1Table of Figures
44Fascination with Nature
2Table of Poems
45“How to Paint Infinity”
3Acknowledgements
46“The Silence”
4Preface
47Concentration on Chaos Theory
5PART I - Art Works and Commentaries
48Interest in Individuation
6Carol’s Story by Alfredo Zotti
49Contemplating I Ching
7Commentary on “Grandmother” By Samuel Mann
50Fascination with the Theory of Positive Disintegration
8Commentary on “Grandmother” a poem by Cynthia Pearson
51Studying the Creativity of Young People
9Commentary on “Luciano Zotti” by Samuel Mann
52Writing Books
10Commentary on “Luciano Zotti” a poem by Cynthia Pearson
53Conclusion
11Commentary on “The Bush” by Samuel Mann
54References
12Commentary on “The Bush” a poem by Cynthia Pearson
55Chapter 5 - “Getting the Hurt in My Head, Out”: The Creative Process and Healing by Debra Bradley
13Commentary on “Photograph 51” by Samuel Mann
56My Personal Story
14Commentary on “Photograph 51” a poem by Cynthia Pearson
57Like a Part of a Gun
15Commentary on “Rosalind’s Eyes” by Samuel Mann
58She was only Ten Years Old
16Commentary on “Rosalind’s Eyes” a poem by Cynthia Pearson
59He was Twelve Years Old
17Commentary on “Oriental Dream” by Samuel Mann
60He was just Eleven Years Old
18Commentary on “Oriental Dream” a poem by Cynthia Pearson
61References
19Commentary on “Uncle Sam” by Samuel Mann
62Chapter 6 - Why Music Matters: The Healing Properties of Music Therapy by Michael Bradley: References
20Commentary on “Uncle Sam” a poem by Cynthia Pearson
63Chapter 7 - Cantare e Suonare è una Salvezza per l’Essere Umano By Mauro Lopizzo: Singing and Playing are a Salvation for the Human Being by Mauro Lopizzo (English Translation)
21Commentary on “September 11” by Samuel Mann
64Chapter 8 - My Favourite Coffee Shop by Alfredo Zotti
22Commentary on “September 11” a poem by Cynthia Pearson
65Chapter 9 - My Friend Colin Sydee By Alfredo Zotti
23Commentary on “Violin on a Rock” by Samuel Mann
66Chapter 10 - Connecting with Art: My Experience with Homeless Youths by Samuel Mann: References
24Commentary on “Violin on a Rock” a poem By Cynthia Pearson
67Chapter 11 - Poets of the Caribbean Circle (POTCar)
25Commentary on “The Depression Trap” by Samuel Mann
68If Only I Could Paint by Alan Pena
26Commentary on “The Depression Trap” a poem by Cynthia Pearson
69Let Me Touch You There by Alan Pena
27Commentary on “Colours of Emotions” by Samuel Mann
70Chapter 12 - Healing on the Run by Ernest Dempsey
28Commentary on “Colours of Emotions” a poem by Cynthia Pearson
71Chapter 13 - Singing to Heal by Judy Wright
29Commentary on “The Piano Player” by Samuel Mann
72Part III - Authors, Artists, and Other Contributors
30Commentary on “The Piano Player” by Dr. Krystyna Laycraft
73Cynthia Pearson
31Commentary on “The Boat People” by Samuel Mann
74Samuel Mann
32Commentary on “The Boat People” a poem by Cynthia Pearson
75Krystyna Laycraft
33Commentary on “Bits and Pieces” by Samuel Mann
76Dr. Bob Rich
34Commentary on “Bits and Pieces” a poem by Cynthia Pearson
77Victor Paul Scerri
35Commentary on “Yesterday, Today and Tomorrow, the Flowers” by Samuel Mann
78Debbie Bradley & Michael Bradley
36Commentary on “Yesterday, Today, and Tomorrow, the Flowers” a poem by Cynthia Pearson
79Paul Corcoran
37Commentary on “Venice” by Samuel Mann
80Alan Pena
38Commentary on “Venice” a poem by Cynthia Pearson
81Ernest Dempsey
39Commentary on “The Shore” by Dr. Krystyna Laycraft
82Judy Wright
40PART II- The Impact of Art Therapy
83Alfredo Zotti
41Chapter 2 - Creative Writing as Therapy by Bob Rich, PhD
84Bibliograpy
42Chapter 3 - A Dream Come True! by Victor Paul Scerri: References
85Index
43Chapter 4 - A Creative Journey by Krystyna C. Laycraft