Art of India

Art of India

By Vincent Arthur Smith
Michael Caine
Listen with Sir Michael Caine™ and 1,000+ voices
Length1h 58m

About this audiobook

If the 'Palace of Love', otherwise known as the Taj Mahal, is considered to be the emblem of Mughal Art, it is by no means the sole representative. Characterised by its elegance, splendor, and Persian and European influences, Mughal Art manifests itself equally well in architecture and painting as in decorative art.

Audiobook details

GenreOther
Length1 hr 58 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateJun 12, 2014
LanguageEnglish

Table of contents

1Author: Vincent Arthur Smith
2Author: Vincent Arthur Smith
3Chronology
4hundred folios each.
5Completion of HumayunÊs mausoleum in Delhi.
Show all chapters
61400 miniatures.
7India and Its Art
8Red sandstone, 1570 Delhi
9the eye, like the sudden glow of fruit and flower
10the pictorial and interpretational play a great
11of the Pre-Raphaelite about it. The materialism
12Episode from the tale of The Lynx and the Lion
13appreciation, but rather an added attraction in
14Cockfight
15wilful in their restriction and impoverishment of life.
16Interior of the Sheesh Mahal (Hall of Mirrors)
17brother craftsmen and students in India that the
18Events during the Reign of the Abbasid Caliph al Mutasim
19Hulagu Khan destroys the Fort at Alamut
20Islamic and especially of the Persian culture of the
21Mughal court. Except in their everyday household
22standardisation of production in spite of which
23as glorious as that of any country in the world.
24epic in itself.
251600-1613, Akbar/Jahangir period Black and white marble inlay, Sikandra, Agra, Uttar Pradesh
26heavenly musicians; Nagas, the snake-people who
27European Scene
28acknowledgement at the hands of the compilers of
29The Prophet Idris (Enoch)
30Buddha in the Great Forest at Kapilavatthu.
31present, and the Vedic gods, and lastly the powers of
32Another list of the same description, but possibly
33possess something of the delicate beauty of all
34Prince Khusrau hunting
35history. In the sculptures of the early period (2nd-1st
36fair foliage‰ of the Rigveda under which Yama and
37The scarlet-flowered silk-cotton tree and the sal tree
38The character and functions of these deities
39Kannigais or seven virgins, tutelary deities of
40temple tanks. In Mysore, too, a similar group of
41Assembly of six Muslim doctors
42Persian on a hunt
43of the individual soul with that of the universe:
44Indian dignitary, perhaps Raja Suraj Singh
45of experience ceases, as in dreamless sleep, can the
46Persian noble and musician
47their Self.
48Persian falconer
49mental complexity as against the ritual complexity
50of Impermanence, Pain, and Lack of Individuality

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