Music and Life: A study of the relations between ourselves and music

Harmony of Emotions: Exploring the Transformative Power of MusicBy Thomas Whitney Surette
Listen with Sir Michael Caine™ and 1,000+ voices
Length4h 31m

About this audiobook

In "Music and Life: A Study of the Relations Between Ourselves and Music," Thomas Whitney Surette meticulously explores the profound and intricate connections between human experience and musical expression. This analytical work combines a philosophical approach with empirical observations, delving into the psychological and emotional impacts of music on the human condition. Surette's literary style is both accessible and erudite, characterized by a harmonious blend of scholarly rigor and lyrical prose, making complex ideas resonate with a broad audience. His examination is rooted in the early 20th-century context of burgeoning psychology and burgeoning interest in the arts, drawing on contemporary theories to elucidate how music serves as a mirror reflecting our innermost thoughts and feelings. Thomas Whitney Surette, an influential American theorist and composer, was deeply engaged in the study of music's role in society throughout his life. His academic background and personal passion for music innovation provided him with unique insights that informed his writing. Surette sought to bridge the often-separated realms of music theory and everyday experience, demonstrating how music shapes our emotional landscapes and cultural narratives. This illuminating work is highly recommended for anyone interested in the intersections of art, psychology, and human experience. Whether you are a musician, a musicologist, or simply a lover of music, Surette'Äôs profound insights will enrich your understanding of music'Äôs pivotal role in shaping our lives.

Audiobook details

Rating★★★★ 3.8 (27)
Includes Amazon, Goodreads
GenreOther
Length4 hrs 31 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateNov 5, 2021
LanguageEnglish

Table of contents

1II. THE VALUE OF SINGING
2III. CURRENT METHODS OF TEACHING
3IV. WHAT SHOULD CHILDREN SING?
4V. THE FALLACY OF THE INEVITABLE PIANOFORTE LESSON
5VI. THE REAL GOAL
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6FOOTNOTE:
7CHAPTER III PUBLIC SCHOOL MUSIC
8I. IDEALS OF PUBLIC SCHOOL EDUCATION
9II. THE VALUE OF MUSIC IN PUBLIC SCHOOL EDUCATION
10III. FALSE METHODS OF TEACHING
11IV. GOOD OR BAD MUSIC?
12V. ATTEMPTS AT REFORM
13VI. OTHER ACTIVITIES IN SCHOOL MUSIC
14FOOTNOTES:
15CHAPTER IV COMMUNITY MUSIC
16I. MUSIC BY PROXY
17II. OUR MUSICAL ACTIVITIES
18III. WHAT WE MIGHT DO
19IV. AN EXPERIMENT
20V. MUSIC AS A SOCIAL FORCE
21CHAPTER V THE OPERA
22I. WHAT IS OPERA?
23II. OPERA IN THE OLD STYLE
24III. WAGNER AND AFTER
25IV. WHEN MUSIC AND DRAMA ARE FITLY JOINED
26V. OPERA AS A HUMAN INSTITUTION
27CHAPTER VI THE SYMPHONY
28I. WHAT IS A SYMPHONY?
29II. HOW SHALL WE UNDERSTAND IT?
30III. THE MATERIALS OF THE SYMPHONY
31IV. TONE COLOR AND DESIGN
32FOOTNOTES:
33CHAPTER VII THE SYMPHONY (continued)
34I. THE UNITY OF THE SYMPHONY
35II. STAGES OF ITS DEVELOPMENT
36III. CHAMBER MUSIC AS AN INTRODUCTION TO SYMPHONIES
37IV. THE PERFORMER AND THE PUBLIC
38FOOTNOTE:
39CHAPTER VIII CONCLUSION: FOOTNOTE:
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