Length1h 33m
About this audiobook
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz's connections in the arts community of New York – from 1923 he organised an O'Keeffe exhibition annually – O'Keeffe's work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology". The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.
Audiobook details
Rating★★★★ 4.3 (1.4K)
Includes Goodreads
GenreOther
Length1 hr 33 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateJul 1, 2011
LanguageEnglish
Table of contents
1O’Keeffe
2District 1, Ho Chi Minh City, Vietnam.
3Biography
41902: 1905-1906: Georgia studies at the Art Institute of Chicago. 1907-1908: 1908:
51914 Pastel on Paper, 35.5 x 49.5 cm Private Collection
Show all chaptersShow less
6People
7Blue Lines No. 10
8Special No. 21
9Why? Because the paintings, although simple
10Georgia Totto O’Keeffe was born on
11Evening
12children from books such as James Fenimore
131917 Watercolour, 45.7 x 34.3 cm Georgia O’Keeffe Museum, Santa Fe
14Madison, Wisconsin where her children
15tual interests, and as a young girl thought of
16Pink and Blue Mountain
171917 Watercolour, 22.9 x 30.5 cm Private Collection
181917 Watercolour, 30.5 x 20.3 cm Amon Carter Museum, Fort Worth
19Consistent with her desire for her children
20during their elementary school years. The
211917 Watercolour, 30.2 x 22.5 cm Amon Carter Museum, Fort Worth
221917 Watercolour on paper, 30.5 x 22 cm Private Collection
23Sacred Heart Academy, a Dominican
241917 Watercolour, 22.8 x 30.5 cm Milwaukee Art Museum, Milwaukee
25Evening Star, No. VI
261917 Watercolour, 22.9 x 30.5 cm Georgia O'Keeffe Museum, Santa Fe
27In 1902, Francis O’Keeffe moved his
28Evening Star, No. III
29her own resources for amusement. At
30Evening Star, No. VII
31been Elizabeth May Willis, Chatham’s
321917 Watercolour, 22.9 x 30.5 cm Private Collection
33Oranges), a watercolor in earth tones of
34Woman with Apron
35pursue her art career in earnest and in 1905
36Three Women
37Jennie Varnie.
38Window, Red and Blue Sill
39air of the country.
40Figures under Rooftop
41behind the dressing room curtain wearing
42instructor John Vanderpoel, one of the few
43and attend the Art Students League School.
44with the dapper William Merritt Chase, one
45Just like her anatomy class at the School
46singularly forgettable and his criticisms
47Series I, No. 8
48Music, Pink and Blue II
49Blue and Green Music
50Grapes on a White Dish - Dark Rim
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