6On the Rectilinear Forms and Proportions of Architecture.
23I. In royal 8vo, with Copperplate Illustrations, price 2s. 6d., THE HARMONIC LAW OF NATURE APPLIED TO ARCHITECTURAL DESIGN.
7On the Curvilinear Forms and Proportions of Architecture.
24II. In royal 8vo, with Copperplate Illustrations, price 5s., THE NATURAL PRINCIPLES OF BEAUTY, AS DEVELOPED IN THE HUMAN FIGURE.
8THE SCIENCE OF BEAUTY, AS DEVELOPED IN THE HUMAN HEAD AND COUNTENANCE.
25III. In royal 8vo, with Copperplate Illustrations, price 5s., THE ORTHOGRAPHIC BEAUTY OF THE PARTHENON REFERRED TO A LAW OF NATURE.
9THE SCIENCE OF BEAUTY, AS DEVELOPED IN THE FORM OF THE HUMAN FIGURE.
26IV. In 8vo, 100 Plates, price 6s., FIRST PRINCIPLES OF SYMMETRICAL BEAUTY.
10First Series of Scales.
27V. In 8vo, 14 Coloured Diagrams, Second Edition, price 15s., THE PRINCIPLES OF BEAUTY IN COLOURING SYSTEMATISED.
11Second Series of Scales.
28VI. In 8vo, 228 Examples of Colours, Hues, Tints, and Shades, price 63s., A NOMENCLATURE OF COLOURS, APPLICABLE TO THE ARTS AND NATURAL SCIENCES.
12The Portland Vase.
29VII. In post 8vo, with a Coloured Diagram, Sixth Edition, price 7s. 6d., THE LAWS OF HARMONIOUS COLOURING ADAPTED TO INTERIOR DECORATIONS.
13An Ancient Grecian Marble Vase of a Vertical Composition.
30VIII. In 4to, 25 Plates, price 36s., ON THE SCIENCE OF THOSE PROPORTIONS BY WHICH THE HUMAN HEAD AND COUNTENANCE, AS REPRESENTED IN ANCIENT GREEK ART, ARE DISTINGUISHED FROM THOSE OF ORDINARY NATURE.
14An Ancient Grecian Vase of a Horizontal Composition.
31IX. In 4to, 16 Plates, price 30s., THE GEOMETRIC BEAUTY OF THE HUMAN FIGURE DEFINED.
15Etruscan Vases.
32X. In oblong folio, 57 Plates and numerous Woodcuts, price 42s., AN ESSAY ON ORNAMENTAL DESIGN, IN WHICH ITS TRUE PRINCIPLES ARE DEVELOPED AND ELUCIDATED, &c.
16Ancient Grecian Ornament.
33XI. In 4to, 17 Plates and 38 Woodcuts, price 25s., PROPORTION, OR THE GEOMETRIC PRINCIPLE OF BEAUTY ANALYSED. XII. In 4to, 18 Plates and numerous Woodcuts, price 15s., THE NATURAL PRINCIPLES AND ANALOGY OF THE HARMONY OF FORM.
17No. I.