61. Greek Sculpture.
35§ 8. Kyklops.
72. The Etruscan Ash-urns.
36§ 9. Medeia.
83. Roman Sarcophagi.
37§ 10. Phoinissai.
9§ 3. The Influence of Tragedy on Painting.
38§ 11. Supplementary.
101. On Greek Painting.
39Alkestis.
112. The Wall Paintings of Pompeii and Herculaneum.
40Andromache.
12§ 4. Tragic Elements on the Etruscan Mirrors.
41Elektra.
13§ 5. Greek Tragedy and the ‘Megarian Bowls.’
42Herakles Furens.
14CHAPTER II THE INFLUENCE OF GREEK TRAGEDY ON VASE PAINTING.
43Hippolytos.
15§ 1. Theories advanced for the Earliest Point of Contact.
44Ion.
16§ 2. Earliest Evidence.
45Iphigeneia at Aulis.
17§ 3. Fifth Century.
46Euripides’ Lost Plays.
18§ 4. The Fourth Century and the Conditions in Lower Italy.
47Aiolos.
19CHAPTER III AISCHYLOS AND THE VASE PAINTINGS
48Alkmene.
20§ 1. Introduction.
49Andromeda.
21§ 2. Choephoroi.
50Antigone.
22§ 3. Eumenides.
51Antiope.
23§ 4. The lost Plays.
52Bellerophon.
24Lykurgeia.
53Chrysippos.
25Phrygians.
54Hypsipyle.
26CHAPTER IV SOPHOKLES AND HIS RELATION TO VASE PAINTING
55Meleagros.
27CHAPTER V EURIPIDES AND VASE PAINTING
56Stheneboia.
28§ 1. Introduction.
57Telephos.
29§ 2. Andromache.
