A Second Book of Operas
Exploring the rich tapestry of operatic compositions, narratives, and cultural impactBy Henry Edward Krehbiel
Length6h 6m
About this audiobook
In "A Second Book of Operas," Henry Edward Krehbiel delves into the rich tapestry of operatic works that emerged after his first volume, drawing upon both well-known and lesser-explored compositions to illuminate the evolution of opera in the late 19th century. Krehbiel'Äôs literary style combines vibrant prose with meticulous analysis, creating an engaging narrative that balances scholarly rigor with accessibility. The book draws on musical, historical, and cultural contexts, offering readers a comprehensive understanding of key operas, their composers, and the societal influences shaping their creation and reception. Henry Edward Krehbiel was a renowned music critic and musicologist whose insights into musical forms greatly contributed to American music literature. His profound knowledge, bolstered by his extensive travels and his interactions with prominent contemporaries, equipped him with a unique perspective on the operatic landscape. Krehbiel'Äôs passion for opera is evident, as he seeks to bridge the gap between music and its broader cultural implications, positioning his works as essential reading for anyone interested in the art form. This book is highly recommended for both opera enthusiasts and scholars alike, as it not only enriches the reader's understanding of operatic history but also inspires deeper appreciation for the masterpieces that continue to resonate today. Krehbiel's thoughtful exploration provides a fresh lens through which to view opera, making it an essential addition to the libraries of both casual readers and committed musicologists.
Audiobook details
GenreOther
Length6 hrs 6 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateNov 29, 2019
LanguageEnglish
Table of contents
1Introduction
2CONTENTS AND INDEX
3CHAPTER I: BIBLICAL OPERAS
4CHAPTER II: BIBLE STORIES IN OPERA AND ORATORIO
5CHAPTER III: RUBINSTEIN AND HIS "GEISTLICHE OPER"
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6CHAPTER IV: "SAMSON ET DALILA"
7CHAPTER V: "DIE KONIGIN VON SABA"
8CHAPTER VI: "HERODIADE"
9CHAPTER VII: "LAKME"
10CHAPTER VIII: "PAGLIACCI"
11CHAPTER IX: "CAVALLERIA RUSTICANA"
12CHAPTER X: THE CAREER OF MASCAGNI
13CHAPTER XI: "IRIS"
14CHAPTER XII: "MADAMA BUTTERFLY"
15CHAPTER XIII: "DER ROSENKAVALIER"
16CHAPTER XIV: "KONIGSKINDER"
17CHAPTER XV: "BORIS GODOUNOFF"
18CHAPTER XVI: "MADAME SANS-GENE" AND OTHER OPERAS BY GIORDANO
19CHAPTER XVII: TWO OPERAS BY WOLF-FERRARI
20CHAPTER I: BIBLICAL OPERAS
21CHAPTER II: BIBLE STORIES IN OPERA AND ORATORIO
22CHAPTER III: RUBINSTEIN'S "GEISTLICHE OPER"
23CHAPTER IV: "SAMSON ET DALILA"
24CHAPTER V: "DIE KONIGIN VON SABA"
25CHAPTER VI: "HERODIADE"
26CHAPTER VII: "LAKME"
27CHAPTER VIII: "PAGLIACCl"
28CHAPTER IX: "CAVALLERIA RUSTICANA"
29CHAPTER X: THE CAREER OF MASCAGNI
30CHAPTER XI: "IRIS"
31CHAPTER XII: "MADAMA BUTTERFLY"
32CHAPTER XIII: "DER ROSENKAVALIER"
33CHAPTER XIV: "Konigskinder"
34CHAPTER XV: "BORIS GODOUNOFF"
35CHAPTER XVI: "MADAME SANS-GENE" AND OTHER OPERAS BY GIORDANO
36CHAPTER XVII: TWO OPERAS BY WOLF-FERRARI
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