6PROBABLE PERIOD OF THE FIRST ROMANCES.
98POETS OF THE ROYAL FAMILY IN THE FOURTEENTH CENTURY.
7POEMA DEL CID.
99CHRONICLES IN PROSE.
8POEMA DE ALEXANDRO MAGNO.
100INTIMATE CONNECTION OF THE PORTUGUESE AND GALICIAN POETRY—THE GALICIAN POET MACIAS.
9GONZALO BERCEO.
101THE CANCIONEIROS GERAES.
10ALPHONSO X.; HIS LITERARY MERITS—NICOLAS AND ANTONIO DE LOS ROMANCES, &c.
102DEFICIENCY WITH REGARD TO HISTORICAL ROMANCES—LITTLE INFLUENCE OF THE CULTIVATION OF LATIN VERSE ON PORTUGUESE LYRIC POETRY.
11ALPHONSO XI.
103EARLY CULTIVATION OF HISTORICAL PROSE.
12EARLY CULTIVATION OF CASTILIAN PROSE—DON JUAN MANUEL; HIS CONDE LUCANOR; HIS ROMANCES.
104INCREASE OF PORTUGUESE POWER, FOLLOWED BY THE RAPID DEVELOPEMENT OF THE NATIONAL POETRY AT THE COMMENCEMENT OF THE SIXTEENTH CENTURY.
13SATIRICAL POEM OF JUAN RUYZ, ARCH-PRIEST OF HITA.
105BERNARDIM RIBEYRO.
14MORE PRECISE ACCOUNT OF THE ORIGIN OF THE SPANISH POETIC ROMANCES AND SONGS—PROBABLE RISE OF THE ROMANCES OF CHIVALRY IN PROSE—ORIGINAL RELATIONSHIP OF THE POETIC AND THE PROSE ROMANCES.
106CHRISTOVAÕ FALCAÕ.
15THE DIFFERENT KINDS OF POETIC ROMANCE.
107OTHER ANCIENT LYRIC POEMS.
16CASTILIAN POETRY IN THE THIRTEENTH AND FOURTEENTH CENTURIES.
108BOOK II. FROM THE BEGINNING OF THE SIXTEENTH UNTIL TOWARDS THE END OF THE SEVENTEENTH CENTURY.
17POETICAL COURT OF JOHN II.
109CHAP. I. GENERAL VIEW OF THE POETIC AND RHETORICAL CULTIVATION OF THE PORTUGUESE DURING THE ABOVE PERIOD.
18THE MARQUIS OF VILLENA.
110Relation of Portuguese to Spanish Poetry in the Sixteenth and Seventeenth Centuries.
19THE MARQUIS OF SANTILLANA; HIS POETICAL WORKS; HIS HISTORICAL AND CRITICAL LETTER.
111CAUSES OF THE CONTINUED CULTIVATION OF THE SPANISH LANGUAGE IN PORTUGAL.
20JUAN DE MENA.
112RELIGIOUS AND POLITICAL CHARACTER OF THE PORTUGUESE DURING THIS PERIOD.
21PEREZ DE GUZMAN, RODRIGUEZ DEL PADRON, AND OTHER SPANISH LYRIC POETS OF THE AGE OF JOHN II.
113CHAP. II. HISTORY OF PORTUGUESE POETRY AND ELOQUENCE FROM THE EPOCH OF THE INTRODUCTION OF THE ITALIAN STYLE, TILL TOWARDS THE END OF THE SIXTEENTH CENTURY.
22OF THE CANCIONERO GENERAL, AND THE DIFFERENT KINDS OF ANCIENT SPANISH SONGS.
114Tranquil Adoption of the Italian Style.
23OF THE ROMANCERO GENERAL.
115SAA DE MIRANDA.
24FIRST TRACES OF THE ORIGIN OF SPANISH DRAMATIC POETRY IN THE MINGO REBULGO—JUAN DEL ENZINA—CALLISTUS AND MELIBŒA, A DRAMATIC TALE.
116GIL VICENTE.
25FURTHER ACCOUNT OF SPANISH PROSE. RISE OF THE HISTORICAL ART—EARLY PROGRESS OF THE EPISTOLARY STYLE.
117FERREIRA.
26JUAN DE LA ENZINA’S ART OF CASTILIAN POETRY.
118CAMOENS.
27BOOK II. FROM THE BEGINNING OF THE SIXTEENTH TO THE LATTER HALF OF THE SEVENTEENTH CENTURY.: INTRODUCTION. GENERAL VIEW OF THE STATE OF POETICAL AND RHETORICAL CULTIVATION IN SPAIN DURING THE ABOVE PERIOD.
119MONTEMAYOR.
28FIRST SECTION. History of Spanish Poetry and Eloquence, from the Introduction of the Italian Style to the Age of Cervantes and Lope de Vega.
120CLASSICAL SCHOOL OF SAA DE MIRANDA AND ANTONIO FERREIRA.
29OCCASION OF THE INTRODUCTION OF THE ITALIAN STYLE.
121ANDRADE CAMINHA.
30BOSCAN.
122BERNARDES.
31GARCILASO DE LA VEGA.
123CORTEREAL.
32DIEGO DE MENDOZA.
124OTHER PORTUGUESE POETS OF THE SIXTEENTH CENTURY—FERREIRA DE VASCONCELLOS; RODRIGUEZ DE CASTRO; LOBO DE SOROPITA; &c.
33SAA DE MIRANDA.
125RODRIGUEZ LOBO.
34MONTEMAYOR.
126STATE OF PORTUGUESE ELOQUENCE IN THE SIXTEENTH CENTURY.
35HERRERA.
127ROMANCES AND NOVELS.
36LUIS DE LEON.
128SA SOTOMAYOR.
37MINOR SPANISH POETS DURING THE PERIOD OF THIS SECTION, VIZ. ACUÑA—CETINA—PADILLA—GIL POLO.
129PIRES DE REBELLO.
38OBSTACLES TO THE IMITATION OF THE ROMANTIC EPOPEE IN SPAIN—UNSUCCESSFUL ESSAYS IN SERIOUS EPOPEE—TRANSLATIONS OF CLASSICAL EPIC POETRY.
130PROGRESS OF THE HISTORICAL ART.
39PROGRESS OF THE ROMANTIC POETRY—CASTILLEJO: HIS CONTEST WITH THE PARTIZANS OF THE ITALIAN STYLE.
131JOAÕ DE BARROS.
40HISTORY OF SPANISH DRAMATIC POETRY, DURING THE FIRST HALF AND TEN SUCCEEDING YEARS OF THE SIXTEENTH CENTURY.
132LOPEZ DE CASTANHEDA—DAMIAÕ DE GÓES—AFFONSO D’ALBOQUERQUE.
41HISTORY OF SPANISH PROSE DURING THE FIRST HALF AND TEN SUCCEEDING YEARS OF THE SIXTEENTH CENTURY.
133BERNARDO DE BRITO.
42SPANISH CRITICISM DURING THE PERIOD OF THIS SECTION.
134CHAP. III. HISTORY OF PORTUGUESE POETRY AND ELOQUENCE, FROM THE LATTER YEARS OF THE SIXTEENTH CENTURY UNTIL TOWARDS THE CLOSE OF THE SEVENTEENTH.
43SECOND SECTION. History of Spanish Poetry and Eloquence, from the Age of Cervantes and Lope de Vega to the Middle of the Seventeenth Century.
135Decay of the ancient national energy in Portuguese Literature.
44CERVANTES.
136PORTUGUESE SONNETS IN THE SEVENTEENTH CENTURY.
45LOPE DE VEGA.
137FARIA E SOUSA.
46THE BROTHERS LEONARDO DE ARGENSOLA.
138THOMAS DE NORONHA.
47CONTINUATION OF THE HISTORY OF SPANISH POETRY AND ELOQUENCE DURING THE AGE OF CERVANTES AND LOPE DE VEGA.
139BARBOSA BACELLAR.
48FRESH FAILURES IN EPIC POETRY—ERCILLA’S ARAUCANA.
140TORREZAÕ COELHO.
49LYRIC AND BUCOLIC POETS OF THE CLASSIC SCHOOL OF THE SIXTEENTH CENTURY.
141FREIRE DE ANDRADA.
50RISE OF A NEW IRREGULAR AND FANTASTICAL STYLE IN SPANISH POETRY.
142FURTHER DECLINE OF PORTUGUESE TASTE—RIBEIRO DE MACEDO—CORREA DE LA CERDA.
51GONGORA AND HIS ESTILO CULTO—THE CULTORISTOS—THE CONCEPTISTOS.
143VIOLANTE DO CEO.
52TWO DRAMATIC POETS OF THE AGE OF LOPE DE VEGA.
144DIDACTIC EPISTLES OF ALVARES DA CUNHA.
53NOVELS IN THE AGE OF CERVANTES AND LOPE DE VEGA.
145JERONYMO BAHIA.
54PROGRESSIVE CULTIVATION OF THE HISTORICAL ART—MARIANA.
146FRANCISCO VASCONCELLOS.
55FLUCTUATION OF SPANISH TASTE FROM THE CLASSIC TO THE CORRUPT STYLE.
147TELLES DA SYLVA AND NUNES DA SYLVA.
56QUEVEDO.
148OTHER SONNETEERS—CONTINUED INTERVENTION OF THE SPANISH LANGUAGE IN PORTUGUESE POETRY.
57VILLEGAS.
149PORTUGUESE ELOQUENCE DURING THE SEVENTEENTH CENTURY.
58CONTINUATION OF THE HISTORY OF LYRIC, BUCOLIC, EPIC, DIDACTIC, AND SATIRICAL POETRY, TO THE CLOSE OF THE PERIOD EMBRACED BY THIS SECTION.
150ROMANTIC PROSE—MATHEUS RIBEYRO—CASTANHEIRA TURACEM.
59JAUREGUI.
151HISTORICAL PROSE—FREIRE DE ANDRADA.
60BORJA Y ESQUILLACHE.
152BOOK III. FROM THE CLOSE OF THE SEVENTEENTH TO THE END OF THE EIGHTEENTH CENTURY.: PRELIMINARY OBSERVATIONS.
61OTHER POETS OF THIS PERIOD—THE SYLVAS, OR POETIC FORESTS.
153CHAP. I. GENERAL HISTORY OF POETICAL AND RHETORICAL CULTIVATION IN PORTUGAL DURING THIS PERIOD.
62REBOLLEDO.
154Total decay of Portuguese Literature towards the end of the Seventeenth Century.
63CONTINUATION OF THE HISTORY OF THE SPANISH DRAMA.
155ESTABLISHMENT OF THE PORTUGUESE ACADEMY IN 1714.
64CALDERON.
156ADMINISTRATION OF THE MARQUIS OF POMBAL.
65HISTORY OF THE SPANISH DRAMA CONTINUED TO THE CLOSE OF THE PERIOD OF THIS SECTION.
157REVIVED SPIRIT OF LITERATURE—UTILITY OF THE PORTUGUESE ACADEMY OF SCIENCES.
66ANTONIO DE SOLIS—MORETO—JUAN DE HOZ—TIRSO DE MOLINA—FRANCISCO DE ROXAS—AUGUSTIN DE SALAZAR—MIRA DE MESCUA, &c.
158CHAP. II. HISTORY OF PORTUGUESE POETRY DURING THIS PERIOD.
67CONCLUSION OF THE HISTORY OF SPANISH ELOQUENCE AND CRITICISM WITHIN THE PERIOD OF THIS SECTION.
159THE CONDE DA ERICEYRA.
68INTRODUCTION OF GONGORISM INTO SPANISH PROSE—BALTHASAR GRACIAN.
160CONTINUANCE OF CORRUPT TASTE IN PORTUGUESE POETRY.
69BOOK III.: HISTORY OF SPANISH LITERATURE FROM ITS DECLINE IN THE LATTER HALF OF THE SEVENTEENTH TO THE END OF THE EIGHTEENTH CENTURY.
161BARROS PEREIRA—ALEXANDRE ANTONIO DE LIMA.
70CHAP. I.: GENERAL VIEW OF THE STATE OF POETICAL AND RHETORICAL CULTIVATION IN SPAIN DURING THIS PERIOD.
162THE PORTUGUESE DRAMA IN THE FIRST HALF OF THE EIGHTEENTH CENTURY.
71CHAP. II.
163SPURIOUS DRAMAS CALLED OPERAS.
72DECAY OF THE OLD SPANISH POETRY AND ELOQUENCE, AND INTRODUCTION OF THE FRENCH STYLE INTO SPANISH LITERATURE.
164RESUMPTION OF AN IMPROVED STYLE IN PORTUGUESE POETRY.
73CANDAMO, ZAMORA, AND CAÑIZARES, DRAMATISTS IN THE OLD NATIONAL STYLE.
165MANOEL DA COSTA.
74DOÑA JUANA INEZ DE LA CRUZ.
166PROGRESS OF PORTUGUESE POETRY IN THE LATTER PART OF THE EIGHTEENTH CENTURY.365
75GERARDO LOBO.
167TRANSLATIONS.
76DIFFUSION OF THE FRENCH TASTE—LUZAN, HIS ART OF POETRY, &c.
168TITLES OF SOME OF THE POEMS PRODUCED IN THIS PERIOD.
77MAYANS Y SISCAR—BLAS NASSARE.
169GARÇAÕ.
78MONTIANO’S TRAGEDIES IN THE FRENCH STYLE.
170THE ABBOT PAULINO.
79VELASQUEZ.
171DONA CATHARINA DE SOUSA—HER TRAGEDY OF OSMIA.
80CHAPTER III.
172FAILURE OF OSMIA ON THE STAGE—PREVALENCE OF DRAMATIC IMITATIONS AND TRANSLATIONS.
81CONCLUDING PERIOD OF THE HISTORY OF SPANISH POETRY AND ELOQUENCE.
173RECENT PORTUGUESE POETS:—IN PARTICULAR TOLENTINO DA ALMEIDA.
82LA HUERTA.
174ARAUJO DE AZAVEDO—HIS TRANSLATIONS OF ENGLISH POEMS.
83SEDANO.
175CHAP. III. HISTORY OF PORTUGUESE ELOQUENCE, CRITICISM, AND RHETORIC, DURING THIS PERIOD.
84YRIARTE.
176Further Decline of Portuguese Eloquence.
85LEON DE ARROYAL.
177NEW CULTIVATION OF ELOQUENCE—CLASSICAL PROSE AUTHORS STILL WANTING IN MODERN PORTUGUESE LITERATURE.
86JUAN MELENDEZ VALDES.
178ROMANTIC PROSE—TRANSLATIONS.
87BRIEF NOTICE OF SOME OF THE MORE RECENT LITERARY PRODUCTIONS OF SPAIN.
179PORTUGUESE CRITICISM OF THE EIGHTEENTH CENTURY.
88CONCLUSION.
180ERICEYRA’S INTRODUCTION TO HIS HENRIQUEIDA.
89LA GLOSA DE PINAR. (pt. 1)
181GARÇAÕ’S LECTURES.
90LA GLOSA DE PINAR. (pt. 2)
182PHILOLOGICAL AND CRITICAL TREATISES OF THE ACADEMICIANS JOAQUIM DE FOYOS—FRANCISCO DIAS—ANTONIO DAS NAVES, &C.
91PREFACE.
183CONCLUSION.: COMPARISON OF PORTUGUESE AND SPANISH LITERATURE. (pt. 1)
92HISTORY OF PORTUGUESE LITERATURE.
184CONCLUSION.: COMPARISON OF PORTUGUESE AND SPANISH LITERATURE. (pt. 2)
