Phenomenological Ontology And Literature
By Thaís De Sá Oliveira
Length2h 27m
About this audiobook
Based on a bibliographic research, the present book aims to present two different ways of expression used by Jean-Paul Sartre – philosophy and literature – to develop his Existentialism. Through the exposure of the main ideas contained in his work "Being and Nothingness: an Essay on Phenomenological Ontology", the objective is articulate his philosophy with the characters presented in his literary works. Initiating with a brief biography of the philosopher, the text continues with an explanation of fundamental concepts for the understanding of his thought, in order to discuss how these concepts are reflected in his writing, such as in the theatrical play "The Flies", the novel "Nausea" and the short story "Intimacy". Aiming to contribute as a study resource for those interested in the work of Sartre, this book draws parallels between his philosophical work and his literary writings.
Audiobook details
GenrePhilosophy, Literary Classics
Length2 hrs 27 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateApr 28, 2015
LanguageEnglish
Table of contents
1Phenomenological
22.4.1. Being-for-Others:
32.5. Anguish 2.6. Bad-Faith 2.7. Original Project
4Introduction
5In July of 1943, Jean-Paul Sartre and
Mostrar todos os capítulosVer menos
6In 1963, Sartre wrote “The Words” as
7Being-in-Itself
8Mário Giordani (1997, p. 101):
99). His thought considers that:
10Freedom
11Anguish
12identifies himself with his behavior, as well as
13105). Sartre states
14things, because he
15Original Project
16itself-for-itself, man
17freedom in the midst of a miserable existence.
18Freedom in Orestes
19ruffian by
20about the dangers with which the people of
21Bad-Faith in Electra
22keen sword,‖
23Questions about the reason why she
24not something eternal and public but personal
25me, in step?‖ (Sartre, 2005a, p. 49). Then she
26the
27the crowd realizes
28―the custom of the city forbids my punishing
29decision
30I'm Orestes, your
31always thinking of his strength and of my
32that he
33themselves‖ (Sartre, 2005a, p. 77).
34But I have kept order‖ (Sartre, 2005a, p. 77).
35doubt in relation to her feelings about what
36Electra declares:
37Because of her feeling of guilt, she
38“Intimacy”
39her husband. Inside the taxi, Lulu confesses
40The other attitude of the being-for-
41112). Another moment in which an act of bad-
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