightened and scientific study of the world. Through continual change, it has inspired the greatest painters and has allowed some others, like Turner, to transcend the relentless search for mere realism in pictorial representation. Through this study, Émile Michel offers an exceptional panorama, from the 15th century to the present, of art and the way artists portray the world in all its splendour.
Audiobook details
Rating★★★★ 4.4 (11)
Includes Amazon
GenreOther
Length8 hrs 1 min
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateMay 8, 2012
LanguageEnglish
Table of contents
1Landscapes Landscapes
2Image-Bar www.image-bar.com
3Preface
4Chapter 1
5The Masters of Landscape Painting in Italy
Show all chaptersShow less
6Chapter1: The Masters of Landscape Painting in Italy
7Landscape Painting
8Landscape Painting
9Chapter1: The Masters of Landscape Painting in Italy
10Landscape Painting
11Chapter 2
12Landscape Painting
13Chapter 2: Landscape in the Flemish and German Schools
14Landscape Painting
15Chapter 2: Landscape in the Flemish and German Schools
16Landscape Painting
17The Bruegels, Rubens and Teniers
18Chapter 2: Landscape in the Flemish and German Schools
19Landscape Painting
20Chapter 2: Landscape in the Flemish and German Schools
21Landscape Painting
22Chapter 2: Landscape in the Flemish and German Schools
23Landscape Painting
24Chapter 2: Landscape in the Flemish and German Schools
25Chapter 3
26The School of Utrecht and the “Italianisers”
27Chapter 3: Dutch Landscapists
28Landscape Painting
29Landscape Painting
30Painters of the sea, beaches, and towns of Holland
31Landscape Painting
32harmony of colour and values with the perspective in
33Chapter 3: Dutch Landscapists
34Landscape Painting
35Rembrandt’s Landscapes
36Chapter 3: Dutch Landscapists
37Landscape Painting
38Chapter 3: Dutch Landscapists
39Landscape Painting
40Chapter 3: Dutch Landscapists
41Chapter 4
42Landscape Painting
43A Late Blooming
44Chapter 4: Landscape in the Spanish and French Schools
45Chapter 4: Landscape in the Spanish and French Schools
46Landscape Painting
47Chapter 4: Landscape in the Spanish and French Schools
48French School
49great attention any remarkable effects of light which he
50fall from her basket.
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