Length3h 38m
About this audiobook
"Have nothing in your house that you do not know to be useful, or believe to be beautiful." This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary ideas in Victorian England. In the middle of the "soulless" Industrial Era, when objects were standardised, the Arts & Crafts movement proposed a return to the aesthetic at the core of production. The work of artisans and meticulous design thus became the heart of this new ideology, which influenced styles throughout the world, translating the essential ideas of Arts & Crafts into design, architecture and painting.
Audiobook details
Rating★★★★ 4.1 (27)
Includes Amazon, Goodreads
GenreOther
Length3 hrs 38 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateJan 5, 2012
LanguageEnglish
Table of contents
1The Arts & Crafts The Arts & Crafts Movement Movement
2Text: Oscar Lovell Triggs
31- rUSKIN’S cONTRIBUTION TO THE dOCTRINE OF wORK
4distinct phase of
5Ruskin and Morris.
Show all chaptersShow less
6William Morris, “Wallflower” design. Private collection.
7the energy of
8freedom.
9the Gothic as
10The social wrong wrought by division of
11nor can the value of
12ideal nucleus of perfectly just persons, and from whom the idea of
13justice should
142 - mORRIS AND HISpLEA FOR AN iNDUSTRIALcOMMONWEALTH
15men of
16earliest opportunity of
17William Morris, Hammersmith carpet. Private collection.
18The beginning of Morris’s work as a professional decorator and manufacturer
19hedges. But of
20the spacious and finely
21Gavin Morton and G. K. Robertson, Donegal carpet, 1899. Private collection.
22between and above them, and a belt of
23undertake any species of decoration, mural or otherwise, from pictures, properly so-
24by themselves and under their supervision, of:
25III. Stained glass, especially with reference to its harmony with mural decoration.
26work in other such materials, besides every article necessary for domestic use.
27William Morris, Hammersmith carpet with a plain centre. Private collection.
28naturalism to the methods and limits of ornamental design.
29Philip Webb (for the design), the Red House, 1860. Bexleyheath, London.
30the Wolfings and The Roots of
31severe, without needless excrescences; solid, without the thickening and thinning of the
32his attitude.
33of Principles”.
343 - aSHBEE AND THE rECONSTRUCTED wORKSHOP
35workshop, the lines of
36Toynbee Hall. Mr. Ashbee notes:
37standard of
38life, some inspiration of a better taste, a more useful purpose, however
39Rookwood: An Ideal Workshop
404 - tHE dEVELOPMENT OF iNDUSTRIAL cONSCIOUSNESS
41William Morris, The Lesser Arts, 1877.
42pleasure of
43Kelmscott Manor. Built in 1570.
44Two definitions of
45MAJOR ARTISTS
46John Ruskin (London, 1819 - Coniston, 1900)
47inspiration for the Arts and Crafts movement of the later nineteenth century.
48ecology, and the conservation of buildings and environments, about Romantic painting, and
49Philip Speakman Webb (Oxford, 1831 - Worth, 1915)
50as a certain sophistication and a touch of medievalism.
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