6COMBINATIONS AND SUBSTITUTIONS
33FOOTNOTES:
7FOOTNOTES:
34V. THE ODE
8III. THE STANZA
35A.—REGULAR PINDARIC
9TERCETS
36B.—IRREGULAR (COWLEYAN)
10QUATRAINS
37C.—CHORAL
11REFRAIN STANZAS
38FOOTNOTES:
12FOOTNOTES:
39VI. IMITATIONS OF CLASSICAL METRES
13IV. TONE-QUALITY
40A.—LYRICAL MEASURES
14A. AS A STRUCTURAL ELEMENT
41B.—DACTYLIC HEXAMETER
15B. AS A SPORADIC ELEMENT (TONE-COLOR)
42FOOTNOTES:
16FOOTNOTES:
43VII. IMITATIONS OF ARTIFICIAL FRENCH LYRICAL FORMS
17PART TWO
44A.—THE BALLADE
18I. FOUR-STRESS VERSE
45B.—THE RONDEAU AND RONDEL
19A.—NON-SYLLABLE-COUNTING
46C.—THE VILLANELLE
20B.—SYLLABLE-COUNTING (OCTOSYLLABIC COUPLET)
47D.—THE TRIOLET
21FOOTNOTES:
48E.—THE SESTINA
22II. FIVE-STRESS VERSE
49FOOTNOTES:
23A.—THE DECASYLLABIC COUPLET
50PART THREE
24B.—BLANK VERSE
51THE TIME-ELEMENT IN ENGLISH VERSE[49]: FOOTNOTES:
25FOOTNOTES:
52PART FOUR
26III. SIX-STRESS AND SEVEN-STRESS VERSE
53THE PLACE AND FUNCTION OF THE METRICAL ELEMENT IN POETRY: FOOTNOTES:
27A.—THE ALEXANDRINE (IAMBIC HEXAMETER)
