
The Viennese Secession
Klimt, Schiele, and the art of modern ViennaBy Victoria Charles, Klaus CarlLength4h 8m
About this audiobook
A symbol of modernity, the Viennese Secession was defined by the rebellion of twenty artists who were against the conservative Vienna Künstlerhaus' oppressive influence over the city, the epoch, and the whole Austro-Hungarian Empire.
Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a "total art", without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time.
Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed "for each time its art, for each art its liberty" – a declaration to the innovation and originality of this revolutionary art movement.
Audiobook details
GenreOther
Length4 hrs 8 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateJan 5, 2012
LanguageEnglish
Table of contents
1Victoria Charles & Klaus H. Carl
2© Confidential Concepts, worldwide, USA © Parkstone Press International, New York, USA
3List of Illustrations
4Preface
5Vienna in the Second Half of the 19th century
Show all chaptersShow less
6William Morris, Tapestry.
7The World Fair of 1889
8Art in England at the End of the Century
9Art on the Continent at the End of the Century
10The Precursors of the Viennese Secession in Munich and Berlin
11Munich
12The Artists of the Munich Secession
13Berlin
14This unusual group of
15Artists of the Berlin Secession
16Das war sein Milljöh.
17The Viennese Secession
18In the 19th century, the construction of
19Im Prater blüh’n wieder die Bäume
20The Künstlerhaus
21pass again like a short but fervid fever […].
22rooms somewhere in the city for small, intimate six-week exhibitions. The Viennese
23The single most important painter of
24The Secession I
25neither afraid nor hateful of
26The Ver Sacrum Magazine
27Christmas market.
28Kolo[man] Moser, the architects Josef Hoffmann and M. Olbrich, then Alfred
29the various
30shade of
31the
32The Secession II
33to the Genossenschaft der bildenden Künstler Wiens im Künstlerhaus:
34The Exhibition Centre of the Viennese Secession
35for devotion and contemplation, the chapel.
36natural environment.
37The Beethoven Frieze
38Josef Hoffmann, Design for Vienna’s Cabaret Fledermaus, 1907.
39The Secession III
40Artists of the Viennese Secession
41Gustav Klimt (Baumgarten, 1862-1918, Vienna)
42more than anyone else, for the artistic individuality of Vienna […].
43Koloman Moser (Vienna, 1868-1918)
44Alfred Roller (Brno, 1864-1935, Vienna)
45Egon Schiele (Tulln, 1890-1918, Vienna)
46Other Viennese Artists
47Wiener Werkstätte
48Josef Hoffmann, The logo of the Wiener Werkstätte (Vienna Workshop).
49silver latticework.
50The Most Important Artists of the Wiener Werkstätte