Length2h 4m
About this audiobook
The art of the Ukiyo-e reflected the artistic expression of an isolated civilisation which, when it became accessible to the West, significantly influenced a number of European artists. The three masters of Ukiyo-e, Hokusai, Utamaro and Hiroshige, are united here for the first time to create a true reference on Japanese art. The three masters rank highly among the most famous Japanese artistic productions of all time. This new title of the Prestige of Art collection will be a reference for art students and Japanese art lovers.
Audiobook details
GenreOther
Length2 hrs 4 mins
Narrated byListen with 1,000+ voices
FormateBook with Audio
Publish dateJul 1, 2011
LanguageEnglish
Table of contents
1Hiroshige Hiroshige
2Foreword
3Biography
4that
5Between the seventeenth and nineteenth
Show all chaptersShow less
6SPRING
7A Bright Morning after a Fall of Snow by the Nihonbashi Bridge
8Hill of the Outpost of the Mists.
9The Outpost of the Mists
10traditional themes of Japanese poetry in
11Tsukudajima Island from the Eitaibashi Bridge
12The Ekoin Monastery at Ryogoku and the Moto-Yanagibashi Bridge
13In the early Edo period this spot, like the
14the Battle of
15From the second half of the seventeenth
16century, merchants trading in fabrics
17The Street of Fabric Shops in the Odemmacho Quarter
18The Surugacho Quarter
19Nihonbashi bridge to Ueno, for the inspection
20The Kanda-myojin Shrine at Daybreak
21Hirokoji Street in the Shitaya District
22the name Sendagi –
23Gotenyama, the bank of the Sumidagawa
24The View North from Asukayama Hill
25the temple festival on the 1st Day of the
26Asukayama
27Tokugawa family, but in the Meiji period it
28Yamanote, an aristocratic section of
29Until the mid-nineteenth century Hiroo
30one of the most popular cults in Japanese
31The Original Fuji at Meguro
32The very name “Hanging-Armour Pine”
33The “Hanging-Armour Pine” and Hakkeizaka
34Bunsei era (1818-1830) when a special
35The Plum Orchard in Kamata
36In the Edo period the name Sunamura
37Moto-Hachiman Shrine, Sunamura
38Jikkengawa canal, with cherry trees
39This print
40western approaches to Edo. The canal
41For Hiroshige’s contemporaries, Matsuyama
42Suijin-no mori
43Here Hiroshige places us in Asakusa on
44the west bank of the Sumidagawa. The
45along the Sumidagawa.
46Dawn in the “Green Quarters”
47Distant View of the Kinryuzan and the Azumabashi Bridge
48The Bashoan Retreat on Tsubakiyama near the Aqueduct in the Sekiguchi Quarter
49The Hachiman Shrine in Ichigaya
50SUMMER
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