1Introduction
32URBAN ENTERTAINMENT DURING PROHIBITION
2Section I: Introduction to Music and Art History
33SELECTED WORK: Archibald Motley Jr., Saturday Night, 1935
3INTRODUCTION TO MUSIC
34SELECTED WORK: Thomas Hart Benton, America Today: City Activities with Dance Hall, 1930–31
4PITCH, RHYTHM, AND HARMONY
35Section V: Jazz on Stage, on the Air, and on Screen
5FORM IN MUSIC
36JAZZ ON BROADWAY
6INTRODUCTION TO ART HISTORY
37LISTENING COMPANION 5: Runnin’ Wild, “The Charleston” (1923) – James P. Johnson
7ELEMENTS OF ART
38BROADWAY TURNS THE TABLES
8PROCESSES AND TECHNIQUES
39LISTENING COMPANION 6: No, No, Nanette, “Tea For Two” (1925) – Vincent Youmans
9Section II: Origins of American Modernism
40JAZZ AS SUBTEXT
10OVERVIEW OF ART IN AMERICA BETWEEN 1900 AND THE END OF WORLD WAR I
41LISTENING COMPANION 7: Show Boat, “Can’t Help Lovin’ Dat Man” (1927) – Jerome Kern
11MODERNIST PAINTING
42JAZZ ON THE RADIO
12SELECTED WORK: Charles Demuth, I Saw the Figure 5 in Gold, 1928
43LISTENING COMPANION 8: “Sweet Georgia Brown” (1925) – Ben Bernie and Maceo Pinkard
13SELECTED WORK: Georgia O’Keeffe, The Lawrence Tree, 1929
44JAZZ IN THE MOVIES
14MODERNIST PHOTOGRAPHY
45LISTENING COMPANION 9: The Jazz Singer, “Toot, Toot, Tootsie! (Goo’ Bye)” – Gus Kahn, Ernie Erdman, and Dan Russo
15SELECTED WORK: Imogen Cunningham, Leaf Pattern, Before 1929
46Section VI: Global Connections
16SELECTED WORK: Man Ray, Rayograph, 1922
47AMERICAN ART IN GLOBAL CONTEXT
17Section III: The Increasing Reach of Jazz and Blues
48AMERICAN EXPATRIATES IN EUROPE
18SHADES OF BLUES
49SELECTED WORK: Gerald Murphy, Watch, 1925
19LISTENING COMPANION 1: “Lost Your Head Blues” (1926) – Bessie Smith
50EMBRACING INFLUENCES FROM AFRICA, ASIA, AND LATIN AMERICA
20JAZZ + BLUES
51SELECTED WORK: Meta Warrick Fuller, Ethiopia Awakening, c. 1921
21LISTENING COMPANION 2: “Dippermouth Blues” (1923) – Joe “King” Oliver
52SELECTED WORK: Yasuo Kuniyoshi, Boy Stealing Fruit, 1923
22JAZZ THRIVES IN CHICAGO
53SELECTED WORK: Frank Lloyd Wright, Ennis House, Los Angeles, California, 1923–24
23LISTENING COMPANION 3: “Hotter Than That” (1927) – Lillian Hardin Armstrong
54INDIGENEITY AND MODERNISM
24JAZZ LOOKS AHEAD
55SELECTED WORK: Maria and Julian Martinez, Bowl and Plate, c. 1925–30s
25LISTENING COMPANION 4: “The Stampede” (1926) – Fletcher Henderson
56INDUSTRIAL LABOR
26Section IV: Jazz Age City Life
57SELECTED WORK: Charles Sheeler, Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company, 1927
27URBAN TRENDS
58POLITICAL ACTIVISM BY ARTISTS
28SELECTED WORK: William Van Alen, Chrysler Building, New York, New York, 1928–30
59SELECTED WORK: Tina Modotti, Hands Resting On A Tool, 1927
29SELECTED WORK: Guy Pène du Bois, Woman on Sofa,c. 1922–27
60SELECTED WORK: Aaron Douglas, Let My People Go, c. 1935–39
30SELECTED WORK: Florine Stettheimer, Spring Sale at Bendel’s, 1921
61Conclusion
31SELECTED WORK: James Van Der Zee, Couple, Harlem, 1932
